A Study on the Fine Writing Style of Kim Hoon’s Essay

This paper examines Kim Hoon's process of discovering landscapes through beautiful sentences using Karatani Kojin's theory, analyzes his method of composing beautiful sentences, and compares the ecological imagination, which is the foundation of his essays, to Lee Deok-mu's ecological writing and Heidegger's deep ecologicalism. Kim goes back and forth between the inside and outside of the landscape through beautiful sentences, blending his inner self. He uses sensuous short sentence processing, boldly connecting things that are not connected in the real world in sentences, using parallelism, and mixing and describing things that do not mix in the world of language. It makes a beautiful sentences. In his essays, nature is a space and time that projects the inner self, or a source of new sentences. But, in Lee Deok-mu's short essays, nature (ecology) is a source of lessons to humans. Kim Hoon's ecological consciousness is close to Heidegger's deep ecology, but as a writer, he uses it as a foundation for his writings.