Humanities (Basel, Switzerland)最新文献

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The Ethics of Social Life in Sidonie de la Houssaye’s Louisiana Tales 西多尼·德拉·胡塞《路易斯安那故事集》中的社会生活伦理
Humanities (Basel, Switzerland) Pub Date : 2025-06-13 DOI: 10.3390/h14060129
Christine A. Jones
{"title":"The Ethics of Social Life in Sidonie de la Houssaye’s Louisiana Tales","authors":"Christine A. Jones","doi":"10.3390/h14060129","DOIUrl":"https://doi.org/10.3390/h14060129","url":null,"abstract":"Creole writer Sidonie de la Houssaye (1820–1894) registered the threat of anglophone dominance after the Civil War on behalf of a host of characters drawn from the geographies and ideologies in and around her home in Louisiana. Her little-known literary tales depict the period as a cultural and linguistic border zone. In addition to the texture of Louisiana French and Creole heritage, the tales depict the vexed social dynamics of prejudice and fragility. In the context of this special issue on good and evil, the poorly known children’s tales offer insight into these pernicious tensions that persisted under the surface of moral victory after the Civil War. La Houssaye’s lessons for children take up the moral panic of a Louisiana reckoning with its legacies of racial violence and cultural erasure. This article argues that morality in these tales takes shape in interpersonal practices that can be learned to heal social ills. What I have called La Houssaye’s “ethics of social life” relies on education rather than condemnation to redefine human bonds. If a broader lesson emerges from the stories taken together, it suggests that structural change is slow to heal cultural wounds. We must ourselves be the agents of a healthier community.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"14 6","pages":"129-129"},"PeriodicalIF":0.0,"publicationDate":"2025-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.mdpi.com/2076-0787/14/6/129/pdf?version=1749828816","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147906216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Framing Deaths, Embracing Lives: Alan M. Clark’s Jack the Ripper Victims Series 陷害死亡,拥抱生命:艾伦·m·克拉克的开膛手杰克受害者系列
Humanities (Basel, Switzerland) Pub Date : 2025-01-16 DOI: 10.3390/h14010014
Lucyna Krawczyk-Żywko
{"title":"Framing Deaths, Embracing Lives: Alan M. Clark’s Jack the Ripper Victims Series","authors":"Lucyna Krawczyk-Żywko","doi":"10.3390/h14010014","DOIUrl":"https://doi.org/10.3390/h14010014","url":null,"abstract":"Jack the Ripper fictions tend to be realist in mode, making frequent use of the Victorian press and archives to depict the 1888 murders. At the same time, they marginalise and exploit the victims, defining them as silent testimonies to the power of the elusive perpetrator. In contrast, Alan M. Clark’s Jack the Ripper Victims Series (2011–2018), consisting of five novels devoted to one canonical victim each, shifts the focus and depicts their lives. This article outlines the way the fictionalisations of the five women’s lives bring to the fore five other ‘crimes’ or transgressions: addiction, domestic violence, unemployment, sex work, and homelessness, but also the way these texts replace what is sensational and formulaic in Ripperature with something more than mundane and gritty in the lived experience of everyday people, such as moments of personal joy or professional accomplishments. Drawing on Kate Mitchell’s approach to history, cultural memory, and neo-Victorian fiction, it argues that pre-dating the publication of The Five (2019), Clark managed to realistically re-present (make present) and represent (create a portrayal of) the late-Victorian crime of dismissing the women who were murdered.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"14 1","pages":"14-14"},"PeriodicalIF":0.0,"publicationDate":"2025-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.mdpi.com/2076-0787/14/1/14/pdf?version=1737043991","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147898935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analogical Perspective from “Shengsheng” Philosophy on Virginia Hamilton’s Survival Writing in M.C. Higgins, the Great 从“生”哲学的类比视角看弗吉尼亚·汉密尔顿在《希金斯》中的生存写作
Humanities (Basel, Switzerland) Pub Date : 2024-08-01 DOI: 10.3390/h13040102
Huimin Liu
{"title":"Analogical Perspective from “Shengsheng” Philosophy on Virginia Hamilton’s Survival Writing in M.C. Higgins, the Great","authors":"Huimin Liu","doi":"10.3390/h13040102","DOIUrl":"https://doi.org/10.3390/h13040102","url":null,"abstract":"This article aims at examining Virginia Hamilton’s survival writing in the novel M.C. Higgins, the Great through the analogical lens with the traditional Chinese philosophy of “shengsheng (生生)”. Current research on Hamilton’s survival writing has ignored the cosmological aspect. In fact, what the novel reveals is not limited to the aspects of social and emotional survival, but also the ecological or cosmical co-existence. Considering Hamilton’s global awareness and some similarities between African and Chinese traditions, this article resorts to the cross-cultural reference of the Chinese “shengsheng” philosophy. The concept originating from Xici (《系辞》), the commentaries on Zhouyi (《周易》), is well known for its wisdom on how all things in the universe can be born and how they can coexist, and thus it can be drawn upon for exploring Hamilton’s survival writing. Specifically, this article takes a comprehensive analogical examination and discussion of the four aspects, namely, shengsheng virtue (生生之德), shengsheng affect (生生之情), shengsheng disposition (生生之性), and shengsheng fate (生生之命). This is to supplement the covering of Hamilton’s survival writing and to enlarge the interpretation of Hamilton’s works with philosophical and cosmopolitan visions.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"13 4","pages":"102-102"},"PeriodicalIF":0.0,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.mdpi.com/2076-0787/13/4/102/pdf?version=1722509874","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147914799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Törleß and the Scene of Reading Törleß和阅读现场
Humanities (Basel, Switzerland) Pub Date : 2023-11-13 DOI: 10.3390/h12060136
Dominik Zechner
{"title":"Törleß and the Scene of Reading","authors":"Dominik Zechner","doi":"10.3390/h12060136","DOIUrl":"https://doi.org/10.3390/h12060136","url":null,"abstract":"The article reads Robert Musil’s debut novel Die Verwirrungen des Zöglings Törleß (The Confusions of Young Törless) (1906) as a novel of the institution (Campe) in which diverse forms of violence are intertwined. Contrary to the assumption that Musil’s novel aims at the depiction of sado-masochistic transgressions, my argument focuses on a reading scene that mediates the novel’s various potentials of violence: only when Törleß reads Kant does it become clear which violence and which pain are meant by Musil’s text. The experience of reading becomes a masochistic act in the course of which the pleasure of the text is recast in terms of a negative textual jouissance. Musil’s novel, in turn, becomes readable not as an exhibition of schoolboys in disgrace, but as an exploration of the violent structure of practical reason itself.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"3 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136347357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Relational Narratives of Food in Design and Architecture Exhibitions 设计与建筑展览中食物的关系叙事
Humanities (Basel, Switzerland) Pub Date : 2023-11-09 DOI: 10.3390/h12060135
Maddalena Castellani
{"title":"Relational Narratives of Food in Design and Architecture Exhibitions","authors":"Maddalena Castellani","doi":"10.3390/h12060135","DOIUrl":"https://doi.org/10.3390/h12060135","url":null,"abstract":"This paper investigates the narratives involved in the becoming public of an ecological, relational, and culinary culture through artistic mediums. Specifically, the question posed is this: how do food and cooking feature in some selected design and architecture exhibitions? The argument is developed through a series of thematic case studies that aim to affirm the presence in contemporary design, architecture, and exhibition-making of an ecological paradigm. The examples blur the lines of food and art by being proposed as processes of collective authorship happening in atmospheres of conviviality and hospitality. I bring forth the argument that developing exhibitions through the lines of hospitality can improve the quality of public engagement, and amplify a relational model which calls for the collective and entangled nature of all things. Alongside the potential of the arts of sparking a cognitive restructuring and shift in perspective, some risks associated with the mainstream model of society are considered. The final aim is to affirm the importance of relationships to oppose the neoliberal geopolitics of power which foster object-oriented perspectives.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" 29","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135291554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Place, Space, and the Affordances Thereof: Bly Manor as Depicted in Three Adaptations of The Turn of the Screw 地点、空间及其启示:《螺丝的转动》三部改编作品中描绘的布莱庄园
Humanities (Basel, Switzerland) Pub Date : 2023-11-08 DOI: 10.3390/h12060134
Kristoffer S. Ekroll
{"title":"Place, Space, and the Affordances Thereof: Bly Manor as Depicted in Three Adaptations of The Turn of the Screw","authors":"Kristoffer S. Ekroll","doi":"10.3390/h12060134","DOIUrl":"https://doi.org/10.3390/h12060134","url":null,"abstract":"This paper looks at the representation of Bly Manor across different adaptations of Henry James’s The Turn of the Screw (1898). The focus is on adaptations that emphasize Bly as an intricate space that limits the possibilities of actions that the main characters have. The theory of affordance states that places “afford” different uses of the space. Locked inside a place with uneasily determined affordances and clearly established rules, the main characters of these adaptations experience how different intersections of identities are afforded differently within the stately home. The paper traces the intertextual conversation through adaptations such as Jack Clayton’s film The Innocents (1961), the readaptation of James’s premise in Ruth Ware’s novel The Turn of the Key (2019), before ending with the intertextual and temporal dimensions of haunted space in Mike Flanagan’s streaming miniseries The Haunting of Bly Manor (2020). These iterations of the story showcase the voyeuristic elements of Bly as the characters are repeatedly watched by those who have come before them. At the same time, they show the ongoing appeal of James’s story as its legacy continues into the twenty-first century.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"26 48","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135390297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Alma, si ciega vas tras tus antojos”: Going Blindly through Seventeenth-Century Literature "Alma, si ciega vas tras tus antojos":盲目阅读十七世纪文学作品
Humanities (Basel, Switzerland) Pub Date : 2023-11-08 DOI: 10.3390/h12060133
Cipriano López Lorenzo
{"title":"“Alma, si ciega vas tras tus antojos”: Going Blindly through Seventeenth-Century Literature","authors":"Cipriano López Lorenzo","doi":"10.3390/h12060133","DOIUrl":"https://doi.org/10.3390/h12060133","url":null,"abstract":"Faced with the exaltation of sight as a perfect divine creation, so evident in the Uso de los antojos (1623) by Daza de Valdés, and faced with the satirical–burlesque tone of popular literature, dogmatic theology considered it inappropriate to praise a sense that deviated human understanding and made it difficult to comprehend the sacramental mysteries in depth. Through different fragments of literature produced in seventeenth-century Seville, we will see how the Church constructed, parallel to the scientific and popular discourses, a catechetical rhetoric that sought to deny physical sight and any device intended to enhance or restore it. The idea was to promote a knowledge of God guided by faith, allegorized as a blindfolded woman. Thus, we will see how the glasses and the blindfold capitalized two discourses that could feed back on each other and at the same time evidence the porosity of baroque literature towards the new advances in physics.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135341721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Technologies of Care: Robot Caregivers in Science and Fiction 护理技术:科幻小说中的机器人护理者
Humanities (Basel, Switzerland) Pub Date : 2023-11-08 DOI: 10.3390/h12060132
Silvana Colella
{"title":"Technologies of Care: Robot Caregivers in Science and Fiction","authors":"Silvana Colella","doi":"10.3390/h12060132","DOIUrl":"https://doi.org/10.3390/h12060132","url":null,"abstract":"In the field of elderly care, robot caregivers are garnering increased attention. This article discusses the robotisation of care from a dual perspective. The first part presents an overview of recent scholarship on the use of robots in eldercare, focusing mostly on scientific evidence about the responses of older adults and caregivers. The second part turns to narrative evidence, providing a close reading of Andromeda Romano-Lax’s Plum Rains (2018), a speculative novel set in Japan in 2029, which explores the implications—ethical, affective, social—of communities of care that include non-human agents. My argument is twofold: (1) although science and fiction operate according to different models of knowledge production, considering narrative insights alongside scientific ones can enlarge our understanding of the complexities of robotic care; (2) hitherto overlooked in literary studies, Plum Rains deserves attention for its nuanced representation of a hybrid model of care, which does not discard robotic assistance on the basis of humanist arguments, nor does it endorse techno-solutionism, reminding readers that the fantasy of robots that care is fuelled by the reality of devalued human care work.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"59 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135342491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mutual Doings: Exploring Affectivity in Participatory Methodologies 共同行为:参与式方法论中的情感探索
Humanities (Basel, Switzerland) Pub Date : 2023-11-06 DOI: 10.3390/h12060131
Karin Gunnarsson
{"title":"Mutual Doings: Exploring Affectivity in Participatory Methodologies","authors":"Karin Gunnarsson","doi":"10.3390/h12060131","DOIUrl":"https://doi.org/10.3390/h12060131","url":null,"abstract":"The aim of this paper is to explore the affective implications of working with participatory methodologies within the context of sexuality education. For this exploration, a feminist posthumanist approach is put to work, building on a relational ontology and the notions of affectivity, assemblage and environmentality. Drawing from a practice-based research project concerning sexuality education conducted together with teachers in Swedish secondary schools, the analysis puts forward how the research assemblage navigates and manages affective conditions in ways that produce, allow and exclude certain feelings. With (dis)trust, uncertainty, frustration, laughter and shame, the assemblage made bodies act and become in specific ways. Thus, the analysis shows how participatory and practice-based research become moulded by power relations and intense flows of desire working together. This raises questions about how participatory methodologies within an ontological view of interdependence afford to manage affective intensities to move in certain directions of socially just sexuality education.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"283 1‐2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135678909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘D’oh Brother Where Art Thou’: Homer’s Women in The Simpsons and Contemporary Screen Adaptations 《兄弟,你在哪里》:《辛普森一家》中荷马笔下的女人和当代电影改编
Humanities (Basel, Switzerland) Pub Date : 2023-11-06 DOI: 10.3390/h12060130
Alice Payne
{"title":"‘D’oh Brother Where Art Thou’: Homer’s Women in The Simpsons and Contemporary Screen Adaptations","authors":"Alice Payne","doi":"10.3390/h12060130","DOIUrl":"https://doi.org/10.3390/h12060130","url":null,"abstract":"In the Odyssey, Homer’s Penelope and Circe have fundamentally important roles in ensuring the progression and success of the hero’s, Odysseus, journey home. Their actions in the Odyssey invite complex readings of the two women. Despite this, onscreen Penelope is often depicted as the “good, faithful” wife, and Circe as the “temptress”. Whilst these interpretations are not wrong, they are limited, cultivating a diminutive cultural understanding about Homer’s women. In this article I will use The Simpsons episode ‘Tales from the Public Domain’ as the foundation of my analysis, whereby I argue that screen adaptations perpetuate these gendered tropes further by relying on what is “known” about these women, instead of investigating their roles in ways that are significantly more complex. To achieve this, I will analyse how gender roles are presented in The Simpsons’ adaptation of the Odyssey, with a special focus on Penelope’s and Circe’s interaction with, and relationship to, the story’s hero, Odysseus. I will compare these representations to examples from other screen adaptations from the twentieth and twenty-first centuries, including Mario Camerini’s Ulysses, Andrei Konchalovsky’s The Odyssey, and Joel and Ethan Coen’s O Brother, Where Art Thou?.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"391 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135636340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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