“我们一起准备盛宴,每个人都唤起回忆”

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Ed Stevens, Anna Khlusova, Sarah Fine, Ammar Azzouz, Leonie Ansems de Vries
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引用次数: 0

摘要

我们的故事从2020年4月开始,当时是英国首次全国COVID-19封锁的早期阶段。一个由研究人员和艺术家组成的多学科团队开始与Migrateful合作,Migrateful是一家慈善机构,由难民、寻求庇护者和努力融入社会并获得就业机会的移民开办烹饪课程。教授课程,分享他们的烹饪和故事,帮助厨师们培养信心和归属感,而食物是企业的核心。该项目的重点是一系列交互式在线烹饪课程,由Migrateful厨师提供,研究人员和艺术家持续参与。在本文中,我们将研究团队对该项目的反思与参与者和艺术家的评论结合在一起。我们概述了我们的方法和我们从合作中学到的东西,并解释了它如何激发了关于难民代表、食物和归属感、共同创作的故事讲述和虚拟参与的新思路。我们讨论了Migrateful的模型如何帮助支持反叙事的产生,这些反叙事重视、突出并放大了移民的观点和声音,同时承认将该模型适应虚拟空间所涉及的紧张关系。我们强调参与和研究边缘化人群及其故事的内在动力,同时考虑艺术参与和创作是否有助于应对这些挑战,我们讨论虚拟环境如何影响参与者之间协作讲故事、互动和参与水平的潜力。总之,这些反思形成了一个“配方”,我们希望在这种学习的基础上建立一个更有意义和道德的参与活动模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Together We Prepare a Feast, Each Person Stirring Up Memory’
Our story starts in April 2020, in the early stages of the UK’s first national COVID-19 lockdown. A multidisciplinary team of researchers and artists began a collaboration with Migrateful, a charity that runs cookery classes led by refugees, asylum seekers, and migrants struggling to integrate and access employment. Teaching classes and sharing their cuisine and stories helps the chefs develop their confidence and sense of belonging, and food is central to the enterprise. The focus of the project was a series of interactive online cookery classes delivered by Migrateful chefs, with ongoing involvement from the researchers and artists. In this paper, we weave together the research team’s reflections on the project with commentary from the participants and artists. We outline our methods and our learning from the collaboration and explain how it inspired new ways of thinking about refugee representation, food and belonging, co-creative storytelling, and virtual engagement. We discuss the ways in which Migrateful’s model helps to support the production of counter-narratives that value, foreground, and amplify migrants’ perspectives and voices while acknowledging the tensions involved in adapting this model to the virtual space. We emphasise the power dynamics inherent in engaging and researching with marginalised people and their stories while considering whether artistic involvement and creation may help to navigate some of these challenges, and we address how the virtual environment affected the potential for collaborative storytelling, interaction, and engagement levels among participants. Together, these reflections form a ‘recipe’ for what we hope to be a more meaningful and ethical model of engagement activity that builds on this learning.
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