The Watch and the Sparkler: Time and Movement in <i>Long Day’s Journey into Night</i> (2018)

IF 0.1 4区艺术学 N/A FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2023-10-31 DOI:10.3998/fc.4733

Patrick Keating

引用次数: 0

Abstract

The accompanying audiovisual essay is a close analysis of Bi Gan's 2018 movie Long Day's Journey into Night. Inspired by the movie, the video divides into two parts. The first half outlines Long Day's split structure; the second analyzes the spectacular moving shot that concludes the movie.

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钟表与烟火:《漫长的白昼进入黑夜》中的时间与运动</i>(2018)

随附的视听文章是对毕干2018年的电影《漫漫长夜》的深入分析。受电影的启发，视频分为两部分。前半部分概述了《长日》的分裂结构;第二部分分析了电影结尾的壮观的移动镜头。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.

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