FILM CRITICISM最新文献_第8页

Towards an Etiology of The Closet: Sexuality Studies "After Sedgwick" 走向壁橱的病因学:“后塞奇威克”的性研究

4区艺术学

FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0435

Kazuki Yamada

引用次数: 0

Peter Hujar: Shamelessness Without Shame Peter Hujar:无耻无耻

4区艺术学

FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0319

Harrison Adams

引用次数: 0

Nature, Capitalism, and The Temporalities of Sleep: On Karen Thompson Walker's The Dreamers 自然、资本主义和睡眠的时间性:凯伦·汤普森·沃克的《梦想家

4区艺术学

FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0409

Greg Forter

{"title":"Nature, Capitalism, and The Temporalities of Sleep: On Karen Thompson Walker's The Dreamers","authors":"Greg Forter","doi":"10.13110/criticism.63.4.0409","DOIUrl":"https://doi.org/10.13110/criticism.63.4.0409","url":null,"abstract":"Abstract:This essay contributes to recent materialist efforts at rehabilitating the category of \"nature\" from critical disparagement (and misapprehension). It does so by linking nature both to sleep and to the temporal heterogeneities that contemporary capital's construal of time seeks but fails to eradicate. To explore these matters, I bring together Jonathan Crary's 24/7: Late Capitalism and the Ends of Sleep (2013), Andreas Malm's The Progress of This Storm (2018), and Karen Thompson Walker's The Dreamers (2019). These are works that trace how capital's assault on nature is also an assault on temporal modalities that cannot be subsumed within homogeneous, empty time. They suggest that any reckoning with contemporary capitalism must include a retrieval of temporalities that are \"natural\" in the sense of belonging to biophysical processes predating and shaping human practice, yet historical inasmuch as they introduce the possibility of punctures into capital's smooth functioning: pausing, interrupting, refusing to be swallowed by, or otherwise disturbing the temporal homogeneity required and enforced by the commodity form. Crary's text and Walker's novel are especially compelling for the way they tether these intimations to a collective experience of sleep.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"34 1","pages":"409 - 434"},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83839808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

On Not Already Knowing 关于不知道

4区艺术学

FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0445

J. D. Porter

{"title":"On Not Already Knowing","authors":"J. D. Porter","doi":"10.13110/criticism.63.4.0445","DOIUrl":"https://doi.org/10.13110/criticism.63.4.0445","url":null,"abstract":"Criticism 63.4_07_Porter.indd Page 445 17/11/21 6:51 pm Criticism Fall 2021, Vol. 63, No. 4, pp. 445–448. ISSN 0011-1589. doi: 10.13110/criticism.63.4.0445 © 2021 by Wayne State University Press, Detroit, Michigan 48201-1309 Distant Horizons collects about a decade of cutting-edge literary digital humanities (DH) work into a concise, accessible volume. The five chapters work equally well as standalone experiments or in the service of Ted Underwood’s overarching argument that DH reconfigures our understanding of literary history. It’s a clear must read for anyone working in literary DH (especially text mining) or in literary history more generally, and when it is inevitably added to dozens of syllabi, both students and teachers will find a lot to admire. Yet the most profound achievement of the book is its demonstration of a genuinely new kind of literary critical knowledge. This is not quite how Underwood casts it, though. He focuses on two methodological interventions made possible by the DH approach. First, there is the familiar issue of scale— the capacity of DH to tackle thousands of texts spread across centuries of production. Underwood argues that this new scale of attention fundamentally changes our understanding of literary history, writing that “we have narrated literary history as a sequence of discrete movements and periods because chunks of that size are about as much of the past as a single person could remember and discuss at one time” (ix). The digital approach, he says, enables us to consider changes that are too long term, slow moving, or widely dispersed to have been visible ON NOT ALREADY KNOWING J. D. Porter","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"8 2 1","pages":"445 - 448"},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87280242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Field in Formation: Intersectionality Is/As Social Justice 信息领域:交叉性即社会正义

4区艺术学

FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0441

Leanne Weeks

{"title":"A Field in Formation: Intersectionality Is/As Social Justice","authors":"Leanne Weeks","doi":"10.13110/criticism.63.4.0441","DOIUrl":"https://doi.org/10.13110/criticism.63.4.0441","url":null,"abstract":"Criticism 63.4_06_Weeks.indd Page 441 17/11/21 12:28 pm Criticism Fall 2021, Vol. 63, No. 4, pp. 441–444. ISSN 0011-1589. doi: 10.13110/criticism.63.4.0441 © 2021 by Wayne State University Press, Detroit, Michigan 48201-1309 Social theory in and of itself can be a daunting scholarly enterprise— not least when framed within and through critical positionalities. While intersectionality at first glance may seem to be a relatively approachable social theory, especially given its increasing popularity in scholarly and popular modalities, it has proven to be substantively rich, complex, and consequential. In Intersectionality as Critical Social Theory, Patricia Hill Collins, preeminent scholar of intersectionality, takes on the ambitious project of positioning intersectionality as a critical social theory and illuminating the productive possibilities for intersectionality both epistemologically and methodologically, especially as a social justice project. By positioning intersectionality, Collins simultaneously contextualizes critical social theory and charts critical social theory’s potential for scholars invested in activism and social justice who might otherwise be located in fields that self-identify and/or are identified as critical. Collins politically situates and consequently politicizes intersectionality. Rather than catering to the academy’s impetus to privilege so-called objective knowledge, Collins argues that critical social theory and concurrently intersectionality can only be critical insofar as their ethical commitments to social justice. Knowledge operating under the guise of neutral objectivity not only gets conferred A FIELD IN FORMATION: INTERSECTIONALITY IS/AS SOCIAL JUSTICE Lee Y. Weeks Jr.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"18 1","pages":"441 - 444"},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85655355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From New Criticism to Postcritique: Kate Millett's Method in The History of The Present 从新批评到后批评:凯特·米利特的现在史研究方法

4区艺术学

FILM CRITICISM Pub Date : 2021-12-24 DOI: 10.13110/criticism.63.4.0381

Leah Allen

{"title":"From New Criticism to Postcritique: Kate Millett's Method in The History of The Present","authors":"Leah Allen","doi":"10.13110/criticism.63.4.0381","DOIUrl":"https://doi.org/10.13110/criticism.63.4.0381","url":null,"abstract":"Abstract:Kate Millett has not been adequately located in the history of literary criticism. Although her 1970 text Sexual Politics was part of the breakdown of New Criticism's hegemony in US English departments, Millett's early readers primarily understood it as a work of social criticism linked to the emerging second-wave feminist movement. When critics did attend to Millett's use of literature, many found it scarcely literary criticism at all because it defied every tenet of then-dominant New Criticism. Others judged Millett's de-aestheticizing method as \"bad\" literary criticism for its attention to politics over artistic construction, especially as New Criticism's influence waned and her resistance to New Criticism became less obvious at the text's central struggle. As such, we have not fully appreciated Millett's anticipation of cultural studies, nor her influence on contemporary modes of reading. Feminist literary criticism appears as a political intervention into an ongoing enterprise rather than as a foundational driver of changes in modes of interpretation. Here, I contextualize Millett's method in the transitional moment when New Criticism lost its grip on US literary studies and reassess feminist literary criticism's influence on how we read in the present. This reconsideration matters now more than ever as we witness the resurgence of de-aestheticizing methods within yet another transitional moment in the history of criticism.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"19 1","pages":"381 - 407"},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88058955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MTV Video Stardom as Media Power: Madonna’s (Moving) Image Control MTV视频明星成为媒体力量：麦当娜的（运动）图像控制

4区艺术学

FILM CRITICISM Pub Date : 2021-11-01 DOI: 10.3998/fc.1786

Landon Palmer

引用次数: 0

"Blinded by the Light" and Rock Tradition “被光遮蔽”与摇滚传统

4区艺术学

FILM CRITICISM Pub Date : 2021-10-14 DOI: 10.3998/fc.1057

Doyle Greene

引用次数: 0

Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri" “密苏里州埃宾城外的三块广告牌”中的警戒主义与法律