忘记红色药丸:《黑客帝国》中的酷儿政治与跨人文主义意识形态

IF 0.1 4区 艺术学 N/A FILM, RADIO, TELEVISION
FILM CRITICISM Pub Date : 2022-12-14 DOI:10.3998/fc.3608
N. Niessen
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引用次数: 0

摘要

继《黑客帝国》三部曲(199920032003)之后,该系列标志性的红色药丸比喻成为新法西斯圈子里的反女权主义模因。本文分析了《黑客帝国复活》(2021)如何在一个明确的女权主义和酷儿叙事中夺回红色药丸。但《黑客帝国》的第四部电影也是一部意识形态幻想:《复活》与一种超人类主义的信念产生了太多共鸣,这种信念也推动了硅谷的新美国梦。在这种超人类错觉的推动下,《黑客帝国》最终对气候灾难和控制资本主义时代的生活无话可说。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix
Following the Matrix trilogy (1999, 2003, 2003) the franchise’s iconic red pill trope became an anti-feminist meme in neo-fascist circles. This essay analyzes how Matrix Resurrections (2021) reclaims the red pill in an explicitly feminist and queer narrative. But the fourth Matrix film also is an ideological fantasy: Resurrections resonates just too much with a transhumanist belief in a human-machine synergy that also fuels Silicon Valley’s new American Dream. Propelled by this transhuman delusion, The Matrix ultimately has little to say about life in the era of climate catastrophe and control capitalism.
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来源期刊
FILM CRITICISM
FILM CRITICISM FILM, RADIO, TELEVISION-
CiteScore
0.20
自引率
0.00%
发文量
14
审稿时长
20 weeks
期刊介绍: Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.
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