Innovative features in ”Sonata for violin and piano” by Boris Dubosarschi

Inessa Saulova
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引用次数: 0

Abstract

The article examines the Sonata for violin and piano by B. Dubosarsky in terms of content, form and interpretative treatment. The author aims to reveal the innovative features of this work, which are manifested primarily in the interpretation of the form, combining the features of a three-part cycle and a large one-part composition. The intonation-thematic structure of the sonata, the ratio of the violin and piano parts are analyzed in detail, performing recommendations are offered for developing a creative version of the interpretation. As a result, it is concluded that the Sonata for Violin and Piano by B. Dubosarsky is an original example of an individual solution of a genre form, the innovation of which lies in the synthesis of a deep philosophical content, an original composition and a convincing ensemble interpretation of the violin and piano.
鲍里斯·杜波萨斯基的《小提琴与钢琴奏鸣曲》的创新特征
本文从内容、形式和阐释处理三个方面对杜波萨斯基的小提琴钢琴奏鸣曲进行了考察。笔者旨在揭示这部作品的创新之处,主要表现在对形式的解读上,结合了三部曲和大一部曲的特点。详细分析了奏鸣曲的音准-主题结构、小提琴声部与钢琴声部的比例,并提出了演奏建议,以开发出创造性的演绎版本。因此,杜博萨尔斯基的《小提琴与钢琴奏鸣曲》是一种流派形式的个人解决方案的原创范例,其创新之处在于将深刻的哲学内容、原创的作曲和令人信服的小提琴与钢琴合奏结合在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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