CANADIAN THEATRE REVIEW最新文献_第8页

Who’s Afraid of Cabaret? A Conversation with Dainty Smith and Golboo Amani 谁害怕卡巴莱?与Dainty Smith和Golboo Amani的对话

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.017

Shalon T. Webber-Heffernan, Golboo Amani, Dainty Smith

引用次数: 0

Developmentally, Cognitively, and Intellectually Disabled People Are Artists, Not Pet Projects 发育、认知和智力残疾的人是艺术家，而不是宠物项目

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.007

Riki Entz

引用次数: 0

Performing the Lived Experience of Dementia: Revealing Humanity through Evidence-Based Collaborative Creation 表演痴呆症的生活体验:通过基于证据的协作创造揭示人性

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.012

Julia Henderson, C. Reid, B. Devereux, Chad Hershler, Sadie Watt

引用次数: 0

“It Comes with Practice”: Pierogi-Making as Preserving and Imagining Polonia “它来自实践”:Pierogi-Making作为保存和想象波洛尼亚

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-01-01 DOI: 10.3138/ctr.189.003

Wiktor Kulinski

{"title":"“It Comes with Practice”: Pierogi-Making as Preserving and Imagining Polonia","authors":"Wiktor Kulinski","doi":"10.3138/ctr.189.003","DOIUrl":"https://doi.org/10.3138/ctr.189.003","url":null,"abstract":"Abstract:Pierogi-making is an everyday performance that is both an act of preservation and an active force that shapes the very heritage from which it draws. During participant observation that I engaged in with members of the Women’s Circle at a Polish Canadian cultural centre in Brantford, Ontario—referred to by its members as “the Hall”—in the summer of 2016, I was taught, through apprenticeship, how to make pierogi. The women under whom I apprenticed imagine the pierogi they make as being traditional in that they believe the recipe is drawn from an archive formed collectively by Polish Canadians. However, pierogi-makers also incorporate their own imaginings of what constitutes a traditional pierogi based on their individual experiences, lived realities, and desires for the future. While there is a passing down of what members of the Women’s Circle imagine as being the heritage of Polonia, those images are also rearticulated through an everyday performance that both conforms to and defies an imagined heritage that, like the act of making pierogi, “comes with practice.” Polish Canadians embody a quintessential migrant reality that exists between past, present, and future, between there and here, as formed by the experiences, performances, and imagination of its members. If Polonia is an imaginary, then pierogi are a punctum from which people of Polish descent draw their heritage. I argue that pierogi function as a kind of imagistic landscape on and through which the nation of Polonia is imagined and performed by its members.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"189 1","pages":"13 - 16"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45856195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“The Highest Form of Resistance to Survive”: Basil AlZeri’s The Most Prized of All Closets “生存的最高抵抗形式”：巴兹尔·阿尔泽里的《所有壁橱中获奖最多的》

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-01-01 DOI: 10.3138/ctr.189.004

Edward Whittall

引用次数: 0

“Working On and Against”: Classic Burlesque Conventions in Zyra Lee Vanity’s Irie Love “工作与反对”：Zyra Lee Vanity的Irie Love中的经典滑稽表演

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-01-01 DOI: 10.3138/ctr.189.006

Julia Matias

{"title":"“Working On and Against”: Classic Burlesque Conventions in Zyra Lee Vanity’s Irie Love","authors":"Julia Matias","doi":"10.3138/ctr.189.006","DOIUrl":"https://doi.org/10.3138/ctr.189.006","url":null,"abstract":"Abstract:‘Classic burlesque’ refers to a style of contemporary burlesque performance that attempts to recreate some of the conventions of mid-century striptease. In this article, I explore the work classic burlesque does to cite, adapt, and preserve elements of historic striptease through its practitioners’ unique relationship with the archive and repertoire of historic burlesque. Though classic burlesque is fraught with much of the cultural baggage of the history it inherits, it creates an embodied act of preservation less concerned with historical authenticity than with preserving an attitude toward striptease that values ‘tease’ and a personal approach over codified technique. Using Zyra Lee Vanity’s Irie Love act as a case study, I offer that many performers choose to navigate the biases of the form because of the creative potential it affords them to challenge dominant histories of burlesque that perpetuate the erasure of marginalized artists. Vanity does so by reanimating the important contributions of marginalized artists in the history of striptease. While exclusionary standards still inform much of the practice, many of the conventions of classic burlesque are mobile and can be an important site of meaning-making for the artists who practice it.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"189 1","pages":"27 - 32"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47074295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Loss, Great Grief, and Preservation: Brandy Leary’s Suspended 损失、巨大的悲痛和保存：布兰迪·李里被停职

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-01-01 DOI: 10.3138/ctr.189.005

Brian Batchelor

{"title":"Loss, Great Grief, and Preservation: Brandy Leary’s Suspended","authors":"Brian Batchelor","doi":"10.3138/ctr.189.005","DOIUrl":"https://doi.org/10.3138/ctr.189.005","url":null,"abstract":"Abstract:In 2017, Toronto-based physical theatre artist Brandy Leary performed choreographic research as part of the Arctic Circle’s Summer Solstice Expedition, a multidisciplinary voyage of invited scientists and artists who developed work during their travels in and around the Svalbard archipelago, located in the Arctic Ocean. I focus on one such performance, entitled Suspended, in which Leary hangs precariously off the side of a boat and above a (melting) ice floe. Leary’s explorations were influenced by the Norwegian eco-scientist Per Espen Stoknes’s concept of “Great Grief,” a public grief based on ecological loss due to climate change, as well as the loss of her husband before she embarked on the residency. I read Suspended as a performance that sutures public and private processes of grief. Because Svalbard is home to the Global Seed Vault, a repository of seeds intended to preserve the world’s plant biodiversity, Suspended also connects forms of self-preservation in the face of ecological loss with larger cooperative efforts toward ecological preservation via the saving of seeds. Both Suspended and the vault as endeavours compel us to collectively care about and act toward futures where our relationships—to ice, to the environment, and to each other—are radically changed.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"189 1","pages":"21 - 26"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49459121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

PXR2020: Re-Seeing the Possibilities of Theatre in Virtual, Augmented, and Mixed Reality PXR2020：在虚拟、增强和混合现实中重新审视剧院的可能性

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-01-01 DOI: 10.3138/ctr.189.013

Stephanie Fung, K. Jacobson, Jordan Pike

引用次数: 1

Editorial: Transforming the Carbon World 社论：改变碳世界

IF 0.3 3区艺术学

CANADIAN THEATRE REVIEW Pub Date : 2022-01-01 DOI: 10.3138/ctr.189.012

K. McLeod

引用次数: 0

Writer-Designer Intersections at MODULE Digital Alchemy Creation Lab: A Conversation between Taylor Marie Graham and Beth Kates MODULE数字炼金术创造实验室的作家和设计师的交集:Taylor Marie Graham和Beth Kates之间的对话