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A United Korea (Or, the Great Divide): Crash Landing on You 统一的韩国（或者，巨大的鸿沟）：坠落在你身上
4区 艺术学
FILM CRITICISM Pub Date : 2023-11-28 DOI: 10.3998/fc.5175
Doyle Greene
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引用次数: 0
Nostalgia, Remembrance and Crises in an Evolving Streaming Media Industry 不断发展的流媒体产业中的怀旧、纪念和危机
4区 艺术学
FILM CRITICISM Pub Date : 2023-11-28 DOI: 10.3998/fc.5174
Sheri Chinen Biesen
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引用次数: 0
The Flying Spirit of Movement within These Solid Objects: Marie Menken’s Home Movies 在这些固体中运动的飞行精神:玛丽·门肯的家庭电影
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4731
Adam Charles Hart
{"title":"The Flying Spirit of Movement within These Solid Objects: Marie Menken’s Home Movies","authors":"Adam Charles Hart","doi":"10.3998/fc.4731","DOIUrl":"https://doi.org/10.3998/fc.4731","url":null,"abstract":"Marie Menken (1909-1970) was one of the most influential and beloved filmmakers of the American avant-garde, a liberatory inspiration for several subsequent generations of artists. Her films were characterized by wildly kinetic handheld camerawork, which have largely been understood through the lens of those she inspired. This essay analyzes Menken’s films in terms more specific to her, focusing on her broadly inclusive, often structuring celebration of motion in all its forms.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"2003 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135814099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party VR中的摄像机运动:空间调解、用户定位和虚拟晚宴
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4739
Ariel Rogers
{"title":"Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party","authors":"Ariel Rogers","doi":"10.3998/fc.4739","DOIUrl":"https://doi.org/10.3998/fc.4739","url":null,"abstract":"This essay investigates how virtual-reality \"films\" adapt cinematic approaches to camera movement. Focusing on the 360-degree video Dinner Party, it examines how such works distinguish user-initiated from work-initiated movements and thereby transform users' relationship to representation. In Dinner Party, it argues, these possibilities contribute to an exploration of racial difference.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"1 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135870315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Watch and the Sparkler: Time and Movement in <i>Long Day’s Journey into Night</i> (2018) 钟表与烟火:《漫长的白昼进入黑夜》中的时间与运动&lt;/i&gt;(2018)
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4733
Patrick Keating
{"title":"The Watch and the Sparkler: Time and Movement in &lt;i&gt;Long Day’s Journey into Night&lt;/i&gt; (2018)","authors":"Patrick Keating","doi":"10.3998/fc.4733","DOIUrl":"https://doi.org/10.3998/fc.4733","url":null,"abstract":"The accompanying audiovisual essay is a close analysis of Bi Gan's 2018 movie Long Day's Journey into Night. Inspired by the movie, the video divides into two parts. The first half outlines Long Day's split structure; the second analyzes the spectacular moving shot that concludes the movie.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"50 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135870831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Camera Movement and the Necessity of Criticism 导论:摄影机运动与批判的必要性
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4730
Daniel Morgan, Jordan Schonig
{"title":"Introduction: Camera Movement and the Necessity of Criticism","authors":"Daniel Morgan, Jordan Schonig","doi":"10.3998/fc.4730","DOIUrl":"https://doi.org/10.3998/fc.4730","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"2002 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135813118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Festival Aesthetics Amidst Festival Politics The 2023 Busan International Film Festival “电影节政治中的电影节美学”2023釜山国际电影节
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.5122
Marc Raymond
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引用次数: 0
The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s <i>Dear Janice</i> 相机是一台打印机:亚当·贝克特的《亲爱的珍妮丝》&lt;/i&gt;
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4738
Ryan Pierson
{"title":"The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s &lt;i&gt;Dear Janice&lt;/i&gt;","authors":"Ryan Pierson","doi":"10.3998/fc.4738","DOIUrl":"https://doi.org/10.3998/fc.4738","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135869895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sex and Technics: Sexual and Spatial Orientations in <i>Ma vraie vie à Rouen</i> 性与技术:《男性视角》中的性与空间取向
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4732
Scott Richmond
{"title":"Sex and Technics: Sexual and Spatial Orientations in &lt;i&gt;Ma vraie vie à Rouen&lt;/i&gt;","authors":"Scott Richmond","doi":"10.3998/fc.4732","DOIUrl":"https://doi.org/10.3998/fc.4732","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"2007 22","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135813926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tales of Downward Mobility: <i>Life of Pi</i> and Virtual Camera Movement in Liquid Modernity 向下流动的故事:&lt;i&gt;皮特的生活&lt;/i&gt;以及流动现代性中的虚拟相机运动
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4734
Kristen Whissel
{"title":"Tales of Downward Mobility: &lt;i&gt;Life of Pi&lt;/i&gt; and Virtual Camera Movement in Liquid Modernity","authors":"Kristen Whissel","doi":"10.3998/fc.4734","DOIUrl":"https://doi.org/10.3998/fc.4734","url":null,"abstract":"This article analyzes how the virtual camera’s downward, submarine movement in Life of Pi’s “tiger vision” sequence emblematizes the protagonist’s descent into “liquid modernity” and gives spectacular expression to the forces of global capitalism that have, since the 1970s, sent the world—and visual effects labor—plunging toward catastrophe.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"1 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135869468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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