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Journal of Scandinavian Cinema最新文献

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‘Call the Norwegian embassy!’: The Alta conflict, Indigenous narrative and political change in the activist films The Taking of Sámiland and Let the River Live “给挪威大使馆打电话!”:阿尔塔人的冲突，土著叙事和政治变革的激进主义电影Sámiland和让河流生存
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00064_1
S. Sand
{"title":"‘Call the Norwegian embassy!’: The Alta conflict, Indigenous narrative and political change in the activist films The Taking of Sámiland and Let the River Live","authors":"S. Sand","doi":"10.1386/jsca_00064_1","DOIUrl":"https://doi.org/10.1386/jsca_00064_1","url":null,"abstract":"In the 1970s, Norway had not officially acknowledged their Indigenous population, the Sámi. In the following decade, two activist films, Let the River Live (Greve 1980) and The Taking of Sámiland (Eriksen and Tannvik 1984), focused on the Alta conflict ‐\u0000 protests against the construction of a power plant in Sámi territory ‐ Indigenous rights and colonial processes. Inspired by discussions concerning documentary, activism and decolonialism, this article investigates how the films frame Sámi interests and challenge perceptions\u0000 of the Norwegian state. Because both films are collaborations across ethnic boundaries, they also challenge the supposed insider/outsider perspective of Sámi and Indigenous film, offering decolonial narratives by centring on Indigenous voices and experiences, confronting the idea of\u0000 Norway as homogenous and representing the state as a colonial oppressor. They represent a political turning point that has changed politics, film production and collective memory.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45165948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
JSCA Special Issue: ‘Approaching Race and Ethnicity in Nordic Film Culture’ JSCA特刊:“北欧电影文化中的种族与民族”
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00059_2
Kate Moffat, Zélie Asava
{"title":"JSCA Special Issue: ‘Approaching Race and Ethnicity in Nordic Film Culture’","authors":"Kate Moffat, Zélie Asava","doi":"10.1386/jsca_00059_2","DOIUrl":"https://doi.org/10.1386/jsca_00059_2","url":null,"abstract":"This Special Issue of the Journal of Scandinavian Cinema focuses on race and ethnicity in Nordic film and TV cultures. The decolonial turn has produced a global shift in the recognition of cinema’s historical relationship to imperialism, colonialism and racism, and emphasized\u0000 the urgency of dismantling structural inequalities through new modes of engagement with minoritized artists and theorists, as well as Indigenous epistemological frameworks and pluriversal approaches ‐ including critical race theory and its specific applications in a Nordic context.\u0000 Consequently, these articles consider representational politics alongside interrelated concerns on practitioner agency and production contexts addressing equality and access in the media industries of these countries. The depth and historical range of the collection speaks to the need for\u0000 an ongoing, critically reflective dialogue on these topics, especially as they remain significantly underrepresented in the field of Nordic media studies.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44634821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nordic homonationalism in post-cinematic times: The ‘good ethnic’ and sexual exceptionalism in SKAM 后电影时代的北欧同音主义：SKAM中的“好种族”和性例外论
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00062_1
Jenny Andrine Madsen Evang
{"title":"Nordic homonationalism in post-cinematic times: The ‘good ethnic’ and sexual exceptionalism in SKAM","authors":"Jenny Andrine Madsen Evang","doi":"10.1386/jsca_00062_1","DOIUrl":"https://doi.org/10.1386/jsca_00062_1","url":null,"abstract":"This short subject analyses the racialized dynamics of the Norwegian TV series SKAM vis-à-vis its representation of queerness. It argues that the Muslim character Sana stands in for the ‘good ethnic’ who simultaneously represents the ‘backwardness’\u0000 of her religion and the imaginary of Norwegian multiculturalism that can ‘rehabilitate’ her into its image.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44798996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Constructing Sámi images in Scandinavian television series: Between pessimism and new possibilities 斯堪的纳维亚电视剧中Sámi形象的建构:在悲观主义与新的可能性之间
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00065_1
M. Chacińska, Maria Sibińska
{"title":"Constructing Sámi images in Scandinavian television series: Between pessimism and new possibilities","authors":"M. Chacińska, Maria Sibińska","doi":"10.1386/jsca_00065_1","DOIUrl":"https://doi.org/10.1386/jsca_00065_1","url":null,"abstract":"The Sámi are a linguistic, ethnic and cultural Indigenous minority in three Nordic countries, Finland, Norway and Sweden. Much of the perception of this minority comes from the majority media of these countries. Media in general have often been accused of under- and misrepresenting\u0000 the Sámi. Previous research, however, has mainly concerned the news media. The article examines how the Sámi are portrayed in two television series, the Swedish Midnight Sun (2016) and the Norwegian Heartless (2013). Since television is a popular medium, the representation\u0000 of the Sámi in these series can significantly impact the general perception of the group. Drawing on recent migration theory, the article examines how Sámi- and non-Sámi-produced television impacts the perception and apparent authenticity of the Indigenous population.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44156682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Terror melodrama, race and the nation: Ulaa Salim’s Sons of Denmark 恐怖情节剧，种族和国家:乌拉·萨利姆的《丹麦之子》
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00063_1
Amanda Doxtater
{"title":"Terror melodrama, race and the nation: Ulaa Salim’s Sons of Denmark","authors":"Amanda Doxtater","doi":"10.1386/jsca_00063_1","DOIUrl":"https://doi.org/10.1386/jsca_00063_1","url":null,"abstract":"Ulaa Salim's 2019 film, Sons of Denmark, employs terror melodrama, an iteration of the melodramatic mode related to 9/11 that represents the nation as innocent and violated. This allows the film to raise questions about masculinity, systemic racism and white innocence in the\u0000 decades-long rise of far-right political parties in Denmark.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47675633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Swedish racial innocence on film: To be young, queer and Black in Swedish documentary filmmaking 电影中的瑞典种族纯真:瑞典纪录片制作中的年轻、酷儿和黑人
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00060_1
Benjamin Mier-Cruz
{"title":"Swedish racial innocence on film: To be young, queer and Black in Swedish documentary filmmaking","authors":"Benjamin Mier-Cruz","doi":"10.1386/jsca_00060_1","DOIUrl":"https://doi.org/10.1386/jsca_00060_1","url":null,"abstract":"This article analyses two Swedish documentaries, Broadway Playground (Marklund and Ribbsjö 1977) and Kiki (Jordenö 2016), to interrogate how these ethnographic studies of disinvested Black communities in the United States are presented from the standpoint of\u0000 Swedish racial innocence, a position that implicitly lays claim to neutrality and objectivity by highlighting an imagined national history of ethnic and cultural homogeneity and promoting a perennial myth of race and colour-blindness. In this context, the visual archiving of Black and Brown\u0000 bodies in low-income neighbourhoods interpellates people of colour ‐ inscribed by non-Whiteness, economic disenfranchisement and non-heteronormativity ‐ into vulnerable documentary film subjects. The article also explores how White Swedish filmmakers negotiate their positions\u0000 as ‘objective’ witnesses to Black lives and Black bodies, concluding with a call to decentre Whiteness in (Scandinavian) studies of people of colour.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66735793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The precariousness of Jewish visibility: Surviving antisemitism in Swedish cinema 犹太人知名度的不稳定：瑞典电影中幸存的反犹太主义
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00066_1
Jonathan Rozenkrantz
{"title":"The precariousness of Jewish visibility: Surviving antisemitism in Swedish cinema","authors":"Jonathan Rozenkrantz","doi":"10.1386/jsca_00066_1","DOIUrl":"https://doi.org/10.1386/jsca_00066_1","url":null,"abstract":"The article examines Jewish ‘self-images’ in Swedish post-war film. Before World War II, antisemitic caricatures were prevalent in Swedish film and visual culture. Following the Holocaust, Jews as such were virtually erased from Swedish screens. Written by and starring Marie-Louise\u0000 Ekman, Hallo Baby (Bergenstråhle 1976) was a rare exception, the first Swedish post-war film to explore Swedish-Jewish identity. The 2002 comedy Livet i 8 bitar (Bit by Bit) (Metzger) remains the last of only a handful of films to fit said description. Significantly,\u0000 both films draw heavily on established antisemitic tropes in their figurations of ‘Jewishness’. Through historically contextualized readings of the two films, including their reception, the article thus shows how the tradition of antisemitic caricature that prevailed until World\u0000 War II has continued to condition Jewish self-representation in the post-war era.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49076967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Elements in the biographical discourse of the documentary Ole Bull 纪录片《奥勒·布尔》传记话语中的元素
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00058_1
Tore Helseth
{"title":"Elements in the biographical discourse of the documentary Ole Bull","authors":"Tore Helseth","doi":"10.1386/jsca_00058_1","DOIUrl":"https://doi.org/10.1386/jsca_00058_1","url":null,"abstract":"The article discusses how the biographical is represented in the documentary Ole Bull (Aarhus 2006), a film about the world-famous Norwegian composer and violin virtuoso (1810‐80). It focuses on the biographical discourse ‐ that is, by what kind of stylistic devices\u0000 his life story is told and the audio-visual strategies the film employs to make the past present.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49446149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Being ordinary as a female pop star: Behind the scenes in musical documentary portraits of Jada and Beyoncé 作为一个普通的女流行歌手:贾达和碧昂斯的音乐纪录片的幕后
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00055_1
Helle Kannik Haastrup
{"title":"Being ordinary as a female pop star: Behind the scenes in musical documentary portraits of Jada and Beyoncé","authors":"Helle Kannik Haastrup","doi":"10.1386/jsca_00055_1","DOIUrl":"https://doi.org/10.1386/jsca_00055_1","url":null,"abstract":"By comparing two contemporary musical documentary portraits, the Scandinavian newcomer Jada in Jada ‐ lillebitte kæmpestor (‘Jada ‐ super tiny mega big’) (2019) and the global pop artist Beyoncé in Homecoming: A Film by Beyoncé\u0000 (2019), the article examines how ‘being ordinary’ in behind-the-scenes sequences can be used as a marker of authenticity.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66735760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Featuring Monica Zetterlund: Jazz in early Swedish television 莫妮卡·泽特伦德:早期瑞典电视中的爵士乐
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00056_1
Tytti Soila
{"title":"Featuring Monica Zetterlund: Jazz in early Swedish television","authors":"Tytti Soila","doi":"10.1386/jsca_00056_1","DOIUrl":"https://doi.org/10.1386/jsca_00056_1","url":null,"abstract":"Following Miriam Hansen’s writings about the popular cinema, this study presents a hypothesis that the new medium of television in 1960s Sweden may be a form of ‘cultural horizon’ that enables multiple understandings and thus contributes to the popularity of the medium.\u0000 The study focuses on a number of programmes where one of the most popular Swedish artists of the period, the jazz singer Monica Zetterlund, appears in performance. When these programmes are juxtaposed, contradictory features emerge that I suggest are pieces of a cultural horizon described\u0000 by Hansen ‐ high/low, modern/traditional and international/vernacular ‐ that contributed to the evolution of Swedish television.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46257896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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