司汤达与文学野心

Seong-Woong Cho
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引用次数: 0

摘要

作为著名的艺术评论家和浪漫主义和现实主义小说家,司汤达迷恋戏剧,经常创作戏剧作品,但没有成功。他早期的职业是住在巴黎,制作喜剧《莫里埃尔》。他加强了对英国、意大利和西班牙戏剧的批判性阅读和哲学研究。他把重要的戏剧作品改编成自己不朽的戏剧作品。《塞尔莫尔》、《双人录》和《勒特利耶》都有进步,但还没有完成。他的文学野心太大,文学环境和观众口味的变化,以及文学天才的缺乏,使他未能成为一名喜剧剧作家。成为最伟大的喜剧作家的野心没有实现,但他宣布自己是小说家,并在小说中留下了自己的印记。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stendhal and Literary Ambition
Stendhal, who is well known as art critic and romantic and realist novelist, was fascinated by the theater and often engaged in writing theatrical works without succeeding. His early vocation was to live in Paris by making comedies like Molière. He strengthened himself in critical reading and philosophical studying of the English, Italian and Spanish theatre. He took important theatrical works and developed them into his own immortal theatrical works. Selmours, Les deux Hommes and Letellier were advanced but were not finished. He failed to be a comic playwright because of his too much literary ambition, the change of literary circumstance and viewer's taste, and the lack of literary genius. The ambition to be the greatest comedy-writer did not come true, but he declared himself as a novelist and left his mark in novels.
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