Joshua G. Ortiz Baco, B. Lee, J. Casey, S. H. Salter
{"title":"Toward An Experimental Bibliography of Hemispheric Reconstruction Newspapers","authors":"Joshua G. Ortiz Baco, B. Lee, J. Casey, S. H. Salter","doi":"10.1353/crt.2022.a899730","DOIUrl":null,"url":null,"abstract":"Abstract:Digital collections of newspapers have drawn broader attention to the fragmented and scattered print histories of minoritized communities. Attempts to survey these histories through bibliography, however, quickly meet with a fundamental problem: the practice of bibliographic description calls for creating a static record of social affiliations. Given the overwhelming scholarly consensus that categories such as race, ethnicity, and language are socially constructed, this article introduces an experimental bibliographic method for mapping the vast landscape of historical newspapers. This method extends the machine learning affordances of a recent project called Newspaper Navigator to enumerate the newspapers in Chronicling America according to the visual similarity of their layouts. After explaining this method, the authors delve into the unsettled formats of one unruly example, a Spanish-language newspaper in Los Angeles, California, called La Crónica (1872–92). La Crónica changed its formats many times over the years as part of the paper's ambitions for political influence or commercial appeal. Experimental mapping and closer analysis demonstrate that a more iterative bibliographic approach can help us better understand the serial craft of newspapers and, by extension, the force of print in forming communities.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"19 1","pages":"453 - 470"},"PeriodicalIF":0.1000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/crt.2022.a899730","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Digital collections of newspapers have drawn broader attention to the fragmented and scattered print histories of minoritized communities. Attempts to survey these histories through bibliography, however, quickly meet with a fundamental problem: the practice of bibliographic description calls for creating a static record of social affiliations. Given the overwhelming scholarly consensus that categories such as race, ethnicity, and language are socially constructed, this article introduces an experimental bibliographic method for mapping the vast landscape of historical newspapers. This method extends the machine learning affordances of a recent project called Newspaper Navigator to enumerate the newspapers in Chronicling America according to the visual similarity of their layouts. After explaining this method, the authors delve into the unsettled formats of one unruly example, a Spanish-language newspaper in Los Angeles, California, called La Crónica (1872–92). La Crónica changed its formats many times over the years as part of the paper's ambitions for political influence or commercial appeal. Experimental mapping and closer analysis demonstrate that a more iterative bibliographic approach can help us better understand the serial craft of newspapers and, by extension, the force of print in forming communities.
期刊介绍:
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.