记住电视作为一种新媒介:概念边界和联系

IF 0.1 0 FILM, RADIO, TELEVISION
Jono Van Belle, Åsa Jernudd
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引用次数: 0

摘要

瑞典的学术界和产业界把20世纪50年代后期看电影人数的迅速下降归咎于电视的引进。使问题更加复杂的是,瑞典电视作为国内媒体与广播联系在一起,使得电视和电影之间的概念联系似乎不那么明显。如果我们写一部以替代为特征的媒体史,我们往往会忽略新媒体和旧媒体在日常生活中是如何同时存在的。我们的文章调查了电视在20世纪50年代末和60年代瑞典日常生活背景下如何在电影的记忆叙事中发挥作用。这项研究利用了在两个大型项目中通过60个口述历史访谈收集的记忆。通过关注文化实践和丽莎·吉特尔曼在媒体使用中的“相关协议”概念,我们将探讨在回忆电视作为新事物时,电影和电视是如何在后见之明相互关联的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Remembering television as a new medium: Conceptual boundaries and connections
Academic and industry discourses in Sweden blamed the rapid decline of cinema-going in the late 1950s on the introduction of television. Complicating the issue, Swedish television ties in with radio as a domestic medium, making the conceptual links between television and cinema seem less obvious. If we write a history of media characterized by replacement, we tend to overlook how new and old media exist simultaneously in everyday life. Our article investigates how television features in memory narratives of cinema in the context of quotidian life in the late 1950s and 1960s in Sweden. The study draws on memories collected through 60 oral history interviews in two large-scale projects. With a focus on cultural practices and Lisa Gitelman’s concept of ‘associated protocols’ in media use, we ask how cinema and television are conceived in relation to each other in hindsight when remembering television as new.
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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