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Journal of Scandinavian Cinema最新文献

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After the A-rating mo(ve)ment: The Bechdel test in Swedish screen culture and beyond A级电影之后：瑞典银幕文化中的贝克德尔测试
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00069_1
Ingrid Stigsdotter
{"title":"After the A-rating mo(ve)ment: The Bechdel test in Swedish screen culture and beyond","authors":"Ingrid Stigsdotter","doi":"10.1386/jsca_00069_1","DOIUrl":"https://doi.org/10.1386/jsca_00069_1","url":null,"abstract":"This article traces the Bechdel test in Swedish journalistic discourse, showing how the A-rating campaign – sometimes described as a movement – popularized the concept in Sweden in 2013. In addition, criticism of the Bechdel test and A-rating is linked to criticism of recent Swedish cultural policy on film through the common denominator of contrasting quantification with quality. Finally, the article shows how the Bechdel test has inspired computer-based analytical approaches to gender on-screen that would merit further explorations in feminist film scholarship.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42683067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The politics of gendered work and representation in the Nordic screen industries 北欧电影工业中性别工作和代表性的政治
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00067_2
Louise Wallenberg, Maaret Koskinen
{"title":"The politics of gendered work and representation in the Nordic screen industries","authors":"Louise Wallenberg, Maaret Koskinen","doi":"10.1386/jsca_00067_2","DOIUrl":"https://doi.org/10.1386/jsca_00067_2","url":null,"abstract":"The editorial presents the impetus behind this Special Issue, ‘The Politics of Gendered Work and Representation in the Nordic Screen Industries’, and describes its connection to production studies, in particular feminist production studies. Outlining the last two decades’ growing interest in investigating the interrelated issues of gender, equality, working conditions and on-screen representations of women, the editorial notes that this kind of research is being conducted both in the humanistic disciples and the social sciences. In conclusion, the seven contributions to the Special Issue are introduced. All of them help shed light on various aspects of the Nordic film industries in relation to gender.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47214414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond gender inclusivity: Susanne Bier, feminism and female authorship 超越性别包容:苏珊娜·比尔，女权主义和女性作家
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00071_1
Despoina Mantziari
{"title":"Beyond gender inclusivity: Susanne Bier, feminism and female authorship","authors":"Despoina Mantziari","doi":"10.1386/jsca_00071_1","DOIUrl":"https://doi.org/10.1386/jsca_00071_1","url":null,"abstract":"This article explores women directors’ conditional inclusivity within male-dominated filmmaking spaces, taking as an example Susanne Bier’s successful engagement with Dogme 95, an internationally renowned Danish film movement that has often been considered favourable to women. Focusing on Bier’s performance of authorship in interviews following the release of Open Hearts (2002), I analyse Bier’s resistance to the domineering discourses she encountered in the process of establishing her international auteur presence. Bier’s selective commitment to the movement’s ‘Vow of Chastity’ suggests a ‘creative promiscuity’ that challenges the generic and geographical borders that circumscribe women’s filmmaking. Such an analysis can provide the necessary qualitative data to illuminate reports commissioned by national film industries as they confront persisting inequalities. It can thus counter discourses that use individual women’s successes as ostensible proof that feminism is unnecessary and promote an understanding of the cultural changes needed to progress from conditional inclusivity to real equality.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47892319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women’s agency in the Swedish film industry: Annoying little buggers and passionate team players 瑞典电影业的女性经纪公司：烦人的小家伙和热情的团队成员
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00073_1
Maria Jansson, Louise Wallenberg
{"title":"Women’s agency in the Swedish film industry: Annoying little buggers and passionate team players","authors":"Maria Jansson, Louise Wallenberg","doi":"10.1386/jsca_00073_1","DOIUrl":"https://doi.org/10.1386/jsca_00073_1","url":null,"abstract":"The article is based on transcripts of interviews with twenty women directors in the Swedish film industry conducted in 2018 and 2019, focusing on narratives from women working under varying conditions and in several genres who have actively chosen various strategies to manage their work situation. We contextualize their actions and choices to unpack how their work and efforts fit into an industry still dominated by men and influenced by a culture of masculinity idealizing the male genius. In the first section, we discuss how the women experienced their first encounters with the industry and what strategies they developed at this stage. In the second section, we discuss women’s deliberations about how to make work on the set manageable and productive. In the final section, we investigate various strategies related to work opportunities and the possibilities for women to realize their visions and their passion for making films.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42686906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Violence against women in contemporary Finnish audio-visual fiction: The decision-making process 芬兰当代音像小说中对妇女的暴力行为：决策过程
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00072_1
Kirsi Reinola
{"title":"Violence against women in contemporary Finnish audio-visual fiction: The decision-making process","authors":"Kirsi Reinola","doi":"10.1386/jsca_00072_1","DOIUrl":"https://doi.org/10.1386/jsca_00072_1","url":null,"abstract":"Violence against women (VAW) in Finnish audio-visual fiction had a significant peak in 2018. The article examines the financiers’ and filmmakers’ decision-making processes that resulted in scenes containing brutal VAW in Finnish TV series and films. Were the decisions rational or emotional, and were these different decision modes separable? The article draws from a study based on two sets of data: first, sequences from Finnish films and TV series that portray VAW, and second, interviews and questionnaire responses from the makers of these scenes covering various stages in the film and TV productions. The results provide insights into the themes of identification, empathy and the normalization of filmic violence, pose a question about the demand for brutalization in AV productions and give suggestions for future research in audio-visual decision-making.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45680099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A revelation: Addressing feminist agency in Norwegian film history 启示：挪威电影史上的女权主义机构
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00068_1
Ingrid S. Holtar, M. Lund, Johanne Kielland Servoll
{"title":"A revelation: Addressing feminist agency in Norwegian film history","authors":"Ingrid S. Holtar, M. Lund, Johanne Kielland Servoll","doi":"10.1386/jsca_00068_1","DOIUrl":"https://doi.org/10.1386/jsca_00068_1","url":null,"abstract":"This article examines how gender balance in the Norwegian film sector has been narrativized, and as such is a historiographical challenge to a tendency to delineate the presence of women film directors at key dates as markers of equality. To suggest alternative trajectories, this article adopts a methodology of constellation, putting into dialogue the little-known women’s film and television network Women’s Film Forum (1982–89) and Women in Film and Television Norway (2005–present) as well as the production practices of director-writers Vibeke Løkkeberg, whose career began in the 1970s, and Itonje Søimer Guttormsen, whose first feature film premiered in 2021. Through these constellations, we explore ways to acknowledge the strategies and agencies of individual filmmakers and grassroots organizations that have addressed gender inequalities in the film and TV sectors for more than four decades and to re-frame the present moment beyond official film policies.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44865823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poker faces and smooth operators: The social space for women professionals in the Finnish screen industry in financing negotiations 扑克脸，流畅操作:芬兰影视行业女性专业人士融资谈判的社交空间
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00070_1
Nina Maskulin, Raija Talvio
{"title":"Poker faces and smooth operators: The social space for women professionals in the Finnish screen industry in financing negotiations","authors":"Nina Maskulin, Raija Talvio","doi":"10.1386/jsca_00070_1","DOIUrl":"https://doi.org/10.1386/jsca_00070_1","url":null,"abstract":"The article examines the positions of professional women in negotiations for early development in Finnish film and television production. According to recent studies, closed evaluation practices exclude women professionals and narrow the diversity of women’s representations and narratives on screen. We argue that women in the Finnish screen industry encounter prolonged psychological and economic constraints during their active careers. We analyse the qualitative data of 40 active professional women using Pierre Bourdieu’s concepts of social space and symbolic power. We find that gender-based economic harm is constructed and implemented in the discourses of the institutionalized undervaluation of professional women’s work. Three recurring discourses shape the practice of decision-making in early development and position women professionals on the margins of the social space of the Finnish screen industry. The analysis illustrates the construction of gendered symbolic power in the Finnish screen industry that can be developed and applied to other national contexts.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43538170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Screenwriting, authorship and gender in Swedish cinema of the 1940s: Dagmar Edqvist’s ‘The Ingegerd Bremssen case’ 20世纪40年代瑞典电影中的编剧、作者和性别：达格玛·埃德奎斯特的《英格德·布雷姆森案》
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-06-01 DOI: 10.1386/jsca_00074_1
A. Rossholm
{"title":"Screenwriting, authorship and gender in Swedish cinema of the 1940s: Dagmar Edqvist’s ‘The Ingegerd Bremssen case’","authors":"A. Rossholm","doi":"10.1386/jsca_00074_1","DOIUrl":"https://doi.org/10.1386/jsca_00074_1","url":null,"abstract":"Through a case study analysis, this article suggests that women’s screenwriting in Sweden in the 1940s elucidates important aspects of cinematic authorship in relation to cultural hierarchies and gender. The analysis consists of a contextualized reading of the 1942 film Fallet Ingegerd Bremssen (‘The Ingegerd Bremssen case’), based on Dagmar Edqvist’s psychological novel about a rape and its after-effects, with a screenplay written by the author herself. A textual adaptation analysis – focusing on the screenwriting style and how the woman’s perspective and experience in the novel is transformed in the adaptation – is contextualized against the historical backdrop of the changes in screenwriting practices during this period as well as of the critical reception of the film.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48477080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mediating a pluralized ‘we’: Amateur first-person filmmaking in Gabriela Pichler’s Amateurs 调解多元的“我们”:加布里埃拉·皮切勒的《业余爱好者》中的业余第一人称电影制作
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00061_1
Liina-Ly Roos
{"title":"Mediating a pluralized ‘we’: Amateur first-person filmmaking in Gabriela Pichler’s Amateurs","authors":"Liina-Ly Roos","doi":"10.1386/jsca_00061_1","DOIUrl":"https://doi.org/10.1386/jsca_00061_1","url":null,"abstract":"This article analyses the incorporation of amateur and first-person filmmaking in Gabriela Pichler’s comedy drama Amatörer (Amateurs) (2018) as a contradiction and alternative to the professional economies of media that tend to reinforce middle-class Swedish\u0000 Whiteness and silence the experiences of minority populations of divergent races, ethnicities and social class.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47748585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Call the Norwegian embassy!’: The Alta conflict, Indigenous narrative and political change in the activist films The Taking of Sámiland and Let the River Live “给挪威大使馆打电话!”:阿尔塔人的冲突，土著叙事和政治变革的激进主义电影Sámiland和让河流生存
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI: 10.1386/jsca_00064_1
S. Sand
{"title":"‘Call the Norwegian embassy!’: The Alta conflict, Indigenous narrative and political change in the activist films The Taking of Sámiland and Let the River Live","authors":"S. Sand","doi":"10.1386/jsca_00064_1","DOIUrl":"https://doi.org/10.1386/jsca_00064_1","url":null,"abstract":"In the 1970s, Norway had not officially acknowledged their Indigenous population, the Sámi. In the following decade, two activist films, Let the River Live (Greve 1980) and The Taking of Sámiland (Eriksen and Tannvik 1984), focused on the Alta conflict ‐\u0000 protests against the construction of a power plant in Sámi territory ‐ Indigenous rights and colonial processes. Inspired by discussions concerning documentary, activism and decolonialism, this article investigates how the films frame Sámi interests and challenge perceptions\u0000 of the Norwegian state. Because both films are collaborations across ethnic boundaries, they also challenge the supposed insider/outsider perspective of Sámi and Indigenous film, offering decolonial narratives by centring on Indigenous voices and experiences, confronting the idea of\u0000 Norway as homogenous and representing the state as a colonial oppressor. They represent a political turning point that has changed politics, film production and collective memory.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45165948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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