Hankuk University of Foreign Studies Literature Studies最新文献

Rocky and Adonis: Sport Film, Masculinity, Ideology 洛基与阿多尼斯：体育电影、男性气质、意识形态

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.159

Soo Yeon Kim

引用次数: 0

The Illusion of “pure-blood” and the Rise of Mixed-Race: Focusing on Kim Nae-sung's Typhoon and Ando Sakan's Pirate Story: Karma of the South Seas 纯血统 "的假象与混血儿的崛起：聚焦金乃成的《台风》和安藤坂的《海盗物语》：南洋的因果报应

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.109

Hye-young Jung

{"title":"The Illusion of “pure-blood” and the Rise of Mixed-Race: Focusing on Kim Nae-sung's Typhoon and Ando Sakan's Pirate Story: Karma of the South Seas","authors":"Hye-young Jung","doi":"10.22344/fls.2023.92.109","DOIUrl":"https://doi.org/10.22344/fls.2023.92.109","url":null,"abstract":"The term “mixed race” is not currently used in South Korea. In Japan, Asahi Shimbun decided in January 2004 to avoid using the term “mixed-race child”. This is because “mixed race” is a term that sets boundaries between humans and otherizes them, and is not appropriate in this era of increasing globalization. The term “mixed race” first appeared in Korea during the colonial period, particularly around 1940. In this study, we will examine the reason and meaning behind the full-fledged emergence of the term “mixed race” in two novels that feature mixed-race children: “Typhoon” (1943) by Kane Raise and “Pirate Story of the South Seas” by Ando Sakan. (1939). Around 1940, there was a serious debate going on in Japan about “maintaining the purity of the race”, and Kim Nae-sung's “Typhoon” and Ahn Tou-hee's “Inferno in the South Sea” were very relevant to this era. It was a novel created in which the main character was a mixed-race man who aimed to build a mixed-race empire in this atmosphere. The exploration of the “mixed-race people” that appear in these two novels has an important meaning in investigating the substance of the pure-blood ideology that was spread by the Japanese Empire during the colonial period. In addition, the conclusions of these two novels are worth noting in order to clearly understand the origins of racial prejudice and discriminatory perceptions that still persist today.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139207314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Study of Takiji Kobayashi's Rural Novels 小林多喜二乡村小说研究

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.89

Bongmo Hwang

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Poetic Diction of Izumishikibu: Focusing on the Food Names 泉石武的诗歌辞典：关注食物名称

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.33

Sunsook Ro

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Writing poetry, poet's mindset, boldness, superiority, longing for heavenly blessings 写诗、诗人心态、胆识、优越感、渴望上天赐福

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.131

Woo Young Lim

{"title":"Writing poetry, poet's mindset, boldness, superiority, longing for heavenly blessings","authors":"Woo Young Lim","doi":"10.22344/fls.2023.92.131","DOIUrl":"https://doi.org/10.22344/fls.2023.92.131","url":null,"abstract":"In Goethe's 『West-östlicher Divan』(1819), ｢Derb und Tüchtig｣ and ｢Dreistigkeit｣ tell the poet's attitude in writing poetry. In ｢Übermacht, ihr könnt es spüren｣, the poet's 'superiority' is compared to that of a monarch, and in ｢Selige Sehnsucht｣, the poet's attitude of writing poetry at the risk of death is emphasized. In these poem, “strength,” “boldness,” “excellence,” and the poet’s mindset of risking death are emphasized in the poet’s general artistic act of “poetry writing.” The poet's boldness, superiority and even “arrogance” that appear in the “West-Eastern Divan” seem to have arisen from the feeling of liberation and confidence that Goethe felt when he traveled to Frankfurt (in July 1814) after the Napoleonic Wars. He went through a dark period during the Wars and so read Hafis' poetry and wrote Eastern-style poetry to shake off all the pressure around him via his “confidence/boldness” and “arrogance” as a poet. His decision dicision to write poetry in the Eastern style for the first time in the history of Western literature can be said to be Goethe’s “warning and commandment” about “writing poetry.”","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"13 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139205237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Spinoza’s Ethical Practice in All the Light We Cannot See 斯宾诺莎在《我们所不能见的光》中的伦理实践

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.183

Junghye Sung

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A Psychological Study on the ‘Comic of the Naive’: Focusing on Lenz’s So zärtlich war Suleyken 关于 "天真的漫画 "的心理学研究：聚焦伦茨的《苏莱肯的战争》（So zärtlich war Suleyken

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.09

Hyunkyung Jeong

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A Study on the Fine Writing Style of Kim Hoon’s Essay 金勋散文的优良文风研究

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.207

Mee Young Kim

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The Literary and Writer’s Theory of François Mauriac 弗朗索瓦-莫里亚克的文学和作家理论

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-11-30 DOI: 10.22344/fls.2023.92.61

Mose Kim

{"title":"The Literary and Writer’s Theory of François Mauriac","authors":"Mose Kim","doi":"10.22344/fls.2023.92.61","DOIUrl":"https://doi.org/10.22344/fls.2023.92.61","url":null,"abstract":"The purpose of this study is to summarize the literary world of François Mauriac, through his writer’s theory. Mauriac’s literary theory, who was an advocate of traditional novels, especially Christian literature, is widely known to be in an opposing position to so-called existentialist literature and postmodern literature. However, combining Mauriac’s works and the ideas he mentioned in many places, it can be seen that his literature rather shows the possibility of literature after the postmodern era. In Mauriac’s literature, the author is in a variety of positions indeed. Sometimes the author claims to be the absolute owner and subject of the work. It takes the place of a creator in the ‘ontologico-théologique’ dimension that Roland Barthes spoke of. However, in some cases, the author retreats to the position of a minor actor standing at the end of the stage of literature. Sometimes the author grasps all of the characters’ intentions from an omniscient perspective and leads the fate of the characters, but sometimes gives up his intentions and direction in the face of the resistance of free-spirited characters. Sometimes the author seems to have absolute authority in determining the meaning of the work, but at every moment, he feels that the work and characters are separated from him and that the author himself has no choice but to disappear. Through this, in Mauriac’s literary theory, the concept of an ‘author’ with absolute authority as a creator, a free character who constantly resists the will of the ‘author’, and furthermore, a place for a reader who functions as a final stage in interpreting and determining the meaning of the work are all provided.","PeriodicalId":221681,"journal":{"name":"Hankuk University of Foreign Studies Literature Studies","volume":"76 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139200017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Study on the Shapes of the Narrator in Dostoevksy’s Notes from a Dead House: Focusing on Movement of Electron and Uncertainty 陀思妥耶夫斯基《死屋笔记》叙述者形态研究——以电子运动与不确定性为中心

Hankuk University of Foreign Studies Literature Studies Pub Date : 2023-08-31 DOI: 10.22344/fls.2023.91.09

Youngseo Lee

引用次数: 0