相机是一台打印机:亚当·贝克特的《亲爱的珍妮丝》</i>

IF 0.1 4区艺术学 N/A FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2023-10-31 DOI:10.3998/fc.4738

Ryan Pierson

引用次数: 0

摘要

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s <i>Dear Janice</i>

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.