剧团的基础和基础神话

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES
W. Pfeffer
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引用次数: 0

摘要

回顾与中世纪欧西坦抒情诗创作有关的几个起源神话。尽管“伟人”可能是一个虚构的女人,但我们看到人们更喜欢“伟人理论”的起源。中世纪和文艺复兴早期的欧西坦作家,包括圣西罗大学(Uc de Saint Circ)、吉尔赫姆·莫里尼尔(Guilhem Molinier)和让·德·诺斯特雷达姆(Jean de Nostredame),使用不同起源的神话来验证文学,这种语言被认为没有十二世纪和十三世纪拉丁语或十五世纪和十六世纪法语的声望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Foundations and Foundation Myths of the Troubadours
A review of several origin myths relating to the creation of medieval Occitan lyric poetry. We see a preference for a “great man theory” of origins, though the “great man” may be a fictional woman. Medieval and early Renaissance Occitan authors, including Uc de Saint Circ, Guilhem Molinier, and Jean de Nostredame, used differing origin myths to validate literature in a language that was perceived not to carry the prestige of twelfth- and thirteenth-century Latin or fifteen- and sixteenth-century French.
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来源期刊
Magnificat Cultura i Literatura Medievals
Magnificat Cultura i Literatura Medievals MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.
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