CANADIAN THEATRE REVIEW最新文献_第8页

Editorial: Rules of Engagement 社论:交战规则

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.015

K. McLeod

引用次数: 0

Pam Hall as House: A Conversation 帕姆·霍尔《House: A Conversation

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.007

H. Ain, Pam Hall

引用次数: 0

In the Blink of an Eye 一眨眼的功夫

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.017

Hannah Foulger, Tanner Mason, Ben Townsley

引用次数: 0

HGTV’s House Hunters and the Right to Coziness HGTV的房屋猎人和Coziness的权利

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.003

S. Fraiman

{"title":"HGTV’s House Hunters and the Right to Coziness","authors":"S. Fraiman","doi":"10.3138/ctr.191.003","DOIUrl":"https://doi.org/10.3138/ctr.191.003","url":null,"abstract":"Abstract:This article explores the complex appeal of home-buying and renovation shows on the cable channel HGTV. While their popularity is clear, their political implications are murkier. Some media studies scholars accuse the genre of fostering consumerism, conformity, and neo-liberal nationhood. Others admire its inclusion and “non-special treatment” of queer and racially diverse participants. My own feminist reading notes the limits as well as merits of the diversity defense and offers to appreciate the shows’ contribution in somewhat different terms. Focusing specifically on House Hunters (1999–present), I credit this home-buying series with asserting the primacy of domestic life in conjunction with a host of related values conventionally coded and subordinated as ‘feminine.’ In the hegemonic scheme of things, qualities coded as ‘masculine’ (the aggressive, historic, large-scale, public-sphere, self-reliant, and individualist) occupy a superior position. House Hunters challenges this gendered hierarchy by reveling in the modest, everyday, small-scale, private-sphere, interdependent, and relational. It does so, moreover, in a gender-neutral way: no longer written off and relegated to women, the little things that happen in houses are made paramount for male and female viewers alike. Adding a further twist, I close with an episode whose homebuyers have histories of social marginality and economic insecurity. In this context, the desire for domestic ‘coziness’ is less about conformity to bourgeois norms and more about feelings of safety and belonging in relation to place.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48521764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

When in Quarantine: Bringing Theatre Home with Boca del Lupo 隔离时:带着波卡德尔卢波把戏剧带回家

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.016

Graeme McClelland

引用次数: 0

Performing at Home in the Pandemic: Boca del Lupo’s Plays2Perform@Home Collection 疫情期间在家演出：Boca del Lupo的Plays2Perform@Home收集

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.013

Signy Lynch

{"title":"Performing at Home in the Pandemic: Boca del Lupo’s Plays2Perform@Home Collection","authors":"Signy Lynch","doi":"10.3138/ctr.191.013","DOIUrl":"https://doi.org/10.3138/ctr.191.013","url":null,"abstract":"Abstract:This article explores Vancouver theatre company Boca del Lupo’s Plays2Perform@Home collection. Generated as a way for audiences to bring the theatre home with them during the pandemic, the collection is composed of twenty short plays across five regional box sets, and was commissioned by Boca del Lupo in partnership with several other theatre companies across Canada. The author offers some observations and personal highlights from the collection, and reflects on what it means to perform these plays at home. She complements her analysis of the plays by drawing on her own experiences performing some of the pieces at home with her family, re-creating the intended experience of the collection. Because of the unusual circumstances of their production, Lynch suggests that it is valuable to examine the Plays2Perform@Home pieces through an immersive and site-specific lens, rather than a purely dramatic one. She argues that the plays that succeed the most in performance are those that seriously consider the experience of their audience-performers and incorporate the expected conditions of performance into their dramatic works. The article also includes a full listing of the plays in each box set.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44449742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Across Cyberspace and Time Zones: How Ways of Being Explores Performances of Self in Material and Digital Spaces 跨越网络空间和时区:如何探索自我在物质和数字空间中的表现

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.018

Stephanie Fung, Jeff McGilton

引用次数: 0

Editorial: The Politics of Performing House: Transnational Perspectives 社论:剧院的政治:跨国视角

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.001

Laura Levin, Sunita Nigam

{"title":"Editorial: The Politics of Performing House: Transnational Perspectives","authors":"Laura Levin, Sunita Nigam","doi":"10.3138/ctr.191.001","DOIUrl":"https://doi.org/10.3138/ctr.191.001","url":null,"abstract":"Asking, What is the relationship between housing and performance?, editors Laura Levin and Sunita Nigam insist that the lines between the two begin to blur when we attend to the aesthetic and embodied dimensions of housing, on the one hand, and the homely, spatial, and thematic concerns of certain performances, on the other. Considering contexts of housing crises, shortages, and discrimination, the editors argue that houses of all kinds must be treated as processual, performative practices and as intended and unintended displays that reveal much about the material contexts in which they are embedded. As important zones for the realization, rehearsal, thwarting, or abandonment of private and collective fantasies, all houses are ‘dream houses,’ whether these dreams be good or bad. Levin and Nigam make a case for paying attention to aesthetic references, movement vocabularies, narratives about housing, scripts for housing practices, and the gendering and racializing of certain roles—all aspects of ‘practising house’—that make spaces (real and imagined) meaningful for those who perform them and spectate them. They argue for the importance of reading housing practices both in relation to local conditions and through transnational and hemispheric frameworks, asserting that the performative politics of housing brings into view shared experiences of dwelling, citizenship, and belonging that cross—and, more crucially, contest—geopolitical borders. In doing so, they emphasize how housing practices are haunted by the rupture that colonization created with existing Indigenous modes of dwelling, especially as a consequence of establishing settler-colonial territory and domestic spaces.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44053349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Darkness (La Noirceur) 黑暗(黑暗)

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.014

Marie Brassard, Bobby Theodore

引用次数: 0

Living with/on the Land 生活在土地上

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI: 10.3138/ctr.191.005

Jasmine Sihra, Julie Nagam

引用次数: 0