新唯物主义的第二阶段

IF 0.1 4区艺术学 0 FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2021-08-07 DOI:10.13110/criticism.63.3.0309

Tobias Skiveren

{"title":"新唯物主义的第二阶段","authors":"Tobias Skiveren","doi":"10.13110/criticism.63.3.0309","DOIUrl":null,"url":null,"abstract":"Criticism 63.3_06_Skiveren.indd Page 309 12/07/21 6:06 pm Criticism Summer 2021, Vol. 63, No. 3, pp. 309–312. ISSN 0011-1589. doi: 10.13110/criticism.63.3.0309 © 2021 by Wayne State University Press, Detroit, Michigan 48201-1309 Language matters. Discourse matters. Culture matters. There is an important sense in which the only thing that does not seem to matter anymore is matter. —Karen Barad, “Posthumanist Performativity,” 2003","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"103 1","pages":"309 - 312"},"PeriodicalIF":0.1000,"publicationDate":"2021-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"New Materialism's Second Phase\",\"authors\":\"Tobias Skiveren\",\"doi\":\"10.13110/criticism.63.3.0309\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Criticism 63.3_06_Skiveren.indd Page 309 12/07/21 6:06 pm Criticism Summer 2021, Vol. 63, No. 3, pp. 309–312. ISSN 0011-1589. doi: 10.13110/criticism.63.3.0309 © 2021 by Wayne State University Press, Detroit, Michigan 48201-1309 Language matters. Discourse matters. Culture matters. There is an important sense in which the only thing that does not seem to matter anymore is matter. —Karen Barad, “Posthumanist Performativity,” 2003\",\"PeriodicalId\":42834,\"journal\":{\"name\":\"FILM CRITICISM\",\"volume\":\"103 1\",\"pages\":\"309 - 312\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-08-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FILM CRITICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/criticism.63.3.0309\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/criticism.63.3.0309","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 3

摘要

63.3 _06_skiveren批评。评论夏季2021，第63卷，第3号，第309 - 312页。ISSN 0011 - 1589。doi: 10.13110/critic .63.3.0309©2021 by Wayne State University Press, Detroit, Michigan 48201-1309语言问题。话语很重要。文化很重要。有一种重要的意义是，唯一似乎不再重要的东西就是物质。——卡伦·巴拉德，《后人类主义的表演》，2003年

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

New Materialism's Second Phase

Criticism 63.3_06_Skiveren.indd Page 309 12/07/21 6:06 pm Criticism Summer 2021, Vol. 63, No. 3, pp. 309–312. ISSN 0011-1589. doi: 10.13110/criticism.63.3.0309 © 2021 by Wayne State University Press, Detroit, Michigan 48201-1309 Language matters. Discourse matters. Culture matters. There is an important sense in which the only thing that does not seem to matter anymore is matter. —Karen Barad, “Posthumanist Performativity,” 2003

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.