《未完即终:死亡与轻描淡写的麻烦

IF 0.1 4区艺术学 0 FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2023-10-31 DOI:10.3998/fc.4735

Eugenie Brinkema

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引用次数: 0

摘要

《哈利的麻烦》的悖论:希区柯克称其为“轻描淡写”的练习，但影片却以夸张的手法坚持以尸体为中心。与不动的叙事和冷漠或恼怒的人物相反，电影形式的运动本身就提出了对死者的道德立场。

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Not Done Being Over: Death and the Trouble with Understatement

The paradox of The Trouble with Harry: While Hitchcock dubbed it an exercise in “understatement,” the film turns on the hyperbolic insistence of the corpse at its center. Contravening the unmoved narrative and indifferent or irritated characters, the movements of cinematic form alone propose an ethical stance towards the dead.

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.