损失、巨大的悲痛和保存:布兰迪·李里被停职

IF 0.2 3区 艺术学 0 THEATER
Brian Batchelor
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引用次数: 0

摘要

摘要:2017年,多伦多的实体戏剧艺术家Brandy Leary进行了舞蹈研究,这是北极圈夏至探险的一部分,这是一次受邀的科学家和艺术家的多学科之旅,他们在位于北冰洋的斯瓦尔巴群岛及其周围的旅行中开发了作品。我专注于一场名为《悬浮》的表演,在这场表演中,李里摇摇欲坠地挂在船舷和(融化的)浮冰上方。Leary的探索受到了挪威生态科学家Per Espen Stoknes的“大悲伤”概念的影响,这是一种基于气候变化造成的生态损失以及她开始居住前失去丈夫的公众悲伤。我把《暂停》看作是一场缝合公共和私人悲伤过程的表演。由于斯瓦尔巴群岛是全球种子库的所在地,这是一个旨在保护世界植物生物多样性的种子库,Suspended还将面对生态损失的自我保护形式与通过保存种子实现生态保护的更大合作努力联系起来。无论是暂停还是跳马,都迫使我们共同关心未来,并采取行动,在未来,我们与冰、环境和彼此的关系将发生根本性的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Loss, Great Grief, and Preservation: Brandy Leary’s Suspended
Abstract:In 2017, Toronto-based physical theatre artist Brandy Leary performed choreographic research as part of the Arctic Circle’s Summer Solstice Expedition, a multidisciplinary voyage of invited scientists and artists who developed work during their travels in and around the Svalbard archipelago, located in the Arctic Ocean. I focus on one such performance, entitled Suspended, in which Leary hangs precariously off the side of a boat and above a (melting) ice floe. Leary’s explorations were influenced by the Norwegian eco-scientist Per Espen Stoknes’s concept of “Great Grief,” a public grief based on ecological loss due to climate change, as well as the loss of her husband before she embarked on the residency. I read Suspended as a performance that sutures public and private processes of grief. Because Svalbard is home to the Global Seed Vault, a repository of seeds intended to preserve the world’s plant biodiversity, Suspended also connects forms of self-preservation in the face of ecological loss with larger cooperative efforts toward ecological preservation via the saving of seeds. Both Suspended and the vault as endeavours compel us to collectively care about and act toward futures where our relationships—to ice, to the environment, and to each other—are radically changed.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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