{"title":"代表团结的达登兄弟的语言形象:聚焦于他们的电影《两小时,一颗坚果》","authors":"Bobae Oh","doi":"10.22344/fls.2023.90.85","DOIUrl":null,"url":null,"abstract":"The film by Jean-Pierre et Luc Dardenne, Deux jours, une nuit (2014), shows the dilemma experienced by workers and their solidarity within an inhuman game based on the logic of capitalism. This film is characterized by the active use of language-image as well as words, language-text, which concretely describe the marginalization of the weak in contemporary society, the isolation of workers, and the hostility to each other reinforced by the capitalist system. The frames partitioned by the lines, colors or materials aroud the characters describe also the solidaristic landscapes, quietly deployed, despite everything. The purpose of this research is to find the language-images of the Dardenne brothers and to understand their social message, using the analysis of the images of the background and the movements of the characters which complete the plot of the film.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Language-Image of the Dardenne Brothers Representing Solidarity: Focusing on Their Film, Deux jours, une nuit\",\"authors\":\"Bobae Oh\",\"doi\":\"10.22344/fls.2023.90.85\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The film by Jean-Pierre et Luc Dardenne, Deux jours, une nuit (2014), shows the dilemma experienced by workers and their solidarity within an inhuman game based on the logic of capitalism. This film is characterized by the active use of language-image as well as words, language-text, which concretely describe the marginalization of the weak in contemporary society, the isolation of workers, and the hostility to each other reinforced by the capitalist system. The frames partitioned by the lines, colors or materials aroud the characters describe also the solidaristic landscapes, quietly deployed, despite everything. The purpose of this research is to find the language-images of the Dardenne brothers and to understand their social message, using the analysis of the images of the background and the movements of the characters which complete the plot of the film.\",\"PeriodicalId\":221681,\"journal\":{\"name\":\"Hankuk University of Foreign Studies Literature Studies\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hankuk University of Foreign Studies Literature Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22344/fls.2023.90.85\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hankuk University of Foreign Studies Literature Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22344/fls.2023.90.85","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Jean-Pierre et Luc Dardenne的电影《Deux jours, one nuit》(2014)展示了工人们所经历的困境,以及他们在基于资本主义逻辑的不人道游戏中的团结。这部电影的特点是积极运用语言-图像,同时也运用语言-文本,具体描述了当代社会中弱势群体的边缘化、劳动者的孤立和资本主义制度所强化的相互敌视。由人物周围的线条、颜色或材料划分的框架也描述了团结的风景,安静地部署,尽管有一切。本研究的目的是通过对背景图像和人物动作的分析,找到达登兄弟的语言图像,并理解他们的社会信息,从而完成电影的情节。
The Language-Image of the Dardenne Brothers Representing Solidarity: Focusing on Their Film, Deux jours, une nuit
The film by Jean-Pierre et Luc Dardenne, Deux jours, une nuit (2014), shows the dilemma experienced by workers and their solidarity within an inhuman game based on the logic of capitalism. This film is characterized by the active use of language-image as well as words, language-text, which concretely describe the marginalization of the weak in contemporary society, the isolation of workers, and the hostility to each other reinforced by the capitalist system. The frames partitioned by the lines, colors or materials aroud the characters describe also the solidaristic landscapes, quietly deployed, despite everything. The purpose of this research is to find the language-images of the Dardenne brothers and to understand their social message, using the analysis of the images of the background and the movements of the characters which complete the plot of the film.