FILM CRITICISM最新文献

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On Not Already Knowing 关于不知道
4区 艺术学
FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0445
J. D. Porter
{"title":"On Not Already Knowing","authors":"J. D. Porter","doi":"10.13110/criticism.63.4.0445","DOIUrl":"https://doi.org/10.13110/criticism.63.4.0445","url":null,"abstract":"Criticism 63.4_07_Porter.indd Page 445 17/11/21 6:51 pm Criticism Fall 2021, Vol. 63, No. 4, pp. 445–448. ISSN 0011-1589. doi: 10.13110/criticism.63.4.0445 © 2021 by Wayne State University Press, Detroit, Michigan 48201-1309 Distant Horizons collects about a decade of cutting-edge literary digital humanities (DH) work into a concise, accessible volume. The five chapters work equally well as standalone experiments or in the service of Ted Underwood’s overarching argument that DH reconfigures our understanding of literary history. It’s a clear must read for anyone working in literary DH (especially text mining) or in literary history more generally, and when it is inevitably added to dozens of syllabi, both students and teachers will find a lot to admire. Yet the most profound achievement of the book is its demonstration of a genuinely new kind of literary critical knowledge. This is not quite how Underwood casts it, though. He focuses on two methodological interventions made possible by the DH approach. First, there is the familiar issue of scale— the capacity of DH to tackle thousands of texts spread across centuries of production. Underwood argues that this new scale of attention fundamentally changes our understanding of literary history, writing that “we have narrated literary history as a sequence of discrete movements and periods because chunks of that size are about as much of the past as a single person could remember and discuss at one time” (ix). The digital approach, he says, enables us to consider changes that are too long term, slow moving, or widely dispersed to have been visible ON NOT ALREADY KNOWING J. D. Porter","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87280242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From New Criticism to Postcritique: Kate Millett's Method in The History of The Present 从新批评到后批评:凯特·米利特的现在史研究方法
4区 艺术学
FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0381
Leah Allen
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引用次数: 0
A Field in Formation: Intersectionality Is/As Social Justice 信息领域:交叉性即社会正义
4区 艺术学
FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0441
Leanne Weeks
{"title":"A Field in Formation: Intersectionality Is/As Social Justice","authors":"Leanne Weeks","doi":"10.13110/criticism.63.4.0441","DOIUrl":"https://doi.org/10.13110/criticism.63.4.0441","url":null,"abstract":"Criticism 63.4_06_Weeks.indd Page 441 17/11/21 12:28 pm Criticism Fall 2021, Vol. 63, No. 4, pp. 441–444. ISSN 0011-1589. doi: 10.13110/criticism.63.4.0441 © 2021 by Wayne State University Press, Detroit, Michigan 48201-1309 Social theory in and of itself can be a daunting scholarly enterprise— not least when framed within and through critical positionalities. While intersectionality at first glance may seem to be a relatively approachable social theory, especially given its increasing popularity in scholarly and popular modalities, it has proven to be substantively rich, complex, and consequential. In Intersectionality as Critical Social Theory, Patricia Hill Collins, preeminent scholar of intersectionality, takes on the ambitious project of positioning intersectionality as a critical social theory and illuminating the productive possibilities for intersectionality both epistemologically and methodologically, especially as a social justice project. By positioning intersectionality, Collins simultaneously contextualizes critical social theory and charts critical social theory’s potential for scholars invested in activism and social justice who might otherwise be located in fields that self-identify and/or are identified as critical. Collins politically situates and consequently politicizes intersectionality. Rather than catering to the academy’s impetus to privilege so-called objective knowledge, Collins argues that critical social theory and concurrently intersectionality can only be critical insofar as their ethical commitments to social justice. Knowledge operating under the guise of neutral objectivity not only gets conferred A FIELD IN FORMATION: INTERSECTIONALITY IS/AS SOCIAL JUSTICE Lee Y. Weeks Jr.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85655355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MTV Video Stardom as Media Power: Madonna’s (Moving) Image Control MTV视频明星成为媒体力量:麦当娜的(运动)图像控制
4区 艺术学
FILM CRITICISM Pub Date : 2021-11-01 DOI: 10.3998/fc.1786
Landon Palmer
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引用次数: 0
"Blinded by the Light" and Rock Tradition “被光遮蔽”与摇滚传统
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1057
Doyle Greene
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引用次数: 0
Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri" “密苏里州埃宾城外的三块广告牌”中的警戒主义与法律
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.977
J. McEntee
{"title":"Vigilantism and the Law in \"Three Billboards Outside Ebbing, Missouri\"","authors":"J. McEntee","doi":"10.3998/fc.977","DOIUrl":"https://doi.org/10.3998/fc.977","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45862137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Smile in "Son of Saul": A Test of Différence 《扫罗之子》中的微笑:差异的检验
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1036
Ayesha Ahmed
{"title":"The Smile in \"Son of Saul\": A Test of Différence","authors":"Ayesha Ahmed","doi":"10.3998/fc.1036","DOIUrl":"https://doi.org/10.3998/fc.1036","url":null,"abstract":"This article investigates the smile that features in the climax of László Nemes’ Hungarian Holocaust film, Son of Saul (2015). The smile, a happy response in the face of death, is argued as emblematic of the film’s problematising of choice. The facial gesture re-presents the dilemma of choice in ways that expose the limits of Jacques Derrida’s notion of différance. In Holocaust discourse, Primo Levi and Lawrence L. Langer have spoken of death camps as sites of extreme coercion where choice was rendered inoperable. 1 This inoperability has been reflected on by Levi as a hindrance to accounting for acts of complicity committed by prisoners under duress. 2 This dilemma in Holocaust discourse is reworked in the Hungarian Holocaust film, Son of Saul ( Saul Fia , Nemes, 2015), which problematises choice in an affirmative context.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45867230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alice Leppert, "TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms" (Rutgers University Press, 2019) Alice Leppert,“电视家庭价值观:性别、家务劳动和20世纪80年代情景喜剧”(罗格斯大学出版社,2019)
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1056
E. C. Yochim
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引用次数: 0
New Forms: The Currents Program at the 2020 New Film Festival 新形式:2020年新电影节的潮流节目
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/FC.1037
Daniel Gómez Steinhart
{"title":"New Forms: The Currents Program at the 2020 New Film Festival","authors":"Daniel Gómez Steinhart","doi":"10.3998/FC.1037","DOIUrl":"https://doi.org/10.3998/FC.1037","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41545944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PANNING (and SCANNING) "SKIDOO" (1968): Watching TV on Otto Preminger's Widescreen 平移(和扫描)《SKIDOO》(1968):在奥托·普雷明格的宽屏屏幕上看电视
4区 艺术学
FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1033
Henry Rownd
{"title":"PANNING (and SCANNING) \"SKIDOO\" (1968): Watching TV on Otto Preminger's Widescreen","authors":"Henry Rownd","doi":"10.3998/fc.1033","DOIUrl":"https://doi.org/10.3998/fc.1033","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41706595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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