"Come Think with Me": Finding Communion in the Liberatory Textual Practices of Kameelah Janan Rasheed

IF 0.1 4区艺术学 0 FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2022-08-01 DOI:10.1353/crt.2022.a899736

Jehan L. Roberson

引用次数: 0

Abstract

Abstract:Defining text as anything that can be read, self-identified learner and artist Kameelah Janan Rasheed explores reading as radical communion within her multifaceted textual practice. A 2021 Guggenheim Fellow, Rasheed's work spans vast bodies of knowledge and temporalities to interrogate both the aesthetic and the limits of the text. At times producing collages with letters cut out from books in her own expansive library, and at other times posting scans from various books that are marked up with her rigorous note-taking, Rasheed approaches the text as an invitation to commune with the author in order to collectively arrive at new ways of knowing and being. Rasheed's work maps both her own hypertextual engagements while simultaneously enacting a Black feminist approach to literacy, one that recognizes Black women's textual practices as mapping geographic, corporeal, and psychological sites of resistance.

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“来和我一起思考”:在卡米拉·贾南·拉希德的解放文本实践中寻找交流

摘要:将文本定义为任何可以阅读的东西，自我认同的学习者和艺术家卡米拉·贾南·拉希德在她多方面的文本实践中探索阅读作为激进的交流。作为2021年古根海姆研究员，拉希德的作品跨越了大量的知识和时间，质疑了美学和文本的局限性。拉希德有时会用从自己庞大的图书馆里剪下来的字母制作拼贴画，有时也会贴出各种书籍的扫描图，并在上面做上严格的笔记。拉希德把这些文字当作一种邀请，邀请人们与作者交流，以便共同达成认识和存在的新方式。拉希德的作品既描绘了她自己的超文本参与，同时又制定了一种黑人女权主义的读写方法，一种将黑人女性的文本实践视为地理，身体和心理抵抗场所的方法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.