费雷尔在《但丁喜剧》译本中的翻译策略

IF 0.2 N/A MEDIEVAL & RENAISSANCE STUDIES

Magnificat Cultura i Literatura Medievals Pub Date : 2020-12-08 DOI:10.7203/mclm.7.17011

Raquel Parera

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引用次数: 0

摘要

本文研究了费雷尔在但丁《大百科全书》诗歌翻译中运用的既保留韵律又保留意义的技巧。所采用的观点与通常的翻译评价方法不同，而是描述了译者使用的各种技巧。分析的例子表明，一位技巧娴熟、富有创造力的诗人能够在不牺牲但丁文本语义准确性的情况下保持形式上的紧缩。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Les estratègies de traducció d’Andreu Febrer en la seva versió de la Commedia de Dante

This paper studies the technique applied by Andreu Febrer in the verse translation of Dante’s Commedia , in which he preserved both the metre and the meaning. The adopted point of view diverges from the usual appraising approach to this translation, describing instead the varied techniques used by the translator. The examples analised show a skilled and creative poet able to preserve the formal constriction without sacrificing the semantic accuracy with respect to Dante’s text.

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来源期刊

Magnificat Cultura i Literatura Medievals MEDIEVAL & RENAISSANCE STUDIES-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.