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Research on ‘Conversation Poems’ as a Mutual Communication System in Tang Period 唐代“对话诗”互传系统研究
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-08-31 DOI: 10.22344/fls.2023.91.33
Junyoung Jang
{"title":"Research on ‘Conversation Poems’ as a Mutual Communication System in Tang Period","authors":"Junyoung Jang","doi":"10.22344/fls.2023.91.33","DOIUrl":"https://doi.org/10.22344/fls.2023.91.33","url":null,"abstract":"This paper analyzes the characteristics of communication revealed in the process of questioning and answering the giving-and-answer poems of the Tang Dynasty. First, 'xingjuan(行卷)', 'tongbang(通榜)', 'tongyou(同遊)', and 'shiyan(詩宴)' were examined regarding the formation of society through poetry and political relationships among writers. Second, with the theme of ‘multi-cubic of love', how people create a 'semantic space' through giving-and-answer poems and how they develop a dedicated 'channel' are analyzed. Third, under the theme of 'intersection' between art and practical culture, various reactions when giving-and-answer poems collide with practicality are analyzed. Finally, the idea of how to apply the various practical functions and social and cultural meanings of gift-and-answer poetry as a mutual communication system in our lives and societies are considered. The ways communication can be accepted as a culture and ‘gift-giving poetry’ can be developed into the conditions and possibilities for living art are examined from the viewpoint of truth, goodness, and beauty.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125701662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intertextuality in Jenny Erpenbeck’s The End of Days: Focusing on References to Majakowski’s Secret of Youth 珍妮·埃彭贝克《末日》的互文性——以对马雅科夫斯基《青春的秘密》的参考为中心
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-08-31 DOI: 10.22344/fls.2023.91.67
Seonghee Cho
{"title":"Intertextuality in Jenny Erpenbeck’s The End of Days: Focusing on References to Majakowski’s Secret of Youth","authors":"Seonghee Cho","doi":"10.22344/fls.2023.91.67","DOIUrl":"https://doi.org/10.22344/fls.2023.91.67","url":null,"abstract":"Kristeva's famous definition of intertextuality that “each text is built up as a mosaic of quotations” goes through post-structuralist discourse and expands to ‘universal intertext’. However, the intertextuality can be differentiated and graded according to the degree of intensity of the intertextual reference. Jenny Erpenbeck’s novel The End of Days in which quoted passages from various texts such as literature, the Bible, the Talmud, earthquake records, and song lyrics are inserted throughout has a high level of intertextuality, and this paper analyzes the intertextuality between this novel and Majakowski’s Secret of Youth. The intertextuality between these two works functions in a way of synecdoche. Erpenbeck actively utilizes preceding text in her novel by bringing the discourse structure of the poem into the novel to compose the character's remarks or by translating the poem into prose. The passages in which Majakowski’s phrase is quoted show the process of forming a multi-layered semantic structure through intensive repetition.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"356 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129217277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Formation of the German Literary Market and Translation Industry since the 18th Century 18世纪以来德国文学市场与翻译产业的形成
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-05-31 DOI: 10.22344/fls.2023.90.09
J. Seo
{"title":"The Formation of the German Literary Market and Translation Industry since the 18th Century","authors":"J. Seo","doi":"10.22344/fls.2023.90.09","DOIUrl":"https://doi.org/10.22344/fls.2023.90.09","url":null,"abstract":"Historian Rolf Engelsing defined the late 18th century as “a transitional period from intensive book reading to extensive reading.” But in the German-speaking world, domestic books alone could not fully satisfy the public's desire for reading. This is because people's cultural interests and tastes had diversified and increased. Therefore, the publishing world turned its attention to foreign literature and publications and began to translate foreign literature extensively. Until the early 1820s, translations were extremely rare. However, German writers and intellectuals migrated abroad due to censorship, leading to the shrinking of the German-speaking publishing culture. This contradictory phenomenon led to the growth of the translation industry in Germany, and the activities of translation factories were particularly active.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124905236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Uzbek Language before the National Reform: A New Approach to Sart Ethnolinguistic Identity Based on the Late Chagatai Turkic Literature 民族改革前的乌兹别克语:从察合台晚期突厥文学出发的民族语言认同新探
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-05-31 DOI: 10.22344/fls.2023.90.31
Ho-Lim Song
{"title":"The Uzbek Language before the National Reform: A New Approach to Sart Ethnolinguistic Identity Based on the Late Chagatai Turkic Literature","authors":"Ho-Lim Song","doi":"10.22344/fls.2023.90.31","DOIUrl":"https://doi.org/10.22344/fls.2023.90.31","url":null,"abstract":"Following the end of the Governorate of Russian Turkistan (1867-1917), the Sart, who represented the majority of the local population, were absorbed by the new Uzbek nation with the establishment of the Uzbek Soviet Socialist Republic in 1924. After only a year, Abdullah Qadiri published the first modern novel in the Uzbek language, “Bygone Days” (1925), and soon after released “Scorpion from the Altar” (1928), which decried the regime of Khudayar Khan and his Sart officialdom. However, it is difficult to fully assess the 19th century, which laid the foundations of the modern Uzbek language and national identity, from the perspective of a radical Jadid-socialist view. Therefore, this research intends to re-evaluate the ethnolinguistic identity of Sart writers through their literary achievements. Firstly, it discusses the origin of the words “Sart” and “Tajik” to clarify the ethnolinguistic distinction between Sarts and the other Turkic peoples. Finally, it sheds new light on the legacy of Sart literature still visible in modern Uzbek literature.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126404544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crusade Reflected in “The Knight’s Tale” 《骑士的故事》中的十字军东征
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-05-31 DOI: 10.22344/fls.2023.90.105
Dongchoon Lee
{"title":"Crusade Reflected in “The Knight’s Tale”","authors":"Dongchoon Lee","doi":"10.22344/fls.2023.90.105","DOIUrl":"https://doi.org/10.22344/fls.2023.90.105","url":null,"abstract":"Although original fervor of religious idealism was cooling somewhat and a sense of practicality was taking over, the crusades were far from a dead issue among the commoners as well as the nobles during the fourteenth century. As this century is called 'the real age of propaganda for the crusade,' some writings including late Middle English romances and chivalric treatises stress the justice of the crusades and urge people, in particular, the knights, to action. Chaucer, who was in a precarious position at court and had a perfect understanding of the crusades deeply embedded in the knights' mind, adds two real crusaders in The Canterbury Tales: the Knight and his son, the Squire. While eulogizing crusading as an admirable pursuit of the knight, Chaucer does not ignore a natural contradiction between the brutal violence or killing that military campaigns required and the religious motivation of converting the infidel into Christianity. Such an ambivalence is revealed implicitly in his portrait of the Knight as well as in The Knight's Tale.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"87 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133787797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Comparative Study on Sense Utilization of Cathedral and Escorted by Light: Focused on the New Function of Expressionism 《大教堂》与《光之护卫》的感官运用比较研究——以表现主义的新功能为中心
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-05-31 DOI: 10.22344/fls.2023.90.63
Hee Yeon Tak
{"title":"A Comparative Study on Sense Utilization of Cathedral and Escorted by Light: Focused on the New Function of Expressionism","authors":"Hee Yeon Tak","doi":"10.22344/fls.2023.90.63","DOIUrl":"https://doi.org/10.22344/fls.2023.90.63","url":null,"abstract":"This thesis analyzes how ‘expressionism’ is used in contemporary literature through reading Cathedral by Raymond Carver and Escorted by Lighted by hae-jin Cho. ‘Expressionism’ is an art period that appeared in the 20th century and has the aim to express a subjective psychological condition of a character. This thesis limits ‘expressionism’ to the ‘senses’ of humans. The first person and the main character of each two short-story portrays vividly the inner world of themselves through the ‘five senses’, especially the ‘sense of touch’ and the ‘sense of sight’. Furthermore, the utilization of ‘sense of touch’ and ‘sense of sight’ have the feature of the medium of the narrator to understand other people. Eventually, the ‘expressionism’ in contemporary literary works has the hopeful function of suggesting ‘the possibility of solidarity’ and beyond ‘the connection to the community’.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125741491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Language-Image of the Dardenne Brothers Representing Solidarity: Focusing on Their Film, Deux jours, une nuit 代表团结的达登兄弟的语言形象:聚焦于他们的电影《两小时，一颗坚果》
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-05-31 DOI: 10.22344/fls.2023.90.85
Bobae Oh
{"title":"The Language-Image of the Dardenne Brothers Representing Solidarity: Focusing on Their Film, Deux jours, une nuit","authors":"Bobae Oh","doi":"10.22344/fls.2023.90.85","DOIUrl":"https://doi.org/10.22344/fls.2023.90.85","url":null,"abstract":"The film by Jean-Pierre et Luc Dardenne, Deux jours, une nuit (2014), shows the dilemma experienced by workers and their solidarity within an inhuman game based on the logic of capitalism. This film is characterized by the active use of language-image as well as words, language-text, which concretely describe the marginalization of the weak in contemporary society, the isolation of workers, and the hostility to each other reinforced by the capitalist system. The frames partitioned by the lines, colors or materials aroud the characters describe also the solidaristic landscapes, quietly deployed, despite everything. The purpose of this research is to find the language-images of the Dardenne brothers and to understand their social message, using the analysis of the images of the background and the movements of the characters which complete the plot of the film.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130671880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
De-contextalize Literary Studies: Ontological Turn and Mary Shelley’s Frankenstein 去语境化文学研究:本体论转向与玛丽·雪莱的《科学怪人》
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-02-28 DOI: 10.22344/fls.2023.89.09
S. Park
{"title":"De-contextalize Literary Studies: Ontological Turn and Mary Shelley’s Frankenstein","authors":"S. Park","doi":"10.22344/fls.2023.89.09","DOIUrl":"https://doi.org/10.22344/fls.2023.89.09","url":null,"abstract":"Ontological turn challenges the humanistic studies which has been deeply immersed in linguistic turn. Graham Harman and Quentin Meillasoux, the representative thinkers, argue that thing/object/reality exist for itself, regardless of its contexts, relations, or co-relations. Harman says that literary critics should see how text/thing withstand its contexts and environment or even culture, and Meillasoux argues that reality is an absence of reason and we can get to it only by a narrative which is disconnected from every logic and predictable law. Mary Shelly’s Frankenstein can be read in terms of what these ontological thinkers say. The monster in the text is an excellent example of ‘thing itself.’ Its narrative is about disconnections and disruptions, exemplifying Meillasoux’s idea of “extro-science fiction.”","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126601874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stendhal and Literary Ambition 司汤达与文学野心
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-02-28 DOI: 10.22344/fls.2023.89.27
Seong-Woong Cho
{"title":"Stendhal and Literary Ambition","authors":"Seong-Woong Cho","doi":"10.22344/fls.2023.89.27","DOIUrl":"https://doi.org/10.22344/fls.2023.89.27","url":null,"abstract":"Stendhal, who is well known as art critic and romantic and realist novelist, was fascinated by the theater and often engaged in writing theatrical works without succeeding. His early vocation was to live in Paris by making comedies like Molière. He strengthened himself in critical reading and philosophical studying of the English, Italian and Spanish theatre. He took important theatrical works and developed them into his own immortal theatrical works. Selmours, Les deux Hommes and Letellier were advanced but were not finished. He failed to be a comic playwright because of his too much literary ambition, the change of literary circumstance and viewer's taste, and the lack of literary genius. The ambition to be the greatest comedy-writer did not come true, but he declared himself as a novelist and left his mark in novels.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116542760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memory of Victory: The Method South Korea, North Korea, and China Remember the Korean War. 胜利的记忆:韩国、朝鲜和中国纪念朝鲜战争的方法。
Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-02-28 DOI: 10.22344/fls.2023.89.77
Eun-jeong Kim
{"title":"Memory of Victory: The Method South Korea, North Korea, and China Remember the Korean War.","authors":"Eun-jeong Kim","doi":"10.22344/fls.2023.89.77","DOIUrl":"https://doi.org/10.22344/fls.2023.89.77","url":null,"abstract":"This study aims at the differences and changes in the ways of remembering the Korean War by comparatively analyzing the commemorative songs of South Korea, North Korea, and China. A common feature of memorial songs of South Korea, North Korea, and China is that each of them regards the Korean War as a triumph. Each country commemorates the war on different days with different meanings and remembers the unfinished war as a victory. The words ‘Korean War’ and ‘victory’ are stigma not forgotten in South Korea. They are political capital that can rally and persuade the people in North Korea and China. Meanwhile, in South Korea the song “Song of 6.25” became 'political capital' in the struggle for leadership in political or ideological struggles.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133411920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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