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Connecting the Space between Us: An Interview with Multi-Sensory Artist Salima Punjani 连接我们之间的空间：多感官艺术家Salima Punjani访谈录
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.005
Jessica Watkin, Salima Punjani
{"title":"Connecting the Space between Us: An Interview with Multi-Sensory Artist Salima Punjani","authors":"Jessica Watkin, Salima Punjani","doi":"10.3138/ctr.190.005","DOIUrl":"https://doi.org/10.3138/ctr.190.005","url":null,"abstract":"Abstract:This interview between co-editor Jessica Watkin and Disability artist Salima Punjani delves deeply into Punjani’s multi-sensory art practice, what it was like to create art that structures care during the COVID-19 pandemic, and, ultimately, her vision for centring slowness and rest as a method for gathering people in art spaces.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"24 - 28"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48779146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creative Enabling: Relations and Structures of Support for Disabled Artists 创造性扶持:对残疾艺术家的支持关系与结构
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.004
Becky Gold, Alex Bulmer
{"title":"Creative Enabling: Relations and Structures of Support for Disabled Artists","authors":"Becky Gold, Alex Bulmer","doi":"10.3138/ctr.190.004","DOIUrl":"https://doi.org/10.3138/ctr.190.004","url":null,"abstract":"The levels of accessibility and accommodation for disabled theatre artists in Canada are diverse and varied. Without consistent infrastructures in place to support these artists, creative workarounds and new ways of creating have been developed. Becky Gold has worked with blind artist Alex Bulmer for nearly four years, navigating systems of support and accessibility (or lack thereof) within Bulmer’s various artistic projects. Together, they have come to an understanding about what support means to them and how it can best be nurtured and evolve from one project to the next. Drawing from their experiences of working together in Canada as well as from Bulmer’s previous experiences of support structures in the United Kingdom, this article highlights the need for support roles to be better understood as infrastructurally integral to the evolving culture of disability arts in Canada.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"19 - 23"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41995512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pursuing Universal Accessibility for Everyone: The Linguistic Experience at Partition/Ensemble Conference 追求人人通用：分区/合奏会议的语言体验
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.003
Jody H. Cripps, Pamela E. Witcher, Ashley McAskill, Kat Germain
{"title":"Pursuing Universal Accessibility for Everyone: The Linguistic Experience at Partition/Ensemble Conference","authors":"Jody H. Cripps, Pamela E. Witcher, Ashley McAskill, Kat Germain","doi":"10.3138/ctr.190.003","DOIUrl":"https://doi.org/10.3138/ctr.190.003","url":null,"abstract":"Abstract:Universal accessibility (or design) is a trend that promotes accessibility for everyone in various ways. One of its attributes is to ensure that everyone has equal learning opportunities, especially with the ‘access to information’ format. This applies to arranging a conference that includes conference organizers, plenary speakers, performers, conference presenters, and audio describers preparing to provide information and sensorial accessibility to the conference participants. Unfortunately for contemporary conferences, individuals with different needs are likely to experience language barriers due to their linguistic differences, hearing loss, and/or challenges in understanding and/or accessing visual information. A performing arts conference, Partition/Ensemble 2020, hosted by the Canadian Association of Theatre Research, serves as a case study for examining the process of arranging and providing language interpreters and text transcriptions, including audiovisual descriptions. During the COVID pandemic in the summer of 2020, the conference organizers decided to have a relaxed virtual conference. This designation had an impact on the preparation with four languages in different modalities: English (spoken and written), French (spoken and written), American Sign Language (signed), and Langue des signesquébécoise (signed). From this linguistic learning experience, individuals who participated in this conference (e.g. conference organizers, plenary speakers, and audio describers) share their thoughts and insights for the implementation of an accessible conference (whether hosted in-person or online) with the goal of reducing language barriers. The authors of this article consider what it means to incorporate a diversity of languages simultaneously with different modalities and the challenges of accessibility with this endeavour.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"13 - 18"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46067364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Thinking through Moving Together 通过共同行动思考
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.015
Mary A. Meindl
{"title":"Thinking through Moving Together","authors":"Mary A. Meindl","doi":"10.3138/ctr.190.015","DOIUrl":"https://doi.org/10.3138/ctr.190.015","url":null,"abstract":"Abstract:Moving Together: Dance and Pluralism in Canada ventures into fraught issues of culture and identity to show how dance, and dance scholarship, can contribute to the evolution of cultural pluralism in Canada. The book explores the history of policies surrounding multiculturalism before talking about how dance may enrich the discussion. It goes on to a series of case studies that touch on Indigenous dance and dance in Quebec and in various diasporic dance communities. Some studies discussthe mixing and encounter of different cultures in dance. My review explores a selection of the book’s chapters that highlight important themes: the essentializing of non-dominant cultures, the issue of cultural appropriation, and the transformative possibilities of dance. Sharing concerns about my own self-congratulatory tendency when it comes to narratives about Canada, I critique the book’s overly optimistic view and its shortage of BIPOC authors. Despite these concerns, Moving Together offers a well-considered sounding of current practices, discourses, and debates.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"66 - 68"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45706833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stanley Février: Performing the Invisible 斯坦利·费弗里尔：表演无形
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.016
Didier Morelli
{"title":"Stanley Février: Performing the Invisible","authors":"Didier Morelli","doi":"10.3138/ctr.190.016","DOIUrl":"https://doi.org/10.3138/ctr.190.016","url":null,"abstract":"Abstract:This article examines how the Québécois artist Stanley Février approached the absence of BIPOC artists exhibited and collected at the Montreal Museum of Contemporary Art (MAC) with three performative projects that successfully forced the institution to revisit its collecting and exhibiting practices. In An Invisible Minority (2018), the artist infiltrated the MAC as a security guard after assessing that this was the only culturally diverse body of employees in the museum. Février then showed an installation at ARTEXTE composed of statistics, comparative charts, and other quantitative data points that highlighted the lack of representation in Montreal galleries and museums. It’s Happening Now (2019) was a guerrilla action organized with other collaborators where performers clad in black skinsuits dragged fifty years of annual reports by the MAC tied to their ankles before shredding them in the museum’s main lobby. In conjunction with these project, MAC-I was created as an alternate, unsanctioned portal to the MAC official website to promote the practices of non-white Québécois and Canadian artists. While Février’s figurative sculptural work has garnered attention, with recent acquisitions by the Montreal Museum of Fine Arts and the Musée national des beaux-arts du Québec, his more immaterial, institutionally critical, performative works remain undervalued and framed as ‘activism’ rather than their own aesthetic events.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"69 - 72"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48902447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Cost of Entry Is a Heartbeat 进入成本是一个心跳
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.006
Ana Amorós López, Salima Punjani
{"title":"The Cost of Entry Is a Heartbeat","authors":"Ana Amorós López, Salima Punjani","doi":"10.3138/ctr.190.006","DOIUrl":"https://doi.org/10.3138/ctr.190.006","url":null,"abstract":"","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"29 - 31"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42071958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crip, Arts: Community Trajectories and Agendas Crip，艺术：社区轨迹和议程
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.013
Seeley Quest
{"title":"Crip, Arts: Community Trajectories and Agendas","authors":"Seeley Quest","doi":"10.3138/ctr.190.013","DOIUrl":"https://doi.org/10.3138/ctr.190.013","url":null,"abstract":"Abstract:The author reflects on hir coming to identify as physically and cognitively disabled, making performance work concerning these identities and communities, the influence of Sins Invalid’s projects, challenges of securing arts funding while immigrating to Canada, and the activisms of developing disability-centred arts in smaller cities, of bridging ‘professional’ and ‘community arts,’ of increased training for disabled theatremakers onstage and offstage, and of amplifying improvements in working conditions industry-wide. Sie also discusses challenging paradigms of disabled relationships to desire and consent, of simplified narratives and conventional modes of staging our theatre, and hir goals for prioritizing work co-developed in local communities that experiments and explores.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"60 - 63"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45504471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disability Theatre in Canada: Working Together and Closing the Gaps in the East 加拿大残疾人剧院：携手合作，缩小东方差距
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.010
J. Boulay
{"title":"Disability Theatre in Canada: Working Together and Closing the Gaps in the East","authors":"J. Boulay","doi":"10.3138/ctr.190.010","DOIUrl":"https://doi.org/10.3138/ctr.190.010","url":null,"abstract":"","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"46 - 49"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47408659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Round Table Conversation on the State of Hiring and Labour in Theatre and Performance Studies in Canada 关于加拿大戏剧和表演研究中雇佣和劳动状况的圆桌会议
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.018
Benjamin Gillespie, Signy Lynch, Hannah Rackow, Featuring Lisa Aikman, S. Bennett, David Owen, Marlis Schweitzer, Kim Solga
{"title":"A Round Table Conversation on the State of Hiring and Labour in Theatre and Performance Studies in Canada","authors":"Benjamin Gillespie, Signy Lynch, Hannah Rackow, Featuring Lisa Aikman, S. Bennett, David Owen, Marlis Schweitzer, Kim Solga","doi":"10.3138/ctr.190.018","DOIUrl":"https://doi.org/10.3138/ctr.190.018","url":null,"abstract":"Abstract:This article summarizes a round table on the state of hiring and labour in the field that was conducted at the 2021 Canadian Association for Theatre Research (CATR) conference. Prompted by the results of a survey conducted by CATR’s Emerging Scholars Task Force, the round table addresses the difficult job prospects that emerging scholars in theatre and performance studies face, and opportunities that lie beyond the field and the academy. The round table panellists—Lisa Aikman, Susan Bennett, David Owen, Marlis Schweitzer, and Kim Solga—offer advice, suggestions, and provocations for graduate students as well as those recently graduated, their supervisors, and graduate departments, as well as departments conducting job searches.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"190 1","pages":"77 - 80"},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48169077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interview with Natasha Bacchus, aka Courage (ASL-English Transcript) Natasha Bacchus（又名勇气）访谈录（ASL英语成绩单）
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI: 10.3138/ctr.190.011
Ashley McAskill, Natasha A. Bacchus
{"title":"Interview with Natasha Bacchus, aka Courage (ASL-English Transcript)","authors":"Ashley McAskill, Natasha A. Bacchus","doi":"10.3138/ctr.190.011","DOIUrl":"https://doi.org/10.3138/ctr.190.011","url":null,"abstract":"The following is a textual transcript of an interview with Black Deaf artist Natasha Bacchus, a.k.a. Courage. The interview was done by Ash McAskill over Zoom, with ASL-English interpretation by Christopher Desloges. Courage speaks about her entry into Canadian theatre and her experience as a Deaf artist of colour. She makes recommendations on how to better include Deaf artists and Black artists alike. You can see the original recording of the interview in ASL and closed-captioned on the CTR website. We would like to thank Christopher Desloges for his ASL-English interpretation service and for editing the final piece in collaboration with Courage.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42223082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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