《大教堂》与《光之护卫》的感官运用比较研究——以表现主义的新功能为中心

Hee Yeon Tak
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摘要

本文通过阅读雷蒙德·卡弗的《大教堂》和赵海镇的《灯光护卫》来分析“表现主义”在当代文学中的运用。“表现主义”是20世纪出现的一个艺术时期,其目的是表达人物的主观心理状态。这篇论文将“表现主义”局限于人类的“感官”。每两个短篇小说的第一人称和主人公通过“五感”,特别是“触觉”和“视觉”,生动地描绘了自己的内心世界。此外,“触觉”和“视觉”的运用具有叙述者理解他人的媒介特征。最终,当代文学作品中的“表现主义”具有“团结的可能性”和超越“与社区的联系”的希望功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Comparative Study on Sense Utilization of Cathedral and Escorted by Light: Focused on the New Function of Expressionism
This thesis analyzes how ‘expressionism’ is used in contemporary literature through reading Cathedral by Raymond Carver and Escorted by Lighted by hae-jin Cho. ‘Expressionism’ is an art period that appeared in the 20th century and has the aim to express a subjective psychological condition of a character. This thesis limits ‘expressionism’ to the ‘senses’ of humans. The first person and the main character of each two short-story portrays vividly the inner world of themselves through the ‘five senses’, especially the ‘sense of touch’ and the ‘sense of sight’. Furthermore, the utilization of ‘sense of touch’ and ‘sense of sight’ have the feature of the medium of the narrator to understand other people. Eventually, the ‘expressionism’ in contemporary literary works has the hopeful function of suggesting ‘the possibility of solidarity’ and beyond ‘the connection to the community’.
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