“回家吧！”在“再尼基”电影院通过旅行和摄影再现时空

IF 0.1 4区艺术学 0 FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2022-12-14 DOI:10.3998/fc.3611

Jonathan Chan

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引用次数: 0

摘要

本文旨在通过他们对旅行和照片的表现，探讨Isao Yukisada的《Go》（2001）、Yang Yong-hi的《Dear平壤》和Eric Khoo的《Ramen Teh》（2018）中“再尼基”主题的原始“回归”描述。作为所有三部电影的主题，这些都是空间和时间的密码，抽象的整体：根植于感觉的概念化，而不是“邪恶”。旅行的场景既有可能也有不可能，移动可能不足以让人离开日本，但离开日本可能无法解决棘手的身份问题。同样，照片可能有助于呈现理想化或提醒人们过去，这取决于被呈现的人和地点。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema

This essay aims to address depictions of an originary 'return' for 'Zainichi' subjects in Isao Yukisada's Go (2001), Yang Yong-hi's Dear Pyongyang, and Eric Khoo's Ramen Teh (2018) through their representations of travel and photographs. As motifs across all three films, these function as ciphers of space and time, integral to the Abstract: conceptualization of feeling rooted as opposed to the sensation of the "unhomely'. Scenes of travel present both its possibilities and impossibilities, how movement may not be enough to enable a departure from Japan, but also how a departure from Japan may not resolve knotty questions of identification. Photographs, similarly, may aid in presenting an idealization or reminder of the past depending on who is being presented and where.

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.