Creative Enabling: Relations and Structures of Support for Disabled Artists

IF 0.2 3区 艺术学 0 THEATER
Becky Gold, Alex Bulmer
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引用次数: 0

Abstract

The levels of accessibility and accommodation for disabled theatre artists in Canada are diverse and varied. Without consistent infrastructures in place to support these artists, creative workarounds and new ways of creating have been developed. Becky Gold has worked with blind artist Alex Bulmer for nearly four years, navigating systems of support and accessibility (or lack thereof) within Bulmer’s various artistic projects. Together, they have come to an understanding about what support means to them and how it can best be nurtured and evolve from one project to the next. Drawing from their experiences of working together in Canada as well as from Bulmer’s previous experiences of support structures in the United Kingdom, this article highlights the need for support roles to be better understood as infrastructurally integral to the evolving culture of disability arts in Canada.
创造性扶持:对残疾艺术家的支持关系与结构
加拿大残疾戏剧艺术家的无障碍和住宿水平是多样化的。如果没有一致的基础设施来支持这些艺术家,创造性的变通方法和新的创作方式就会被开发出来。Becky Gold与盲人艺术家Alex Bulmer合作了近四年,在Bulmer的各种艺术项目中导航支持和可访问性系统(或缺乏支持和可接近性系统)。他们共同理解了支持对他们意味着什么,以及如何最好地培养和发展支持,从一个项目发展到下一个项目。根据他们在加拿大合作的经验以及Bulmer之前在英国支持结构的经验,本文强调了支持角色的必要性,以更好地理解为加拿大不断发展的残疾艺术文化的基础结构组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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