{"title":"The pecularities of transcription of homofon-harmonic musical works for accordion","authors":"Petru Știuca","doi":"10.52673/18570461.23.1-68.19","DOIUrl":"https://doi.org/10.52673/18570461.23.1-68.19","url":null,"abstract":"The article deals with the general and specific issues of accordion transcription development. The peculiarities of this process depend largely on the discourse of the original creations, selected for transcription. Most of them belong to the homophonic-harmonic style, usually corresponding to the period of musical classicism and romanticism, and are written for piano or violin solo, or with orchestral accompaniment. The author focuses on the specifics of the given instruments, analyses the transcription of homophonic-harmonic creations from a historical perspective. At the same time, specific features and recommendations are presented in order to create accordion versions of musical creations in this style.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81382251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Evolution of surgical treatment in Hirschsprung’s disease in children","authors":"Andrei Draganel, Veaceslav Boian, Olesea Utchina","doi":"10.52673/18570461.23.1-68.04","DOIUrl":"https://doi.org/10.52673/18570461.23.1-68.04","url":null,"abstract":"This article represents a study of the scientific literature data about Hirschsprung disease, which describes the etiology, pathogenesis, classification, development of the methods of medico-surgical conduct at different stages of medical care of these groups of patients – from the time of the first research to the present. The objective of this article is to remark the achievements in pediatric surgery, namely in solving the adjacent issues caused by Hirschsprung disease and elucidating existing controversies and gaps.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85348245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Innovative features in ”Sonata for violin and piano” by Boris Dubosarschi","authors":"Inessa Saulova","doi":"10.52673/18570461.22.4-67.16","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.16","url":null,"abstract":"The article examines the Sonata for violin and piano by B. Dubosarsky in terms of content, form and interpretative treatment. The author aims to reveal the innovative features of this work, which are manifested primarily in the interpretation of the form, combining the features of a three-part cycle and a large one-part composition. The intonation-thematic structure of the sonata, the ratio of the violin and piano parts are analyzed in detail, performing recommendations are offered for developing a creative version of the interpretation. As a result, it is concluded that the Sonata for Violin and Piano by B. Dubosarsky is an original example of an individual solution of a genre form, the innovation of which lies in the synthesis of a deep philosophical content, an original composition and a convincing ensemble interpretation of the violin and piano.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"195 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77638472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Psychological determinants of bullying behavior in adolescents","authors":"Rodica Popa","doi":"10.52673/18570461.22.4-67.14","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.14","url":null,"abstract":"The article shows the data which have been found through a research on a sample of 286 adolescents from three high schools in The Braila County, Romania. There have been used several sequences as working tools: one for measuring the intensity of bullying and victimization behavior, another for measuring the level of self-esteem and the third for measuring the level of personality traits: extraversion, psychoticism, neuroticism, behavioral deviance and dissimulation. Taking into consideration the relationship between bullying and self-esteem, it has been shown that there is no statistically significant correlation between self-esteem and bullying behavior. Therefore it has been proved a statistically significant correlation between self-esteem and victimization but an inverse one. The case study conducted in a humanities class, in a high school with top-class students, composed mostly of teenage girls, demonstrated that most of the girl-students involved in acts of harassment-intimidation had high self-esteem. All the investigated personality traits generate statistically significant correlations with either bullying or victimization or both bullying relationship components. All investigated personality traits generate statistically significant correlations with either bullying or victimization or both components of the bullying relationship.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"277 1-2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78466310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"”The moral and psychological atmosphere” in the student environment during the germination phase of the national renaissance Movement in the MSSR","authors":"L. Rotaru","doi":"10.52673/18570461.22.4-67.12","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.12","url":null,"abstract":"The context created by the premises and evolution of the national revival Movement and the delayed restructuring of the Soviet higher education stimulated the civic activism and the involvement of the „easily inflammable collective” of students in the events taking place in the MSSR in the second half of the 80s. Students from higher education institutions of the MSSR initiated actions consistent with the general objectives of perestroika, glasnost and national reawakening even before 1988, only that their actions were small, often singular, and the most resonant were identified and promptly penalized by the “competent bodies”, who monitored the mood of the academic collectives with particular attention. Although they had a complex network of methods and instruments for monitoring the „moral atmosphere and psychology” of the students, towards the end of 1988, the party authorities lost control and the battle for the minds and spirits of the students, they demonstrating civic and political maturity in the events of November 1988.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88093547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Composer Snejana Pislari: the steps of forming a creative personality","authors":"Dumitru Cabacov","doi":"10.52673/18570461.22.4-67.17","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.17","url":null,"abstract":"The article examines the personality and creative activity of the composer Snejana Pislari, reveals her contribution in the field of national composition, her activity in the pedagogical, publishing and social fields, and discloses the process of formation of her artistic and aesthetic principles that was finalized under the influence of established teachers – Loghin Turcanu, Vladimir Bitkin, Constantin Rusnac and Pavel Rivilis. The full list of Snejana Pîslari’s published works is presented. The composer’s genre, style and timbral priorities are highlighted. In conclusion, the stylistic paradigms of her creation – the tendency towards minimalism, repetitive technique and neofolklorism – are exposed.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"280 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73267122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The literary work as dialogue and relationship","authors":"Aliona Grati","doi":"10.52673/18570461.22.4-67.13","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.13","url":null,"abstract":"The intention of this article is to present the results of a collective scientific research project in the theory of literature that was carried out in a period of more than ten years (2011–2022) on the topic “Dialogism of the literary work”. These results determined another collective contribution in the theory of literary criticism. By the notion of “scientific project” we understand the PhD thesis (Aliona Grati) and other four doctoral theses (Oxana Popa, Elisaveta Iovu-Macari, Diana Dementieva, Rodica Gotca), which were carried out in the same research direction and a collective monograph. The objective of this vast project was to present the development directions of dialogic theory/aesthetics and dialogism that Mikhail Bakhtin imposed on the international circuit. The scientist insisted on the idea that the literary work is the aesthetic area for the full unfolding of dialogic relationships, thus foreshadowing a paradigm in the research of 20th century literature. The doctoral theses presented how dialogic theory was approached within some theoretical schools and systems, as well as by some brand personalities. These researches constituted pretexts for the theorization of five new models of literary criticism that grew from the stem of dialogism: Dialogic, Imagology, Sociocriticism, Criticism oriented towards the reader, Ergocriticism. They aim at modern, complex and layered literary works that represent the existence and the world with human voices in dialogue, with texts in relation and with systems in relation.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81054585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cadenzas in the horn concertos by Oleg Negruta: interpretative aspects","authors":"D. Munteanu","doi":"10.52673/18570461.22.4-67.15","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.15","url":null,"abstract":"The purpose of this article is to highlight the most important characteristic aspects of the cadenzas of the horn Concertos and orchestra signed by Oleg Negruta. The composer uses an original language in his cadenzas, emphasizes the timbral qualities and technical possibilities of the instrument. In this context, several innovative aspects stand out: the doina character, the improvisational style, the influence of traditional folk and jazz music. This study aims to emphasize the most distinctive elements used within the analyzed cadenzas, viewed from an interpretive aspect, and to define some recommendations in this regard.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"100 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89919500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sports life in interwar Chisinau","authors":"Ion Xenofontov","doi":"10.52673/18570461.22.4-67.11","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.11","url":null,"abstract":"Based on unpublished documents and iconographic sources found in the archives of the Republic of Moldova and Romania, by studying the interwar press, statistical data and period reports we shall try to reconstruct the aspects of the sports life of interwar Chisinau. According to the number of inhabitants, the capital of Bessarabia represented the second largest city of Greater Romania as a whole, the first being Bucharest.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"204 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77987701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chisinau architecture of the post-soviet period","authors":"Mariana Şlapac","doi":"10.52673/18570461.22.4-67.19","DOIUrl":"https://doi.org/10.52673/18570461.22.4-67.19","url":null,"abstract":"The buildings constructed in Chisinau after year 1991 propose a diversified architecture. The stylistic range is quite various: neoclassicism, modernism, postmodernism, high-tech, deconstructivism, neominimalism, brutalism, etc. The influence of neoclassical architecture is felt upon the multistory building of S.A. “ASCOM Group”, and modernism is illustrated by the building of the “Kentford” Business Center, the building of the “Infotag” Information Agency, etc. Among the most illustrative examples of postmodernist architecture is the „Coliseum Palace” residential complex, the “Moldincombank” commercial bank building, Center Branch, etc. High-tech architecture is illustrated by the “SKYTOWER” International Business Center building, the “Shopping MallDova” shopping and entertainment center building, the “Chisinau Arena” multifunctional complex, etc. The buildings of the Business Center “SG Business Centru” and the International Business Center “Le Roi” belong to the architecture of deconstructivism. An architectural premise with elements of brutalism and neominimalism is the Creative Industries Center ARTCOR. The contribution of architects Gh. Telipiz, Gh. Jinkin, I. Apostolov, V. Modârcă, A. Gordeev, M. Calujac and others could be highlighted during the reference period.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80076451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}