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‘Franc cavallier de bona fe’, v. 8466: su alcuni elementi intertestuali nel Jaufre “Franc cavallier de bonafe”，第8466页：论《Jaufre》中的一些互文要素
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2020-12-08 DOI: 10.7203/mclm.7.16558
M. Lecco
{"title":"‘Franc cavallier de bona fe’, v. 8466: su alcuni elementi intertestuali nel Jaufre","authors":"M. Lecco","doi":"10.7203/mclm.7.16558","DOIUrl":"https://doi.org/10.7203/mclm.7.16558","url":null,"abstract":"On a very original narrative system, Jaufre's novel is constructed through inter-textual references and relationships with many contemporary romance texts. The work presented here tries to highlight specific relationships that connect the novel with the P remiere Continuation Perceval and with the novel by Renaut de Beaujeu Le Bel Inconnu .","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49209170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Triumphs’ Golden Age: a comparison between three European translations of Ilicino’s Commentary. 《胜利者的黄金时代》：伊利奇诺评论的三个欧洲译本之比较。
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2020-12-08 DOI: 10.7203/mclm.7.17565
Leonardo Francalanci
{"title":"The Triumphs’ Golden Age: a comparison between three European translations of Ilicino’s Commentary.","authors":"Leonardo Francalanci","doi":"10.7203/mclm.7.17565","DOIUrl":"https://doi.org/10.7203/mclm.7.17565","url":null,"abstract":"During the last part of the fifteenth and the first decades of the sixteenth centuries, the dissemination of Petrarch’s Trionfi – the so-called ‘second wave’ of Petrarchism – was characterized by the extraordinary editorial success, in Italy as well as in the rest of Western Europe, of Bernardo Ilicino’s Commento on the Trionfi. By promoting an erudite, encyclopedic, and moralizing reading of Petrarch’s poem, Ilicino’s commentary effectively became a lens through which generations of European readers approached the text. Nonetheless, the dissemination of the commentary proved not to be immune from the influence of sixteenth-century lyrical Petrarchism, which started developing almost at the same time but would not reach peak until few years later. A comparative study of the three known translations of Ilicino’s Commento in Catalan, French and Spanish – even more so, vis à vis the translation of the poem without the commentary – allows us to identify similarities among these translations, as well as important differences. Some of these differences reveal that while the commentary was still sought after by early sixteenth-century readers of Petrarch’s poem, the general approach towards the poem was already starting to shift in the direction of Petrarchism. The three European translations of Ilicino’s Commentary, when organized chronologically, help shed light on how much the reception of the Triumphs was influenced at the time by the parallel development of European Petrarchism, which promoted a more direct, literary approach towards the poem.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45029137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les estratègies de traducció d’Andreu Febrer en la seva versió de la Commedia de Dante 费雷尔在《但丁喜剧》译本中的翻译策略
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2020-12-08 DOI: 10.7203/mclm.7.17011
Raquel Parera
{"title":"Les estratègies de traducció d’Andreu Febrer en la seva versió de la Commedia de Dante","authors":"Raquel Parera","doi":"10.7203/mclm.7.17011","DOIUrl":"https://doi.org/10.7203/mclm.7.17011","url":null,"abstract":"This paper studies the technique applied by Andreu Febrer in the verse translation of Dante’s Commedia , in which he preserved both the metre and the meaning. The adopted point of view diverges from the usual appraising approach to this translation, describing instead the varied techniques used by the translator. The examples analised show a skilled and creative poet able to preserve the formal constriction without sacrificing the semantic accuracy with respect to Dante’s text.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41453312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anne de Graville Translates Alain Chartier: Identifying the Manuscript Source in the Margins of B.N. fr. 2235 安妮·德·格拉维尔翻译阿兰·夏蒂埃:确定B.N.页边空白处的手稿来源
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2020-12-08 DOI: 10.7203/mclm.7.17010
J. E. McRae
{"title":"Anne de Graville Translates Alain Chartier: Identifying the Manuscript Source in the Margins of B.N. fr. 2235","authors":"J. E. McRae","doi":"10.7203/mclm.7.17010","DOIUrl":"https://doi.org/10.7203/mclm.7.17010","url":null,"abstract":"An examination of the single manuscript of Anne de Graville’s  Rondeau , a ‘translation’ of Alain Chartier’s  La Belle dame sans mercy , as well as consideration of 1424 and Carl Wahlund’s 1897 critical edition reveals that Anne used several manuscripts and early printed editions in establishing the version of Chartier’s poem written in the margins of BN fr 2253. The base exemplar was most likely St. Petersburg, National Library of Russia MS fr. f° v. XIV. 0007, with variants found in BN fr 20026, BN fr 924, and the early printed editions.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47932574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Self-Translation in the Northern Renaissance: Jan van der Noot’s French Verse 北方文艺复兴时期的自我翻译:扬·凡·德·努特的法语诗歌
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2020-12-08 DOI: 10.7203/mclm.7.17177
A. Armstrong
{"title":"Self-Translation in the Northern Renaissance: Jan van der Noot’s French Verse","authors":"A. Armstrong","doi":"10.7203/mclm.7.17177","DOIUrl":"https://doi.org/10.7203/mclm.7.17177","url":null,"abstract":"The Brabantian poet Jan van der Noot (1539-95?) wrote in both Dutch and French, and composed several works in both languages. Sometimes the two versions were published separately: the Dutch collection Het Theatre and its French counterpart, Le Theatre , were each printed in London in 1568. More often, the versions appeared alongside each other in bilingual editions: Cort begryp der XII boeken Olympiados / Abrege des douze livres Olympiades (1579), Lofsang van Braband / Hymne de Braband (1580), and various short pieces reproduced in anthologies of Van der Noot’s poetry (1580-95). The present study contends that Van der Noot’s self-translations should be read as translations from Dutch to French, rather than from French to Dutch as scholars have commonly assumed. It examines Van der Noot’s self-translational strategies, focusing in particular on his handling of form and versification, and the role played by paratext and illustrations. In doing so, it offers an alternative perspective on a figure whose translational activity is generally considered to have operated in the opposite direction, introducing innovations into Dutch poetry by imitating the work of Ronsard and the Pleiade.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44042800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Medieval Catalan Horticultural Treatise, "Memòria de les maneres de les llaurons": Introduction, Critical Edition, Translation, Notes and Glossary 中世纪加泰罗尼亚园艺论文，“Memòria de les maneres de les llaurons”:介绍，关键版，翻译，注释和术语表
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2019-12-08 DOI: 10.7203/mclm.6.13913
T. M. Capuano
{"title":"A Medieval Catalan Horticultural Treatise, \"Memòria de les maneres de les llaurons\": Introduction, Critical Edition, Translation, Notes and Glossary","authors":"T. M. Capuano","doi":"10.7203/mclm.6.13913","DOIUrl":"https://doi.org/10.7203/mclm.6.13913","url":null,"abstract":"The seven known witnesses to a hitherto unpublished medieval Catalan horticultural treatise, Memoria de les maneres de les llaurons , are compared and analyzed. A critical edition is presented, with introduction, notes, English translation and glossary. In an appendix, a synoptic edition provides transcriptions of all accessible witnesses to this text.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45979423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bartomeu de Tresbens, metge i astròleg de Pere el Cerimomiós: aproximació biogràfica i diplomatari Bartomeu de Tresbens，出席仪式的医生和占星家：生物学和外交方法
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2019-12-08 DOI: 10.7203/mclm.6.13906
Carmel Ferragud, Sebastià Giralt
{"title":"Bartomeu de Tresbens, metge i astròleg de Pere el Cerimomiós: aproximació biogràfica i diplomatari","authors":"Carmel Ferragud, Sebastià Giralt","doi":"10.7203/mclm.6.13906","DOIUrl":"https://doi.org/10.7203/mclm.6.13906","url":null,"abstract":"A biographical approach to Bertomeu de Tresbens, a physician and astrologer who worked for King Pere el Cerimonios of Aragon and for his son infant Joan, later known as Joan I el Cacador . This biography is built on a thorough reseach based on all documentation on him found in archives –principally in the Archive of the Crown of Aragon–, as well as on the information contained in all his astrology works. We place Tresbens in his Occitan origin and in the economic, political and social contexts of the time when he had been documented in territories of the Crown of Aragon. Thus, the man behind the most important Catalan oeuvre on astrology is brought to light. We have studied particularly his career regarding his relationship with the monarchy and with the town of Cervera, whose local government planned to employ him as a physician. Finally, we present an original edition of all documentation found in archives regarding Tresbens used in this paper.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44857957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Materialitat i errors de composició d’un incunable poètic (b2/87FD): la rendibilitat ecdòtica
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2019-12-08 DOI: 10.7203/mclm.6.15318
J. Martos
{"title":"Materialitat i errors de composició d’un incunable poètic (b2/87FD): la rendibilitat ecdòtica","authors":"J. Martos","doi":"10.7203/mclm.6.15318","DOIUrl":"https://doi.org/10.7203/mclm.6.15318","url":null,"abstract":"The material analysis of the witnesses of a literary work is part of the phase of recension in a process of textual criticism, which must go beyond the mere description of the content. It is necessary to pay attention to the information that these characteristics give about the contents, about the process of textual transmission, because these data will have ecdotic value. Thus, this work studies the materiality and compositorial errors of a Valencian poetical incunabulum, which is the first of a trilogy of printed works dedicated to the Immaculate Conception and sponsored by Ferran Dies.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43600768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Foundations and Foundation Myths of the Troubadours 剧团的基础和基础神话
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2019-12-08 DOI: 10.7203/mclm.6.14815
W. Pfeffer
{"title":"Foundations and Foundation Myths of the Troubadours","authors":"W. Pfeffer","doi":"10.7203/mclm.6.14815","DOIUrl":"https://doi.org/10.7203/mclm.6.14815","url":null,"abstract":"A review of several origin myths relating to the creation of medieval Occitan lyric poetry. We see a preference for a “great man theory” of origins, though the “great man” may be a fictional woman. Medieval and early Renaissance Occitan authors, including Uc de Saint Circ, Guilhem Molinier, and Jean de Nostredame, used differing origin myths to validate literature in a language that was perceived not to carry the prestige of twelfth- and thirteenth-century Latin or fifteen- and sixteenth-century French.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44758965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El lai “Si bé, Fortuna, has dat lo torn”: Edició crítica del poema en català de la novel·la "Triste deleitación" La lai“Si bien，Fortuna，has dado lo撕裂”：Edición crítica del poema en català的中篇小说“Triste deleitación”
IF 0.1
Magnificat Cultura i Literatura Medievals Pub Date : 2019-12-08 DOI: 10.7203/mclm.6.13944
Marta Marfany
{"title":"El lai “Si bé, Fortuna, has dat lo torn”: Edició crítica del poema en català de la novel·la \"Triste deleitación\"","authors":"Marta Marfany","doi":"10.7203/mclm.6.13944","DOIUrl":"https://doi.org/10.7203/mclm.6.13944","url":null,"abstract":"The Castilian novel Triste deleitacion , written in the late fifteenth century by an author from the Crown of Aragon, includes several letters and poems. One of these poems, “Sy be, Fortuna, as dat lo torn”, is written in Catalan. This article presents the poem’s annotated critical edition, which reports how it is indebted to the Catalan lyrical tradition. Written in an evolved form of the French lai cultivated by various Catalan poets, the poem is clearly influenced by Pere Torroella’s lai “Qui volra veure un pobre estat”, and linked to two other similar lais also dependent on Torroella’s. This edition is completed by a translation into modern Catalan.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43085049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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