{"title":"Citing Seeds, Citing People: Bibliography and Indigenous Memory, Relations, and Living Knowledge-Keepers","authors":"Megan Peiser","doi":"10.1353/crt.2022.a899734","DOIUrl":null,"url":null,"abstract":"Abstract:This piece explores Indigenous knowledge-keeping and -sharing of Turtle Island, the place currently called the United States, especially as it relates to ancestral knowledge, oral tradition, and the living place of our knowledge—the land, and the fields of bibliography and book history. More specifically this article focuses on the seed as a site of Indigenous knowledge and how structures of knowledge corralling (book, library, collection) and knowledge managers (reader, librarian, archivist, collector) do not equally or easily map onto Indigenous knowing. Book history and bibliography as of this moment have no way to consider in their field discourse the symbiotic and living familial relationship between knowledge, DNA, culture, environment, and tradition embodied in seeds, the gardens, and lands where they grow, and the human relatives who interact with those seeds in the continual living process of creating, planting, growing, sharing, eating, and living Indigenous knowledge—that is, Indigenous texts. This article exposes the ways that Indigenous peoples are living with knowledge traditions embodied in our more-than-human relatives. That knowledge exists because some being is continually living some part of it and communicating it with other beings. Central to many of these knowledge traditions are seeds.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/crt.2022.a899734","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:This piece explores Indigenous knowledge-keeping and -sharing of Turtle Island, the place currently called the United States, especially as it relates to ancestral knowledge, oral tradition, and the living place of our knowledge—the land, and the fields of bibliography and book history. More specifically this article focuses on the seed as a site of Indigenous knowledge and how structures of knowledge corralling (book, library, collection) and knowledge managers (reader, librarian, archivist, collector) do not equally or easily map onto Indigenous knowing. Book history and bibliography as of this moment have no way to consider in their field discourse the symbiotic and living familial relationship between knowledge, DNA, culture, environment, and tradition embodied in seeds, the gardens, and lands where they grow, and the human relatives who interact with those seeds in the continual living process of creating, planting, growing, sharing, eating, and living Indigenous knowledge—that is, Indigenous texts. This article exposes the ways that Indigenous peoples are living with knowledge traditions embodied in our more-than-human relatives. That knowledge exists because some being is continually living some part of it and communicating it with other beings. Central to many of these knowledge traditions are seeds.
期刊介绍:
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.