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The Purloined Letters of Elizabeth Bishop 伊丽莎白·毕晓普被盗信件

Humanities (Basel, Switzerland) Pub Date : 2023-10-12 DOI: 10.3390/h12050117

Axel Nesme

{"title":"The Purloined Letters of Elizabeth Bishop","authors":"Axel Nesme","doi":"10.3390/h12050117","DOIUrl":"https://doi.org/10.3390/h12050117","url":null,"abstract":"In this paper I propose to examine several poems by Elizabeth Bishop through the prism of the concept of letter delineated in “Lituraterre”, where Lacan explores the connection between the literal and the littoral in order to draw a key distinction between signifiers which are the semblances involved in ordinary communication, and the letter as a precipitate resulting from their breakdown. Insofar as the letter causes “writing effects that are structured around moments of vacillation of semblances” (M-H Roche), such effects may be traced in poems where Bishop focuses on how meaning is set adrift by eliding, displacing or transforming graphemes and phonemes. Her observation that “the names of seashore towns run out to sea” points to the littoral/liminal space of the poetic signifier that straddles enjoyment and meaning. I analyze Bishop’s painterly treatment of mist through the prism of Lacan’s discussion of Japanese calligraphy where the unary brush stroke, which “is the means to clear original Chaos” (E. Laurent), operates as the equivalent of the median void, often represented by fog in Chinese painting, i.e., as an avatar of the littoral that separates knowledge from enjoyment. I conclude with a reading of a poem where the semiosis of mortality hinges on the (dis-)appearance of certain phonemes, inviting us to question the literal/literary destiny of letters when they turn into Joycean litter, and prompting us to revisit Lacan’s familiar aphorism that “a letter always reaches its destination”.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135968657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Role of Cinema and Psychoanalysis in Affective Experience 电影和精神分析在情感体验中的作用

Humanities (Basel, Switzerland) Pub Date : 2023-10-10 DOI: 10.3390/h12050115

Elisabetta Bellagamba

引用次数: 0

Jane Austen’s Persuasion: Finding Companionate Marriage through Sickness and Health 简·奥斯汀的《劝导》:在疾病与健康中寻找伴侣婚姻

Humanities (Basel, Switzerland) Pub Date : 2023-10-10 DOI: 10.3390/h12050114

Maureen Johnson

引用次数: 0

Joking Around, Seriously: Freud, Derrida, and the Irrepressible Wit of Heinrich Heine 开玩笑，严肃:弗洛伊德，德里达和海因里希·海涅的不可抑制的智慧

Humanities (Basel, Switzerland) Pub Date : 2023-10-08 DOI: 10.3390/h12050113

Elizabeth Rottenberg

{"title":"Joking Around, Seriously: Freud, Derrida, and the Irrepressible Wit of Heinrich Heine","authors":"Elizabeth Rottenberg","doi":"10.3390/h12050113","DOIUrl":"https://doi.org/10.3390/h12050113","url":null,"abstract":"This essay sets out to explore the unexpected but amusing entanglement of three Jewish writers—Harry (“Heinrich”) Heine, Sigismund (“Sigmund”) Freud, and Jackie (“Jacques”) Derrida. You will not often find a reference to Heine in the work of Jacques Derrida, but you will find a Heine joke in Derrida’s discussion of forgiveness in Le parjure et le pardon (1998–1999), where the name Heine is invoked precisely in order to recall the scandalous automaticity, the machine-like quality of forgiveness. Beginning with Derrida’s surprising reference to the man George Eliot called a “unique German wit”, this essay will begin by arguing that there is something about Heine’s jokes, his Witze, his mots d’esprit, that not only plays up, but also paradoxically takes seriously, what Derrida, echoing Nietzsche in Of Grammatology, describes as the “play of the world.” The second part of this essay will engage Freud’s particular and quite special relation to Heine: Heine is the third most cited German writer in all of Freud’s work (after Goethe and Schiller). Neither Homer nor Sophocles is cited more often than Heine. Indeed, a bon mot from Heine is always ready-to-hand in the face of theoretical obstacles (e.g., “Observations on Transference Love”, “On Narcissism”, etc.). But perhaps nowhere is Freud’s affinity with Heine more apparent and more striking than in Jokes and Their Relation to the Unconscious (1905), where Heine’s witticisms offer the best and most canonical examples of jokes. In conclusion, this essay will argue that Heine’s wit can be read as a playbook—not only for psychoanalysis’s economic understanding of jokes, but also, more radically, for deconstruction’s thinking of play.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135197891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s Extension du domaine de la lutte Michel Houellebecq的Extension du domaine de la lutte中被淹没的后真相“幸福岛”

Humanities (Basel, Switzerland) Pub Date : 2023-10-01 DOI: 10.3390/h12050111

Keith Moser

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So-Called Sovereign Settlers: Settler Conspirituality and Nativism in the Australian Anti-Vax Movement 所谓的主权定居者:澳大利亚反疫苗运动中的定居者阴谋论和本土主义

Humanities (Basel, Switzerland) Pub Date : 2023-10-01 DOI: 10.3390/h12050112

Madi Day, Bronwyn Carlson

{"title":"So-Called Sovereign Settlers: Settler Conspirituality and Nativism in the Australian Anti-Vax Movement","authors":"Madi Day, Bronwyn Carlson","doi":"10.3390/h12050112","DOIUrl":"https://doi.org/10.3390/h12050112","url":null,"abstract":"The COVID-19 pandemic, and the social and economic instability that followed, has given new life to conspirituality and far-right ideology in so-called Australia. This article discusses how politico-spiritual communities invested in both conspiracy theories and New Age spirituality have pieced together settler narratives about a New World Order and external threats to Western society from far-right and white supremacist Christian ideology circulated via new media. Using anti-colonial discourse analysis, we elucidate the undercurrent of white supremacist ideology in the Australian anti-vax movement, and highlight the misuse of Indigeneity in far-right and anti-vax narratives. We discuss how these narratives are settler-colonial and how conspiritualists co-opt and perform Indigeneity as a form of settler nativism. As a case study, we analyse the use of the term sovereignty by settlers attached to Muckadda Camp—a camp of ‘Original Sovereigns’ occupying the lawn outside Old Parliament house from December 2021 to February 2022. Using Indigenous critique from both new media and academia, we argue that although settlers may perform Indigeneity, they are exercising white supremacist settler narratives, and not Indigenous sovereignty.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135407867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Education Is a Cultural Weapon”: The Inner London Education Authority and the Politics of Literature for Young People “教育是一种文化武器”:内伦敦教育当局与青年文学政治

Humanities (Basel, Switzerland) Pub Date : 2023-09-28 DOI: 10.3390/h12050109

Karen Sands-O’Connor

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Malignant Care: Affects and Labor in Anita Nair’s Ladies Coupé (2001) 恶性护理:安妮塔·奈尔女士夫妇的影响与劳动(2001)

Humanities (Basel, Switzerland) Pub Date : 2023-09-28 DOI: 10.3390/h12050110

Pujarinee Mitra

引用次数: 0

Narrations on Digital Unconsciousness: A Psychoanalytical Perspective on SCPs 数字无意识的叙述:scp的精神分析视角

Humanities (Basel, Switzerland) Pub Date : 2023-09-28 DOI: 10.3390/h12050108

Francesca De Marino

引用次数: 0

Form Poetry and the Pandemic 《诗歌与瘟疫

Humanities (Basel, Switzerland) Pub Date : 2023-09-26 DOI: 10.3390/h12050107

Tapaswinee Mitra

{"title":"Form Poetry and the Pandemic","authors":"Tapaswinee Mitra","doi":"10.3390/h12050107","DOIUrl":"https://doi.org/10.3390/h12050107","url":null,"abstract":"This article looks at a set of anglophone form poetry that I wrote for a course I took while pursuing my master’s degree in Gender Studies at Ambedkar University, Delhi (2019–2021), during the second wave of the COVID-19 pandemic in India. The poems are a documentation of the life that I lived and experienced during this time. Using an auto-ethnographic method, this article simultaneously engages with poetic forms, such as the haiku, villanelle, sestina, and acrostic, and provides a self-reflexive analysis of the content and the South Asian context from which the poems emerged. Each poem, I argue, grapples with various gendered structures of interpersonal and state violence, exacerbated by the COVID-19 pandemic and the lockdown that followed in its wake. In this article, I explore the ways in which the everydayness of violence can be documented through art and creative practices. My primary question is: What is the form of the poem doing for the content of the poem; that is, in what ways do certain poetic forms assist in the documentation of personal experiences of violence during a pandemic? This article explores the political possibilities offered by the method of writing form poetry as a documentation of violence, as well as providing a ‘witness’ to it. Thinking more about the role of producing art vis-à-vis my academic research, I further ask: How can we expand the scope of the feminist research methods we use, and what role might form poetry play in this? I situate this article at the intersection of South Asian Studies, Women’s and Gender Studies, and Literary and Cultural Studies, particularly focusing on the South Asian anglophone poetics of the written word in a post-pandemic time.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135718813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0