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Anne Jerslev, David Lynch: Blurred Boundaries 安妮·杰斯列夫，大卫·林奇:模糊的界限
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3612
Martha P. Nochimson
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引用次数: 0
“From The Kallikaks to The Kallikaks: Hillbilly Elegy and the Legacy of Eugenics” “从卡利克人到卡利克人：乡巴佬挽歌和优生学的遗产”
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3610
R. Robinson
{"title":"“From The Kallikaks to The Kallikaks: Hillbilly Elegy and the Legacy of Eugenics”","authors":"R. Robinson","doi":"10.3998/fc.3610","DOIUrl":"https://doi.org/10.3998/fc.3610","url":null,"abstract":"Ron Howard’s popular adaptation of JD Vance’s Hillbilly Elegy treated the New York Times bestselling book as an answer to the politics of Appalachia, offering insight into understanding Trump’s popularity. Yet with Trump’s recent endorsement of Vance for a Senate run, this reading of Vance’s text requires an update. One that looks to the larger context of hillbilly-themed representations. American eugenics offers such a view. For over 100 years the American eugenics movement used the hillbilly stereotype to justify its surveillance, categorization, institutionalization, and sterilization of what they called “defectives” in promoting its image of “whiteness.” Popular media was an integral part of these efforts. The foundational narrative of the American eugenics movement, Goddard’s 1912 text The Kallikaks is also the name of a hillbilly-themed sitcom produced in 1977. Utilizing Lisa Cartwright’s Screening the Body, Tracing Medicine’s Visual Culture, this article argues that the narrative of the hillbilly stereotype in American eugenics has been an integral part of cinema and television history, extending back to the motion studies. A history that finds its extension in Howard’s adaptation of JD Vance’s book, Hillbilly Elegy.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41557684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Suzanne Ferriss, The Cinema of Sofia Coppola: Fashion, Culture, Celebrity 苏珊娜·费里斯，索菲亚·科波拉的电影：时尚、文化、名人
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3613
C. Pontone
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引用次数: 1
John G. Hanhardt, The Films of Andy Warhol Catalogue Raisonné, Volume 2: 1963–1965 约翰·g·汉哈特，《安迪·沃霍尔电影目录》，第二卷:1963-1965年
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3614
C. Verevis
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引用次数: 0
“It’s All in the Reflexes”: John Carpenter’s Big Trouble in Little China as a Hawksian Comedy “一切都在反思中”：约翰·卡彭特的霍克斯式喜剧《小中国的大麻烦》
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3609
Nikolas Matovinovic
{"title":"“It’s All in the Reflexes”: John Carpenter’s Big Trouble in Little China as a Hawksian Comedy","authors":"Nikolas Matovinovic","doi":"10.3998/fc.3609","DOIUrl":"https://doi.org/10.3998/fc.3609","url":null,"abstract":"This article argues that the cult success of Big Trouble in Little China is a product of the successful synthesis of Carpenter’s fantastic sensibility and the filmmaking philosophies of Howard Hawks. Operating not only as a parody of Hawks’s western films and Hong Kong martial arts cinema, BTiLC uses the pre-existing structure present in Hawk’s comedies to produce a film that is able to convincingly portray Jack Burton (Kurt Russell) as both the hero of the film and the incompetent comic relief; thus positioning its Asian American characters as its functional heroes, without this inversion ever seeming condescending or mean-spirited. This framing of the film consequently highlights the differences between BTiLC’s use of genre and Reagan era masculine heroism and the more reactionary elements of their contemporaries.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49311175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television 凯特琳·本森-阿洛特:《观众的材料:电影和电视的物质文化》
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3615
M. S. Johnson
{"title":"Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television","authors":"M. S. Johnson","doi":"10.3998/fc.3615","DOIUrl":"https://doi.org/10.3998/fc.3615","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43783977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema “回家吧！”在“再尼基”电影院通过旅行和摄影再现时空
4区 艺术学
FILM CRITICISM Pub Date : 2022-12-14 DOI: 10.3998/fc.3611
Jonathan Chan
{"title":"“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema","authors":"Jonathan Chan","doi":"10.3998/fc.3611","DOIUrl":"https://doi.org/10.3998/fc.3611","url":null,"abstract":"This essay aims to address depictions of an originary 'return' for 'Zainichi' subjects in Isao Yukisada's Go (2001), Yang Yong-hi's Dear Pyongyang, and Eric Khoo's Ramen Teh (2018) through their representations of travel and photographs. As motifs across all three films, these function as ciphers of space and time, integral to the Abstract: conceptualization of feeling rooted as opposed to the sensation of the \"unhomely'. Scenes of travel present both its possibilities and impossibilities, how movement may not be enough to enable a departure from Japan, but also how a departure from Japan may not resolve knotty questions of identification. Photographs, similarly, may aid in presenting an idealization or reminder of the past depending on who is being presented and where.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47939265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Craftivism and Cottonian Bindings: "The Handiwork of Greta Hall" 工艺主义与棉制绑扎:“格蕾塔大厅的手工作品”
4区 艺术学
FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899724
Helene Williams
{"title":"Craftivism and Cottonian Bindings: \"The Handiwork of Greta Hall\"","authors":"Helene Williams","doi":"10.1353/crt.2022.a899724","DOIUrl":"https://doi.org/10.1353/crt.2022.a899724","url":null,"abstract":"Abstract:Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey's books in vibrantly printed dress fabrics, creating a collection that came to be called \"the Cottonian Library.\" This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of women and the book.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75273543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Make Mine Melody: Building Beloved Community in Bibliography Using Mad Citation Practice 制作我的旋律:用疯狂的引文实践在书目中建立心爱的社区
4区 艺术学
FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899735
Sarah Madoka Currie
{"title":"Make Mine Melody: Building Beloved Community in Bibliography Using Mad Citation Practice","authors":"Sarah Madoka Currie","doi":"10.1353/crt.2022.a899735","DOIUrl":"https://doi.org/10.1353/crt.2022.a899735","url":null,"abstract":"Abstract:Bibliography can be reconstructed to privilege the imaginaries of radicals that are \"lesser known.\" The dis-visibilizing of marginalized neurodiverse scholars and theorycrafters has much in common with the institutionalization approaches that constrict and model obstructed life for neurodivergent bodyminds. In a proposal for mad citation practice, a series of hopeful strategies for nonretrofitted inclusivity and authorial diversity are constructed for the reader instead, which bear similarities to feminist and disabled care practices: explicit permission-setting, naming ontology, lived or living experience validity, commentary or subscript authorization, visibilized quotation selection, draft approval, and cocollaborator approvals all form the basis of a radically collaborative citation methodology that seeks to generate roundtable-format conversations in print, ones that are self-selected within mad communities and feature a heavy roster of neurodivergent or disabled scholars, artists, and authors. In mad citation, the draft writer is less the \"manuscript author\" and more equivalent to a \"conversation facilitator,\" charged with weaving the myriad kaleidoscopic voices of the movement they seek to represent. This refiguring of the author/collaborator and reader/writer valences are central to a citation futurity that situates power not in the hands of the scholar holding the pen but in the hands of the collective they seek to speak with.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84409343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Black Best—Selling Books and Bibliographical Concerns: The Essence Book Project 黑人畅销书和书目问题:精华图书项目
4区 艺术学
FILM CRITICISM Pub Date : 2022-08-01 DOI: 10.1353/crt.2022.a899729
Jacinta R. Saffold, Kinohi Nishikawa
{"title":"Black Best—Selling Books and Bibliographical Concerns: The Essence Book Project","authors":"Jacinta R. Saffold, Kinohi Nishikawa","doi":"10.1353/crt.2022.a899729","DOIUrl":"https://doi.org/10.1353/crt.2022.a899729","url":null,"abstract":"Abstract:On October 27, 2021, the Bibliographical Society of America (BSA) sponsored the first in a series of virtual interviews about the Essence Book Project. Founded by Jacinta R. Saffold, the BSA's inaugural Dorothy Porter Wesley Fellow, the Essence Book Project is a database of the books that appeared on Essence magazine's bestsellers' list from 1994 to 2010. In talking about the project with Kinohi Nishikawa, Saffold highlights how Black best-selling books contribute new paths of inquiry to bibliographical scholarship and explains why it is important to archive contemporary Black print culture. Presented in this article is a modified version of the conversation.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74155316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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