What Could a Trans Book History Look Like? Toward Trans Codicology

IF 0.1 4区艺术学 N/A FILM, RADIO, TELEVISION

FILM CRITICISM Pub Date : 2022-08-01 DOI:10.1353/crt.2022.a899738

J. Sargan

引用次数: 0

Abstract

Abstract:This article draws on critical trans studies and queer archival practice to propose a book historical mode that extends what we know about the premodern trans experience beyond the recovery of individual biographies. Instead of turning to textual sources for the identification of transness, the author looks to Susan Stryker's call for the "recuperat[ion of] embodied knowing as a formally legitimated basis of knowledge production." Bibliography, he suggests, makes claims of objectivity that engender a particular reluctance to respond to such calls. But the lived reality of archival research is one of affective embodiment. Affect theory is an area that, as yet, has seen little methodological uptake in bibliographical research. This article lays the ground for a trans book history that takes affective embodied response seriously as a source of trans connection to and through the past.

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跨性别书籍的历史会是什么样子?走向反法典学

摘要:本文借鉴批判性跨性别研究和酷儿档案实践，提出了一种书籍历史模式，将我们对前现代跨性别经历的了解扩展到个人传记的恢复之外。作者没有求助于文本来源来识别跨性别，而是求助于苏珊·斯崔克(Susan Stryker)的呼吁:“将具体化的知识作为知识生产的正式合法基础来恢复。”他认为，参考书目的客观性使得人们特别不愿意回应这样的呼吁。而档案研究的生活现实是一种情感的体现。到目前为止，情感理论是一个在书目研究中很少采用方法论的领域。这篇文章为跨书的历史奠定了基础，它将情感具体化反应作为与过去和通过过去的跨书联系的来源。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.

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