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Journal of Scandinavian Cinema最新文献

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Remembering television as a new medium: Conceptual boundaries and connections 记住电视作为一种新媒介:概念边界和联系
Journal of Scandinavian Cinema Pub Date : 2023-03-01 DOI: 10.1386/jsca_00089_1
Jono Van Belle, Åsa Jernudd
{"title":"Remembering television as a new medium: Conceptual boundaries and connections","authors":"Jono Van Belle, Åsa Jernudd","doi":"10.1386/jsca_00089_1","DOIUrl":"https://doi.org/10.1386/jsca_00089_1","url":null,"abstract":"Academic and industry discourses in Sweden blamed the rapid decline of cinema-going in the late 1950s on the introduction of television. Complicating the issue, Swedish television ties in with radio as a domestic medium, making the conceptual links between television and cinema seem less obvious. If we write a history of media characterized by replacement, we tend to overlook how new and old media exist simultaneously in everyday life. Our article investigates how television features in memory narratives of cinema in the context of quotidian life in the late 1950s and 1960s in Sweden. The study draws on memories collected through 60 oral history interviews in two large-scale projects. With a focus on cultural practices and Lisa Gitelman’s concept of ‘associated protocols’ in media use, we ask how cinema and television are conceived in relation to each other in hindsight when remembering television as new.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Did television kill cinema? Contemporary writings on film and early television in Finland 电视扼杀了电影吗?芬兰关于电影和早期电视的当代著作
Journal of Scandinavian Cinema Pub Date : 2023-03-01 DOI: 10.1386/jsca_00083_1
Kimmo Laine
{"title":"Did television kill cinema? Contemporary writings on film and early television in Finland","authors":"Kimmo Laine","doi":"10.1386/jsca_00083_1","DOIUrl":"https://doi.org/10.1386/jsca_00083_1","url":null,"abstract":"The aim of this article is to survey and re-examine writings on the emergence of television in Finnish film journals and newspapers in the 1950s and early 1960s. While film history has typically pictured film and television mainly as rivals, here the relation is discussed in terms not only of competition but also of interaction and cooperation. I classify the early writings into three groups according to the mode with which the relations between television and cinema are discussed: separationist, protectionist and cooperative. Based on this classification, I argue that it was only after 1963 that the narrative about television taking over – or, indeed, killing – cinema was retroactively established.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"610 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Localized hip hop authenticity in early 2000s Finland: Retaining representations of race, class and gender in Beauty and the Bastard 21世纪初芬兰本土嘻哈的真实性:保留《美女与私生子》中种族、阶级和性别的表现
Journal of Scandinavian Cinema Pub Date : 2023-03-01 DOI: 10.1386/jsca_00087_1
Elina Westinen, Sanna Karkulehto, Mervi Tervo
{"title":"Localized hip hop authenticity in early 2000s Finland: Retaining representations of race, class and gender in Beauty and the Bastard","authors":"Elina Westinen, Sanna Karkulehto, Mervi Tervo","doi":"10.1386/jsca_00087_1","DOIUrl":"https://doi.org/10.1386/jsca_00087_1","url":null,"abstract":"Beauty and the Bastard (), a pioneering and award-winning youth film set within the emerging Finnish hip hop culture, draws on early twenty-first-century music-related youth films produced in the United States and reaches out thematically and musically to both African American and Finnish hip hop culture and rap music. Set in a predominantly White Finnish society, the film confronts many representational challenges concerning diversity, whether racial, class or gender. Based on contextual analysis of audio-visual representations, we discuss how such categories contribute to the construction of the film’s ‘authenticity’ – a key notion of hip hop culture – as a localized representation. We argue that in its project of localizing hip hop authenticity in early 2000s Finland, the film retains, rather than challenges or questions, representations of normative Whiteness, oppressive class distinctions and unequal gender norms.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Intertwining histories of film and television in the Nordic countries 简介:北欧国家电影和电视交织的历史
Journal of Scandinavian Cinema Pub Date : 2023-03-01 DOI: 10.1386/jsca_00088_2
Tobias Hochscherf, Kimmo Laine
{"title":"Introduction: Intertwining histories of film and television in the Nordic countries","authors":"Tobias Hochscherf, Kimmo Laine","doi":"10.1386/jsca_00088_2","DOIUrl":"https://doi.org/10.1386/jsca_00088_2","url":null,"abstract":"The last few years have increasingly shown that the boundaries between film and television are porous. This In Focus section re-examines historical intermedial connections, calling into question the dominant narrative of rivalry and contest. Case studies on specific genres, film and television viewing practices and discourses on the emergence of television demonstrate that there were numerous points of contact and cooperation between the two media in the 1950s and 1960s, a reassessment that opens up new perspectives and paves the way for further intermedial research on film–television relations.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Orientalism meets Occidentalism in Tarkan versus the Vikings 东方主义与西方主义在泰坎人与维京人的对抗中相遇
Journal of Scandinavian Cinema Pub Date : 2023-03-01 DOI: 10.1386/jsca_00084_1
Kimberly Ball
{"title":"Orientalism meets Occidentalism in Tarkan versus the Vikings","authors":"Kimberly Ball","doi":"10.1386/jsca_00084_1","DOIUrl":"https://doi.org/10.1386/jsca_00084_1","url":null,"abstract":"Tarkan Viking kani ( Tarkan versus the Vikings ) (), a low-budget feature film made in the heyday of Turkey’s prolific Yeşilçam film industry, anachronistically pits Viking against Hun in an allegory of Turkey’s position between East and West. By figuring Vikings as representatives of an essential westernness, this film partakes in what I propose is a Viking-film commonplace, but does so from a rare non-western perspective, positioning Vikings within a discourse that is both Orientalist and Occidentalist. This article examines Tarkan versus the Vikings in its historical and ideological contexts, using this film as a critical vantage point from which to consider the (mostly) western Viking film genre, and the stylized image of the West that is the cinematic Viking.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultural populism in the Uuno Turhapuro films of the 1990s 20世纪90年代乌诺·图哈普罗电影中的文化民粹主义
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-09-01 DOI: 10.1386/jsca_00076_1
Noora Kallioniemi
{"title":"Cultural populism in the Uuno Turhapuro films of the 1990s","authors":"Noora Kallioniemi","doi":"10.1386/jsca_00076_1","DOIUrl":"https://doi.org/10.1386/jsca_00076_1","url":null,"abstract":"This article examines the cultural meanings given to the comedy character Uuno Turhapuro, in particular during the early 1990s. Focusing on two films, Uuno Turhapuro herra Helsingin herra (‘Uuno Turhapuro, Mr Bigwig of Helsinki’) (1991) and Uuno Turhapuro Suomen tasavallan herra presidentti (‘Uuno Turhapuro, Mr President of the Republic of Finland’) (1992), I discuss the way this unemployed, idle but resourceful character belongs to the tradition of Finnish audio-visual popular culture and analyse the cultural populism related to the authorship of Pertti ‘Spede’ Pasanen. The figure of Uuno is also a presidential parody that reflects the changing attitude in Finland towards those in power after the long administration of President Urho Kekkonen. As a historian, I have endeavoured to illustrate the ways comedy relates to the time period in which it was made.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42609637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Understanding Gardar Sahlberg with neural nets: On algorithmic reuse of the Swedish SF archive 用神经网络理解Gardar Sahlberg:瑞典SF档案的算法重用
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-09-01 DOI: 10.1386/jsca_00075_1
Maria Eriksson, Tomas Skotare, P. Snickars
{"title":"Understanding Gardar Sahlberg with neural nets: On algorithmic reuse of the Swedish SF archive","authors":"Maria Eriksson, Tomas Skotare, P. Snickars","doi":"10.1386/jsca_00075_1","DOIUrl":"https://doi.org/10.1386/jsca_00075_1","url":null,"abstract":"In this article, we re-trace the history of the Swedish SF archive and reflect on how this collection of historic newsreels has been reappropriated and remixed throughout more recent media history. In particular, we focus on the work of director and film historian Gardar Sahlberg, who made extensive use of the SF archive, first in a series of documentary films, then in a number of historical TV programmes. We are interested in how historic film footage travels and circulates through time, but foremost we explore how algorithms can help identify instances of audio-visual reuse in large datasets. Hence the article discusses algorithmic ways of examining archival film reuse, introducing a method for mapping video reuse with the help of artificial intelligence or more precisely machine learning that uses so-called convolutional neural nets. The article presents the Video Reuse Detector (VRD), a tool that uses machine learning to identify visual similarities within a given audio-visual database such as the SF archive.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41905155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mainstreaming migrant experience: Examining authorship, commercialism and political engagement in Finnish migrant cinema 主流化移民经验:检视芬兰移民电影的作者身份、商业主义与政治参与
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-09-01 DOI: 10.1386/jsca_00078_1
M. Malmberg
{"title":"Mainstreaming migrant experience: Examining authorship, commercialism and political engagement in Finnish migrant cinema","authors":"M. Malmberg","doi":"10.1386/jsca_00078_1","DOIUrl":"https://doi.org/10.1386/jsca_00078_1","url":null,"abstract":"In many European nations, there have been a significant number of cinematic explorations of the experiences of migrants, a trend often called migrant cinema. By contrast, in Finland, where large-scale immigration is a relatively new phenomenon, there have historically been very few mainstream films that include migrant characters and practically none that explore the circumstances of migrant protagonists. Since the late 2010s, that has slowly begun to change, primarily due to filmmakers of migrant backgrounds who have drawn from their autobiographical experiences when making mainstream migrant cinema in Finland. Their films are important as cinema has a key role in representing divergent social groups and providing spaces for their political engagement. However, in other European countries, mainstream migrant cinema has drawn criticism – even when made by migrant filmmakers – since commercialism is seen to lead to depoliticization and representations that are counterproductive to migrant emancipation. By examining two Finnish examples where the creative impetus came from filmmakers of migrant backgrounds, and taking into account publicly available interviews with them, this article provides more nuance to the discussion of authorship, commercialism and political engagement in migrant cinema.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45614063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trauma, queer sexuality and symbolic storytelling in Joachim Trier’s Thelma 约阿希姆·特里尔《塞尔玛》中的创伤、酷儿性行为和象征性故事
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-09-01 DOI: 10.1386/jsca_00077_1
T. Laine
{"title":"Trauma, queer sexuality and symbolic storytelling in Joachim Trier’s Thelma","authors":"T. Laine","doi":"10.1386/jsca_00077_1","DOIUrl":"https://doi.org/10.1386/jsca_00077_1","url":null,"abstract":"This article analyses Joachim Trier’s Thelma () through the concept of trauma, brought on by the title character’s perception of her sexuality as ‘deviant’ and reinforced by her rigidly religious parents’ efforts to tame it by force. Their symbolic enactment of bad parenting manifests itself in a form of Foucauldian biopower on the father’s part and as a Kristevan monstrous-feminine attitude on the mother’s. To heal from trauma, Thelma must free herself from parental control. By focalizing the narrative through Thelma’s mental subjectivity and with religious and supernatural imagery, the film expresses this process symbolically rather than figuratively.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49570673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2022-09-01 DOI: 10.1386/jsca_00079_2
Anders Marklund
{"title":"Editorial","authors":"Anders Marklund","doi":"10.1386/jsca_00079_2","DOIUrl":"https://doi.org/10.1386/jsca_00079_2","url":null,"abstract":"","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47469093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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