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Alice Leppert, "TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms" (Rutgers University Press, 2019) Alice Leppert，“电视家庭价值观：性别、家务劳动和20世纪80年代情景喜剧”（罗格斯大学出版社，2019）
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1056
E. C. Yochim
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引用次数: 0
New Forms: The Currents Program at the 2020 New Film Festival 新形式：2020年新电影节的潮流节目
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1037
Daniel Gómez Steinhart
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引用次数: 0
PANNING (and SCANNING) "SKIDOO" (1968): Watching TV on Otto Preminger's Widescreen 平移(和扫描)《SKIDOO》(1968):在奥托·普雷明格的宽屏屏幕上看电视
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1033
Henry Rownd
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引用次数: 0
Beyond the Auteur: South Korea's Domestic Independents as National Cinema 超越Auteur：韩国国内独立电影
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1024
M. Raymond
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引用次数: 0
M.K. Raghavendra, "Locating World Cinema: Interpretations of Film as Culture" (Bloomsbury Academic India, 2020) M.K. Raghavendra，“定位世界电影:电影作为文化的解释”(Bloomsbury Academic India, 2020)
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1051
Devapriya Sanyal
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引用次数: 0
Offstage absorption: on John Cassavetes' "Opening Night" (1977) 舞台外的吸收：约翰·卡萨韦茨的“开幕之夜”（1977）
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1034
Kathy Vanhout
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引用次数: 0
Blues, Smoke and Shadows: Jazz in 'Musical' Noir Films 蓝调、烟雾和阴影：音乐黑电影中的爵士乐
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1054
Sheri Chinen Biesen
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引用次数: 0
Data Visualizations, Vlogs, Drone Imagery: Expanded Documentary Forms in the COVID-19 Emergency 数据可视化、视频日志、无人机图像:COVID-19紧急情况下的扩展纪录片形式
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1060
Jihoon Kim
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引用次数: 0
J. R. Jordan, Robert Wise—The Motion Pictures (Bear Manor Media, 2020) j·r·乔丹，罗伯特·怀斯——电影公司(Bear Manor Media, 2020)
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1053
S. mcrae
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引用次数: 0
Sounds of Romance: Musicalizing Cinematic Passion 浪漫之声:音乐化电影激情
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1058
Sheri Chinen Biesen
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引用次数: 0
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