Crip, Arts: Community Trajectories and Agendas

IF 0.2 3区 艺术学 0 THEATER
Seeley Quest
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引用次数: 0

Abstract

Abstract:The author reflects on hir coming to identify as physically and cognitively disabled, making performance work concerning these identities and communities, the influence of Sins Invalid’s projects, challenges of securing arts funding while immigrating to Canada, and the activisms of developing disability-centred arts in smaller cities, of bridging ‘professional’ and ‘community arts,’ of increased training for disabled theatremakers onstage and offstage, and of amplifying improvements in working conditions industry-wide. Sie also discusses challenging paradigms of disabled relationships to desire and consent, of simplified narratives and conventional modes of staging our theatre, and hir goals for prioritizing work co-developed in local communities that experiments and explores.
Crip,艺术:社区轨迹和议程
摘要:作者反思了他被认定为身体和认知残疾,在这些身份和社区中进行表演工作,Sins Invalid项目的影响,移民加拿大时获得艺术资金的挑战,以及在小城市发展以残疾为中心的艺术的活动,将“专业”和“社区艺术”联系起来,加强对舞台内外残疾剧院制作人的培训,并扩大整个行业工作条件的改善。Sie还讨论了残疾人与欲望和同意的关系、简化叙事和传统戏剧上演模式的挑战性范式,以及优先考虑在当地社区共同开发的实验和探索工作的目标。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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