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Pipestone Books: Indigenous Materialisms and Bibliographical Methods 派普斯通书籍:本土唯物主义和书目方法

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899717

Daniel M. Radus

引用次数: 0

"Come Think with Me": Finding Communion in the Liberatory Textual Practices of Kameelah Janan Rasheed “来和我一起思考”:在卡米拉·贾南·拉希德的解放文本实践中寻找交流

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899736

Jehan L. Roberson

引用次数: 0

On the Black Book as Durational: Noah Purifoy's Desert Library 论黑皮书的持续性:诺亚·普里弗伊的沙漠图书馆

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899718

Paul J. Benzon

引用次数: 0

"In the Cards": The Material Textuality of Tarotological Reading “在牌中”:塔罗学阅读的物质文本

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899721

J. Erickson

{"title":"\"In the Cards\": The Material Textuality of Tarotological Reading","authors":"J. Erickson","doi":"10.1353/crt.2022.a899721","DOIUrl":"https://doi.org/10.1353/crt.2022.a899721","url":null,"abstract":"Abstract:This article examines deep-seated relationships that inextricably bind the material makeup of divinatory card decks to their multifarious literacy functions. Unpacking the deceptive underlying complexities in these objects requires both an ontological analysis of their multicultural rootedness and a speculative exploration of their propensity for memetic adaptation. The concept of \"reading\" cards as textual objects has typically existed on the fringes of Western literacy paradigms. In reality, however, considering the rather commonplace use of pedagogical objects such as alphabet cards and flash cards, the practice of reading cards should be recognized for its considerable role in literacy instruction. In looking at visual elements and sources shared between playing cards and the tarot—specifically, those that combine to form their visual lexicon—this article provides a contemporary survey of how, through its derivatives, the materiality of tarotological print cultures create diverse acts of reading. Discussed are card symbolism, the alchemical amalgamation of visual allegory, allegorical textuality in esoterica, and the transchronological hybridity in these cards as a counternarrative to illusory models of ethnic purity in European material culture.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89082601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

On Feminist Practice in the Rare Books and Manuscripts Trade: Buying, Cataloging, and Selling 女性主义在珍本书稿交易中的实践:购买、编目与销售

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899728

Rebecca Romney

{"title":"On Feminist Practice in the Rare Books and Manuscripts Trade: Buying, Cataloging, and Selling","authors":"Rebecca Romney","doi":"10.1353/crt.2022.a899728","DOIUrl":"https://doi.org/10.1353/crt.2022.a899728","url":null,"abstract":"Abstract:This article seeks to delineate principles for incorporating feminist practices into the three main roles of the antiquarian bookseller: buying, cataloging, and selling. While scholarship in feminist bibliography is growing in the academic sphere, and feminist movements for individuals in the rare book trade (such as the Antiquarian Booksellers' Association of America's Women's Initiative) have seen success in recent years, few formal explorations of feminism in the everyday practices of the trade have yet followed. Laying this groundwork is an important step in the wider efforts to build a more diverse, inclusive, and accessible rare book trade and body of avocational collectors, both of whom play critical roles in deciding what gets preserved, what ends up in institutional collections, and what is ultimately available for scholarly research. This article surveys principles for feminist practice with examples based on the author's own experience as an antiquarian book dealer and cofounder of a rare book firm. It outlines typically unspoken economic influences that have shaped the culture of the rare book trade, as well as how some traditions of the trade can perpetuate bias that results in unnecessary obstacles to attracting, welcoming, and maintaining relationships with collectors. In providing specific examples, this article also demonstrates how incorporating feminist principles into the fundamental skills of the rare book trade is beneficial to dealers, and thus why every bookseller should be a feminist bookseller. This practice benefits dealers in the short term by enabling them to buy in a more informed manner, as well as reducing the risk of needlessly alienating potential buyers of specific books in their cataloging and selling practices. Further, it benefits dealers in the long term by supporting the growth of a much bigger pool of buyers, as it is they who fundamentally keep the engine of the rare book trade running.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83260615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

What is Critical Bibliography? 什么是批判书目?

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899716

Lisa Maruca, Kate Ozment

引用次数: 5

Trees and Texts: Indigenous History, Material Media, and the Logan Elm 树木和文本:土著历史、材料媒介和洛根榆树

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899719

Mark Alan Mattes

{"title":"Trees and Texts: Indigenous History, Material Media, and the Logan Elm","authors":"Mark Alan Mattes","doi":"10.1353/crt.2022.a899719","DOIUrl":"https://doi.org/10.1353/crt.2022.a899719","url":null,"abstract":"Abstract:Settler accounts of the Cayuga Native American Soyeghtowa (Logan), such as Thomas Jefferson's Notes on the State of Virginia, interpret his famous mourning speech, \"Logan's Lament,\" as the words of a melancholic, noble savage and vanishing Indian. This essay decolonizes settler accounts of Logan's words and deeds such as Jefferson's book by considering Indigenous relationships to a once-living memorial on Shawnee land in central Ohio, the Logan Elm, which nineteenth-century settlers apocryphally identified as the site of Logan's speech. Drawing on scholarly work on Indigenous writing and historical media by Native American and settler intellectuals, as well as local knowledge keepers, sections focus on Indigenous memories of Logan recorded in eighteenth- and early nineteenth-century textual archives, early twentieth-century Native American orations, and twenty-first century interpretations of Logan by enrolled members of the Seneca Cayuga Nation. These interpretations, rooted in the sacred and political significance of trees in the Haudenosaunee treaty protocol, the founding of the Haudenosaunee Confederacy, and the oral tradition of the Haudenosaunee Constitution, figure Logan's speech as an Indigenous history oriented toward Indigenous futures.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73908513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Making Mary Ann Waters is a Free Black Woman: Critical Fabrication as Bibliographic Method 把玛丽·安·沃特斯塑造成一个自由的黑人女性:作为书目方法的批判性捏造

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899737

Kadin Henningsen

引用次数: 0

Warp/Weft/Word: Inscriptive Materiality, Epistemological Violence, and the Inka Khipu 经纱/纬纱/字:铭文物质性、认识论暴力和印卡语

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899720

T. Sharp

{"title":"Warp/Weft/Word: Inscriptive Materiality, Epistemological Violence, and the Inka Khipu","authors":"T. Sharp","doi":"10.1353/crt.2022.a899720","DOIUrl":"https://doi.org/10.1353/crt.2022.a899720","url":null,"abstract":"Abstract:Many competing theories of the Indigenous inscription practice known as the khipu have been offered, from L. Leland Locke's long-standing postulation that khipus are accounting devices, to Walter Ong's description of them as aide-mémoire, to Gary Urton's more experimental theory that they constituted an early form of binary composition. Just as fraught is the history of the khipu, which were utilized by the Inka, intermediated by Spanish and Catholic authorities in their legal and religious systems, and, finally, banned and burned as seditious and sacrilegious. Contemporary khipus are primarily limited to those used by herders, but Chilean American poet-artist Cecilia Vicuña utilizes the khipu form to compose artworks such as Quipu in the Gutter, Skyscraper Quipu, Quipu That Remembers Nothing, among many others. This article argues that Vicuña utilizes the formal possibilities of khipu materiality, refusing to either limit her khipu-based works as simply mathematical or to romanticize their history. Instead, she intermediates the khipu form with elements of conceptual, visual, and performance art. In doing so, she participates in the colonial history of the khipu—just as Spanish authorities intermediated khipus with written Spanish in colonial courts and in khipu-based religious confessions. However, Vicuña in turn rejects the colonial violence imposed on the khipu in the same process, indicating that the possibilities of the form continue through the form's intermediation and growth.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75759727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Surface Reading Paper as Feminist Bibliography 表面阅读纸作为女权主义参考书目

4区艺术学

FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899725

G. Wilson

引用次数: 0