Ingrid S. Holtar, M. Lund, Johanne Kielland Servoll
{"title":"启示:挪威电影史上的女权主义机构","authors":"Ingrid S. Holtar, M. Lund, Johanne Kielland Servoll","doi":"10.1386/jsca_00068_1","DOIUrl":null,"url":null,"abstract":"This article examines how gender balance in the Norwegian film sector has been narrativized, and as such is a historiographical challenge to a tendency to delineate the presence of women film directors at key dates as markers of equality. To suggest alternative trajectories, this article adopts a methodology of constellation, putting into dialogue the little-known women’s film and television network Women’s Film Forum (1982–89) and Women in Film and Television Norway (2005–present) as well as the production practices of director-writers Vibeke Løkkeberg, whose career began in the 1970s, and Itonje Søimer Guttormsen, whose first feature film premiered in 2021. Through these constellations, we explore ways to acknowledge the strategies and agencies of individual filmmakers and grassroots organizations that have addressed gender inequalities in the film and TV sectors for more than four decades and to re-frame the present moment beyond official film policies.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A revelation: Addressing feminist agency in Norwegian film history\",\"authors\":\"Ingrid S. Holtar, M. Lund, Johanne Kielland Servoll\",\"doi\":\"10.1386/jsca_00068_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines how gender balance in the Norwegian film sector has been narrativized, and as such is a historiographical challenge to a tendency to delineate the presence of women film directors at key dates as markers of equality. To suggest alternative trajectories, this article adopts a methodology of constellation, putting into dialogue the little-known women’s film and television network Women’s Film Forum (1982–89) and Women in Film and Television Norway (2005–present) as well as the production practices of director-writers Vibeke Løkkeberg, whose career began in the 1970s, and Itonje Søimer Guttormsen, whose first feature film premiered in 2021. Through these constellations, we explore ways to acknowledge the strategies and agencies of individual filmmakers and grassroots organizations that have addressed gender inequalities in the film and TV sectors for more than four decades and to re-frame the present moment beyond official film policies.\",\"PeriodicalId\":42248,\"journal\":{\"name\":\"Journal of Scandinavian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Scandinavian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jsca_00068_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Scandinavian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jsca_00068_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
A revelation: Addressing feminist agency in Norwegian film history
This article examines how gender balance in the Norwegian film sector has been narrativized, and as such is a historiographical challenge to a tendency to delineate the presence of women film directors at key dates as markers of equality. To suggest alternative trajectories, this article adopts a methodology of constellation, putting into dialogue the little-known women’s film and television network Women’s Film Forum (1982–89) and Women in Film and Television Norway (2005–present) as well as the production practices of director-writers Vibeke Løkkeberg, whose career began in the 1970s, and Itonje Søimer Guttormsen, whose first feature film premiered in 2021. Through these constellations, we explore ways to acknowledge the strategies and agencies of individual filmmakers and grassroots organizations that have addressed gender inequalities in the film and TV sectors for more than four decades and to re-frame the present moment beyond official film policies.
期刊介绍:
Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.