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Beyond the Auteur: South Korea's Domestic Independents as National Cinema 超越Auteur：韩国国内独立电影
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1024
M. Raymond
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引用次数: 0
Offstage absorption: on John Cassavetes' "Opening Night" (1977) 舞台外的吸收：约翰·卡萨韦茨的“开幕之夜”（1977）
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1034
Kathy Vanhout
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引用次数: 0
M.K. Raghavendra, "Locating World Cinema: Interpretations of Film as Culture" (Bloomsbury Academic India, 2020) M.K. Raghavendra，“定位世界电影:电影作为文化的解释”(Bloomsbury Academic India, 2020)
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1051
Devapriya Sanyal
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引用次数: 0
Blues, Smoke and Shadows: Jazz in 'Musical' Noir Films 蓝调、烟雾和阴影：音乐黑电影中的爵士乐
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1054
Sheri Chinen Biesen
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引用次数: 0
Data Visualizations, Vlogs, Drone Imagery: Expanded Documentary Forms in the COVID-19 Emergency 数据可视化、视频日志、无人机图像:COVID-19紧急情况下的扩展纪录片形式
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1060
Jihoon Kim
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引用次数: 0
J. R. Jordan, Robert Wise—The Motion Pictures (Bear Manor Media, 2020) j·r·乔丹，罗伯特·怀斯——电影公司(Bear Manor Media, 2020)
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1053
S. mcrae
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引用次数: 0
Sounds of Romance: Musicalizing Cinematic Passion 浪漫之声:音乐化电影激情
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1058
Sheri Chinen Biesen
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引用次数: 0
Between the Fasces and the Cross: Politics and History in Federico Fellini's "La Strada" 在Fasces和Cross之间：费里尼《La Strada》中的政治与历史
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1035
P. Gardner, B. Foley
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引用次数: 0
Visible Stripes: Reenacting Trauma in Hollywood's Carceral Aesthetics 可见条纹：再现好莱坞丧葬美学中的创伤
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1032
Eli Boonin-Vail
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引用次数: 0
Gönül Dönmez-Colin, "Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers" (Routledge, 2020) Gönül Dönmez Colin，“伊朗和土耳其电影院中的女性：作为图像和图像制作者”（Routledge，2020）
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1047
Serkan Şavk
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引用次数: 0
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