启示:挪威电影史上的女权主义机构

IF 0.1 0 FILM, RADIO, TELEVISION
Ingrid S. Holtar, M. Lund, Johanne Kielland Servoll
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引用次数: 0

摘要

这篇文章探讨了挪威电影部门的性别平衡是如何被叙述的,因此,这是对将女性电影导演在关键日期的存在描述为平等标志的趋势的历史挑战。为了提出替代的轨迹,本文采用了星座的方法,将鲜为人知的女性电影和电视网络女性电影论坛(1982–89)和挪威电影和电视中的女性(2005–至今)以及职业生涯始于20世纪70年代的导演兼作家Vibeke Løkkeberg和Itonje søimer Guttomsen的制作实践进行了对话,其首部故事片于2021年首映。通过这些星座,我们探索如何承认40多年来解决电影和电视行业性别不平等问题的个人电影制作人和基层组织的战略和机构,并在官方电影政策之外重新构建当下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A revelation: Addressing feminist agency in Norwegian film history
This article examines how gender balance in the Norwegian film sector has been narrativized, and as such is a historiographical challenge to a tendency to delineate the presence of women film directors at key dates as markers of equality. To suggest alternative trajectories, this article adopts a methodology of constellation, putting into dialogue the little-known women’s film and television network Women’s Film Forum (1982–89) and Women in Film and Television Norway (2005–present) as well as the production practices of director-writers Vibeke Løkkeberg, whose career began in the 1970s, and Itonje Søimer Guttormsen, whose first feature film premiered in 2021. Through these constellations, we explore ways to acknowledge the strategies and agencies of individual filmmakers and grassroots organizations that have addressed gender inequalities in the film and TV sectors for more than four decades and to re-frame the present moment beyond official film policies.
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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