{"title":"PXR2020：在虚拟、增强和混合现实中重新审视剧院的可能性","authors":"Stephanie Fung, K. Jacobson, Jordan Pike","doi":"10.3138/ctr.189.013","DOIUrl":null,"url":null,"abstract":"Abstract:What new insights and opportunities does virtual reality (VR) offer to theatre and performance? In turn, what potential might theatre offer to VR creators? This potentially fruitful cross-pollination was precisely what prompted host organizations Single Thread Theatre Company and Electric Company Theatre to program the inaugural Performance and XR Symposium in October 2020, a conference designed to foster and explore the relationship between theatre and XR (a catch-all term for media created with virtual, augmented, and mixed reality). The experience of the conference was one of re-seeing the possibilities of performance in a new media form: discussions around access, spectatorship, and ethics—topics familiar to and well trodden by theatre artists and scholars—were reinvigorated in the context of virtual reality.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"189 1","pages":"73 - 75"},"PeriodicalIF":0.2000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"PXR2020: Re-Seeing the Possibilities of Theatre in Virtual, Augmented, and Mixed Reality\",\"authors\":\"Stephanie Fung, K. Jacobson, Jordan Pike\",\"doi\":\"10.3138/ctr.189.013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:What new insights and opportunities does virtual reality (VR) offer to theatre and performance? In turn, what potential might theatre offer to VR creators? This potentially fruitful cross-pollination was precisely what prompted host organizations Single Thread Theatre Company and Electric Company Theatre to program the inaugural Performance and XR Symposium in October 2020, a conference designed to foster and explore the relationship between theatre and XR (a catch-all term for media created with virtual, augmented, and mixed reality). The experience of the conference was one of re-seeing the possibilities of performance in a new media form: discussions around access, spectatorship, and ethics—topics familiar to and well trodden by theatre artists and scholars—were reinvigorated in the context of virtual reality.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":\"189 1\",\"pages\":\"73 - 75\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.189.013\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.189.013","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
PXR2020: Re-Seeing the Possibilities of Theatre in Virtual, Augmented, and Mixed Reality
Abstract:What new insights and opportunities does virtual reality (VR) offer to theatre and performance? In turn, what potential might theatre offer to VR creators? This potentially fruitful cross-pollination was precisely what prompted host organizations Single Thread Theatre Company and Electric Company Theatre to program the inaugural Performance and XR Symposium in October 2020, a conference designed to foster and explore the relationship between theatre and XR (a catch-all term for media created with virtual, augmented, and mixed reality). The experience of the conference was one of re-seeing the possibilities of performance in a new media form: discussions around access, spectatorship, and ethics—topics familiar to and well trodden by theatre artists and scholars—were reinvigorated in the context of virtual reality.
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