Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party

IF 0.1 4区艺术学 0 FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2023-10-31 DOI:10.3998/fc.4739

Ariel Rogers

引用次数: 0

Abstract

This essay investigates how virtual-reality "films" adapt cinematic approaches to camera movement. Focusing on the 360-degree video Dinner Party, it examines how such works distinguish user-initiated from work-initiated movements and thereby transform users' relationship to representation. In Dinner Party, it argues, these possibilities contribute to an exploration of racial difference.

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VR中的摄像机运动:空间调解、用户定位和虚拟晚宴

这篇文章探讨了虚拟现实“电影”如何适应镜头运动的电影方法。以360度视频《晚宴》为中心，研究这些作品如何区分用户发起的和工作发起的运动，从而将用户关系转化为表现。在《晚宴派对》中，它认为，这些可能性有助于对种族差异的探索。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.