The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s Extension du domaine de la lutte

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Keith Moser
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引用次数: 0

Abstract

This article proposes a Debordian reading of Michel Houellebecq’s first work Extension du domaine de la lutte that would thrust him into the spotlight as France’s most popular and controversial writer. Specifically, this investigation demonstrates that Debord’s theories are a useful lens from which to analyze Houellebecq’s harsh critique of late capitalism. Owing to a radical paradigm shift in the capitalist paradigm, Debord and Houellebecq posit that we live in a brave new world in which millions of individuals no longer have a frame of reference for distinguishing between commonplace reality and its simulation on a screen. On the informational battlefield where simulations of the good(s) life have proliferated themselves to the brink of replacing the real in the collective imagination of consumer citizens, they illustrate that the timeless search for happiness also seems to be even more fraught with peril in the 21st century.
Michel Houellebecq的Extension du domaine de la lutte中被淹没的后真相“幸福岛”
这篇文章提出了对米歇尔·维勒贝克(Michel Houellebecq)的第一部作品《路的延伸》(Extension du domaine de la lutte)的Debordian式解读,这部作品将把他推到聚光灯下,成为法国最受欢迎和最具争议的作家。具体来说,这项调查表明,德波的理论是一个有用的镜头,从中分析维勒贝克对晚期资本主义的严厉批评。由于资本主义范式的根本性转变,Debord和Houellebecq假设我们生活在一个勇敢的新世界中,在这个新世界中,数百万人不再有一个参考框架来区分平凡的现实和屏幕上的模拟。在信息战场上,美好生活的模拟已经扩散到取代消费者集体想象中的真实生活的边缘,他们说明,在21世纪,对幸福的永恒追求似乎也更加充满了危险。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.60
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