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Antilogies in Ancient Athens: An Inventory and Appraisal 古雅典的矛盾论:盘点与评价

Humanities (Basel, Switzerland) Pub Date : 2023-09-25 DOI: 10.3390/h12050106

Livio Rossetti

{"title":"Antilogies in Ancient Athens: An Inventory and Appraisal","authors":"Livio Rossetti","doi":"10.3390/h12050106","DOIUrl":"https://doi.org/10.3390/h12050106","url":null,"abstract":"Antilogies, or pairs of symmetrically opposed speeches or arguments, were generally ignored by Plato, Isocrates, Aristotle, Cicero, and Diogenes Laertius, and, later, by Eduard Norden, Hermann Diels, and most modern scholars of antiquity. As a consequence, until the end of the twentieth century CE, antilogies have been ignored or, at best, treated as a minor literary device to be mentioned only with reference to individual writings. Nevertheless, during the second half of the fifth century, antilogies were a crucially important form of argument and persuasion in ‘sophistic’ thought, philosophy, historiography, comedy and tragedy, and other fields. In order to redress the historical neglect of the art of antilogy, this essay provides an inventory (doubtless incomplete) of some 30 antilogies composed by playwrights such as Sophocles, Euripides, and Aristophanes, historians such as Herodotus and Thucydides, and, most importantly, ‘sophists’ such as Protagoras, Gorgias, Prodicus and Antiphon (in addition to a few other writers of the same period). Building on this inventory, the second part of the essay seeks to establish identifying features of antilogy and assess its cultural significance in the Athenian context (in the second half of the fifth century BCE).","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135864569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

As Seen from the Camera Obscura: Haniya Yutaka’s Ontological Film Theory 从暗箱看——由高矢矢的本体论电影理论

Humanities (Basel, Switzerland) Pub Date : 2023-09-21 DOI: 10.3390/h12050105

Naoki Yamamoto

{"title":"As Seen from the Camera Obscura: Haniya Yutaka’s Ontological Film Theory","authors":"Naoki Yamamoto","doi":"10.3390/h12050105","DOIUrl":"https://doi.org/10.3390/h12050105","url":null,"abstract":"Haniya Yutaka (1909–1997) was one of the leading figures in postwar Japanese literature and avant-garde art movements, chiefly remembered today for his unfinished metaphysical novel Dead Souls [Shirei, 1946–1997]. This essay, however, examines his hitherto unknown theoretical writings on film. Haniya and other writers gathering around the literary magazine Kindai bungaku [Modern Literature, 1946–1964] shared a keen interest in film’s unparalleled importance in twentieth-century modernity. And their collective efforts to transgress conventional boundaries between literature and film culminated in the 1957 publication of the anthology entitled Literary Film Theory [Bungakuteki eigaron]. Above all, Haniya’s film writing was clearly distinguished for its tendency to explicate film’s paradoxical mode of existence philosophically, an approach that the film critic Matsuda Masao later called an “ontological film theory” [sonzaironteki eigaron]. Looking closely at his essays and interviews collected in Literary Film Theory and two other volumes on this topic—Thoughts in the Darkness [Yami no naka no shisō, 1962] and Dreaming in the Darkness [Yami no naka no musō, 1982]—the present essay reads Haniya’s theorization of cinema in relation to both Martin Heidegger’s existential phenomenology and recent scholarly debates on non-Western film theory.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136130055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reading the “Slash” in Percival Everett’s American Desert 阅读珀西瓦尔·埃弗雷特的《美国沙漠》中的“斜杠”

Humanities (Basel, Switzerland) Pub Date : 2023-09-19 DOI: 10.3390/h12050104

Joe Weixlmann

引用次数: 0

The Scholarship Behind the Eyes in La pícara Justina (1605) 《La pícara Justina》中眼睛背后的学问(1605)

Humanities (Basel, Switzerland) Pub Date : 2023-09-18 DOI: 10.3390/h12050102

Javier Soage

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“Me Has Visto el Alma en los Ojos”: Hidden Passions in Spanish Golden Age Tragedy “我有维斯托·阿尔玛·洛斯·奥霍斯”:西班牙黄金时代悲剧中隐藏的激情

Humanities (Basel, Switzerland) Pub Date : 2023-09-18 DOI: 10.3390/h12050101

María Rosa Álvarez Sellers

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“You Can Really Make the Story Your Own”: Taking Back Candyman “你真的可以让故事成为你自己的”:拿回糖果人

Humanities (Basel, Switzerland) Pub Date : 2023-09-18 DOI: 10.3390/h12050103

Marco Petrelli

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Read with Me/While We Wait—A Community of Voices in Percival Everett’s Trout’s Lie 和我一起读/在我们等待的时候——珀西瓦尔·埃弗雷特的《鳟鱼的谎言》中的一个声音共同体

Humanities (Basel, Switzerland) Pub Date : 2023-09-15 DOI: 10.3390/h12050099

Anne-Laure Tissut

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Virtual Craft: Experiences and Aesthetics of Immersive Making Culture 虚拟工艺:沉浸式制作文化的体验与美学

Humanities (Basel, Switzerland) Pub Date : 2023-09-15 DOI: 10.3390/h12050100

Minhyoung Kim

{"title":"Virtual Craft: Experiences and Aesthetics of Immersive Making Culture","authors":"Minhyoung Kim","doi":"10.3390/h12050100","DOIUrl":"https://doi.org/10.3390/h12050100","url":null,"abstract":"As immersive media, including VR, AR, MR, and XR, continues to expand rapidly during the pandemic era, there remains limited research on its comprehensive characteristics and its potential to create new forms of experience and aesthetics. This may be attributed to a lack of an understanding that immersive technologies exist encompassing both realms of reality and virtuality, leading to misconceptions that they are radically disconnected from traditional notions of materiality. In contrast, this study identifies an emerging trend characterized by the material implementation of immersive technologies in the domain of making culture in VR, which is referred to as “virtual craft” in this research. By reviewing studies on immersive media, materiality, making culture, and triadic semiotics, an integrated conceptual framework was developed to assess the experiences, aesthetics, and potential of immersive making culture. This framework is then applied to a specific case study involving virtual craft, with a particular focus on the 3D painting application, Tilt Brush, and related applications that the author has observed and tested. In conclusion, this paper presents a vision of the future of virtual craft and discusses the sustainability of immersive making culture, highlighting the potential for continued innovation and integration in various fields.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135438003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pain’s Echo: Lament and Revenge in Ovid’s “Procne and Philomela” 痛苦的回响:奥维德《普鲁丝妮与菲勒美拉》中的悲叹与复仇

Humanities (Basel, Switzerland) Pub Date : 2023-09-15 DOI: 10.3390/h12050096

Ilit Ferber

引用次数: 0

‘Together We Prepare a Feast, Each Person Stirring Up Memory’ “我们一起准备盛宴，每个人都唤起回忆”

Humanities (Basel, Switzerland) Pub Date : 2023-09-15 DOI: 10.3390/h12050098

Ed Stevens, Anna Khlusova, Sarah Fine, Ammar Azzouz, Leonie Ansems de Vries

{"title":"‘Together We Prepare a Feast, Each Person Stirring Up Memory’","authors":"Ed Stevens, Anna Khlusova, Sarah Fine, Ammar Azzouz, Leonie Ansems de Vries","doi":"10.3390/h12050098","DOIUrl":"https://doi.org/10.3390/h12050098","url":null,"abstract":"Our story starts in April 2020, in the early stages of the UK’s first national COVID-19 lockdown. A multidisciplinary team of researchers and artists began a collaboration with Migrateful, a charity that runs cookery classes led by refugees, asylum seekers, and migrants struggling to integrate and access employment. Teaching classes and sharing their cuisine and stories helps the chefs develop their confidence and sense of belonging, and food is central to the enterprise. The focus of the project was a series of interactive online cookery classes delivered by Migrateful chefs, with ongoing involvement from the researchers and artists. In this paper, we weave together the research team’s reflections on the project with commentary from the participants and artists. We outline our methods and our learning from the collaboration and explain how it inspired new ways of thinking about refugee representation, food and belonging, co-creative storytelling, and virtual engagement. We discuss the ways in which Migrateful’s model helps to support the production of counter-narratives that value, foreground, and amplify migrants’ perspectives and voices while acknowledging the tensions involved in adapting this model to the virtual space. We emphasise the power dynamics inherent in engaging and researching with marginalised people and their stories while considering whether artistic involvement and creation may help to navigate some of these challenges, and we address how the virtual environment affected the potential for collaborative storytelling, interaction, and engagement levels among participants. Together, these reflections form a ‘recipe’ for what we hope to be a more meaningful and ethical model of engagement activity that builds on this learning.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135438218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0