Citing Seeds, Citing People: Bibliography and Indigenous Memory, Relations, and Living Knowledge-Keepers

IF 0.1 4区 艺术学 N/A FILM, RADIO, TELEVISION
Megan Peiser
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引用次数: 1

Abstract

Abstract:This piece explores Indigenous knowledge-keeping and -sharing of Turtle Island, the place currently called the United States, especially as it relates to ancestral knowledge, oral tradition, and the living place of our knowledge—the land, and the fields of bibliography and book history. More specifically this article focuses on the seed as a site of Indigenous knowledge and how structures of knowledge corralling (book, library, collection) and knowledge managers (reader, librarian, archivist, collector) do not equally or easily map onto Indigenous knowing. Book history and bibliography as of this moment have no way to consider in their field discourse the symbiotic and living familial relationship between knowledge, DNA, culture, environment, and tradition embodied in seeds, the gardens, and lands where they grow, and the human relatives who interact with those seeds in the continual living process of creating, planting, growing, sharing, eating, and living Indigenous knowledge—that is, Indigenous texts. This article exposes the ways that Indigenous peoples are living with knowledge traditions embodied in our more-than-human relatives. That knowledge exists because some being is continually living some part of it and communicating it with other beings. Central to many of these knowledge traditions are seeds.
引用种子,引用人:参考书目和土著记忆,关系,和活的知识守护者
摘要:本文探讨了龟岛(目前被称为美国的地方)土著知识的保存和分享,特别是涉及祖先知识,口头传统,我们知识的生活场所-土地,以及书目和书籍历史领域。更具体地说,本文关注的是作为土著知识站点的种子,以及知识收集(书籍、图书馆、收藏)和知识管理(读者、图书管理员、档案管理员、收藏家)的结构如何不能平等或容易地映射到土著知识。到目前为止,书籍史和书目学还没有办法在他们的领域论述中考虑到知识、DNA、文化、环境和体现在种子、花园和它们生长的土地上的传统之间的共生和活生生的家庭关系,以及在创造、种植、生长、分享、食用和生活土著知识(即土著文本)的持续生活过程中与这些种子互动的人类亲属。这篇文章揭示了土著人民与体现在我们比人类更高级的亲戚身上的知识传统生活的方式。这种知识之所以存在,是因为某些生物不断地生活在其中的某些部分,并与其他生物进行交流。这些知识传统的核心是种子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
FILM CRITICISM
FILM CRITICISM FILM, RADIO, TELEVISION-
CiteScore
0.20
自引率
0.00%
发文量
14
审稿时长
20 weeks
期刊介绍: Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.
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