树木和文本:土著历史、材料媒介和洛根榆树

IF 0.1 4区 艺术学 0 FILM, RADIO, TELEVISION
Mark Alan Mattes
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引用次数: 0

摘要

摘要:美国卡尤加(Cayuga)印第安人Soyeghtowa (Logan)的定居者记述,如托马斯·杰斐逊(Thomas Jefferson)的《维吉尼亚州笔记》(Notes on the State of Virginia),将其著名的哀悼演说《洛根的挽歌》(Logan’s Lament)解读为一个忧郁、高贵的野蛮人、即将消失的印第安人的话语。这篇文章通过考虑土著与俄亥俄州中部肖尼族土地上曾经活着的纪念碑洛根榆树(Logan Elm)的关系,如杰斐逊的书等,使定居者对洛根言行的描述去殖民化。19世纪的定居者将洛根的演讲地点杜撰为洛根演讲的地点。借鉴土著写作和历史媒体的学术工作,由美国土著和定居者知识分子,以及当地的知识保卫者,部分集中在18世纪和19世纪早期的文本档案,20世纪早期的美国土著演讲,21世纪的塞内卡卡尤加国家注册成员对洛根的解释。这些解释根植于豪德诺松尼条约议定书中树木的神圣和政治意义,豪德诺松尼邦联的建立,以及豪德诺松尼宪法的口头传统,将洛根的演讲视为一段面向土著未来的土著历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Trees and Texts: Indigenous History, Material Media, and the Logan Elm
Abstract:Settler accounts of the Cayuga Native American Soyeghtowa (Logan), such as Thomas Jefferson's Notes on the State of Virginia, interpret his famous mourning speech, "Logan's Lament," as the words of a melancholic, noble savage and vanishing Indian. This essay decolonizes settler accounts of Logan's words and deeds such as Jefferson's book by considering Indigenous relationships to a once-living memorial on Shawnee land in central Ohio, the Logan Elm, which nineteenth-century settlers apocryphally identified as the site of Logan's speech. Drawing on scholarly work on Indigenous writing and historical media by Native American and settler intellectuals, as well as local knowledge keepers, sections focus on Indigenous memories of Logan recorded in eighteenth- and early nineteenth-century textual archives, early twentieth-century Native American orations, and twenty-first century interpretations of Logan by enrolled members of the Seneca Cayuga Nation. These interpretations, rooted in the sacred and political significance of trees in the Haudenosaunee treaty protocol, the founding of the Haudenosaunee Confederacy, and the oral tradition of the Haudenosaunee Constitution, figure Logan's speech as an Indigenous history oriented toward Indigenous futures.
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来源期刊
FILM CRITICISM
FILM CRITICISM FILM, RADIO, TELEVISION-
CiteScore
0.20
自引率
0.00%
发文量
14
审稿时长
20 weeks
期刊介绍: Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.
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