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Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party VR中的摄像机运动:空间调解、用户定位和虚拟晚宴
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4739
Ariel Rogers
{"title":"Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party","authors":"Ariel Rogers","doi":"10.3998/fc.4739","DOIUrl":"https://doi.org/10.3998/fc.4739","url":null,"abstract":"This essay investigates how virtual-reality \"films\" adapt cinematic approaches to camera movement. Focusing on the 360-degree video Dinner Party, it examines how such works distinguish user-initiated from work-initiated movements and thereby transform users' relationship to representation. In Dinner Party, it argues, these possibilities contribute to an exploration of racial difference.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135870315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Watch and the Sparkler: Time and Movement in <i>Long Day’s Journey into Night</i> (2018) 钟表与烟火:《漫长的白昼进入黑夜》中的时间与运动&lt;/i&gt;(2018)
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4733
Patrick Keating
{"title":"The Watch and the Sparkler: Time and Movement in &lt;i&gt;Long Day’s Journey into Night&lt;/i&gt; (2018)","authors":"Patrick Keating","doi":"10.3998/fc.4733","DOIUrl":"https://doi.org/10.3998/fc.4733","url":null,"abstract":"The accompanying audiovisual essay is a close analysis of Bi Gan's 2018 movie Long Day's Journey into Night. Inspired by the movie, the video divides into two parts. The first half outlines Long Day's split structure; the second analyzes the spectacular moving shot that concludes the movie.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135870831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Camera Movement and the Necessity of Criticism 导论:摄影机运动与批判的必要性
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4730
Daniel Morgan, Jordan Schonig
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引用次数: 0
Festival Aesthetics Amidst Festival Politics The 2023 Busan International Film Festival “电影节政治中的电影节美学”2023釜山国际电影节
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.5122
Marc Raymond
{"title":"Festival Aesthetics Amidst Festival Politics The 2023 Busan International Film Festival","authors":"Marc Raymond","doi":"10.3998/fc.5122","DOIUrl":"https://doi.org/10.3998/fc.5122","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135813392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s <i>Dear Janice</i> 相机是一台打印机:亚当·贝克特的《亲爱的珍妮丝》&lt;/i&gt;
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4738
Ryan Pierson
{"title":"The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s &lt;i&gt;Dear Janice&lt;/i&gt;","authors":"Ryan Pierson","doi":"10.3998/fc.4738","DOIUrl":"https://doi.org/10.3998/fc.4738","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135869895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sex and Technics: Sexual and Spatial Orientations in <i>Ma vraie vie à Rouen</i> 性与技术:《男性视角》中的性与空间取向
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4732
Scott Richmond
{"title":"Sex and Technics: Sexual and Spatial Orientations in &lt;i&gt;Ma vraie vie à Rouen&lt;/i&gt;","authors":"Scott Richmond","doi":"10.3998/fc.4732","DOIUrl":"https://doi.org/10.3998/fc.4732","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135813926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tales of Downward Mobility: <i>Life of Pi</i> and Virtual Camera Movement in Liquid Modernity 向下流动的故事:&lt;i&gt;皮特的生活&lt;/i&gt;以及流动现代性中的虚拟相机运动
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4734
Kristen Whissel
{"title":"Tales of Downward Mobility: &lt;i&gt;Life of Pi&lt;/i&gt; and Virtual Camera Movement in Liquid Modernity","authors":"Kristen Whissel","doi":"10.3998/fc.4734","DOIUrl":"https://doi.org/10.3998/fc.4734","url":null,"abstract":"This article analyzes how the virtual camera’s downward, submarine movement in Life of Pi’s “tiger vision” sequence emblematizes the protagonist’s descent into “liquid modernity” and gives spectacular expression to the forces of global capitalism that have, since the 1970s, sent the world—and visual effects labor—plunging toward catastrophe.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135869468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Not Done Being Over: Death and the Trouble with Understatement 《未完即终:死亡与轻描淡写的麻烦
4区 艺术学
FILM CRITICISM Pub Date : 2023-10-31 DOI: 10.3998/fc.4735
Eugenie Brinkema
{"title":"Not Done Being Over: Death and the Trouble with Understatement","authors":"Eugenie Brinkema","doi":"10.3998/fc.4735","DOIUrl":"https://doi.org/10.3998/fc.4735","url":null,"abstract":"The paradox of The Trouble with Harry: While Hitchcock dubbed it an exercise in “understatement,” the film turns on the hyperbolic insistence of the corpse at its center. Contravening the unmoved narrative and indifferent or irritated characters, the movements of cinematic form alone propose an ethical stance towards the dead.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135869520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How to De-Program a Festival? The 73rd Berlinale 如何去程序化一个节日?第73届柏林电影节
4区 艺术学
FILM CRITICISM Pub Date : 2023-03-27 DOI: 10.3998/fc.4068
G. Gemünden
{"title":"How to De-Program a Festival? The 73rd Berlinale","authors":"G. Gemünden","doi":"10.3998/fc.4068","DOIUrl":"https://doi.org/10.3998/fc.4068","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44114232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix 忘记红色药丸：《黑客帝国》中的酷儿政治与跨人文主义意识形态
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3608
N. Niessen
{"title":"Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix","authors":"N. Niessen","doi":"10.3998/fc.3608","DOIUrl":"https://doi.org/10.3998/fc.3608","url":null,"abstract":"Following the Matrix trilogy (1999, 2003, 2003) the franchise’s iconic red pill trope became an anti-feminist meme in neo-fascist circles. This essay analyzes how Matrix Resurrections (2021) reclaims the red pill in an explicitly feminist and queer narrative. But the fourth Matrix film also is an ideological fantasy: Resurrections resonates just too much with a transhumanist belief in a human-machine synergy that also fuels Silicon Valley’s new American Dream. Propelled by this transhuman delusion, The Matrix ultimately has little to say about life in the era of climate catastrophe and control capitalism.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42476028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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