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Journal of Scandinavian Cinema最新文献

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Stereotyping Scandinavia in popular spy films: The image of the female 流行间谍片中对斯堪的纳维亚半岛的刻板印象:女性形象
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-09-01 DOI: 10.1386/jsca_00006_1
Kristina Stankevičiūtė
{"title":"Stereotyping Scandinavia in popular spy films: The image of the female","authors":"Kristina Stankevičiūtė","doi":"10.1386/jsca_00006_1","DOIUrl":"https://doi.org/10.1386/jsca_00006_1","url":null,"abstract":"Stereotyping, though considered ‘politically incorrect’, is viewed by some as a culturally economical choice that helps us save energy by simplifying the process of perceiving the world and its people. Spy films, in turn, are often constructed from certain clichés that some viewers expect, while more sophisticated spectators find them discrediting. Yet intentional use of clichés, including national and cultural stereotypes, may serve the purpose of conscious criticism or cultural irony, as is often the case in spy film parodies or spoofs. Referring to the widespread spy narrative character typology embodied in James Bond films, the article considers the popular stereotype of the Scandinavian woman observed in twenty-first-century espionage films for wide audiences, focusing on the Hamilton and Kingsman series to examine the effects that serious or ironic use of the stereotype has on the representation of female characters.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42441639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-09-01 DOI: 10.1386/jsca_00002_2
Tobias Hochscherf, Rolf Werenskjold
{"title":"Editorial","authors":"Tobias Hochscherf, Rolf Werenskjold","doi":"10.1386/jsca_00002_2","DOIUrl":"https://doi.org/10.1386/jsca_00002_2","url":null,"abstract":"","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45580692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The concept of time in Joachim Trier’s Reprise 约阿希姆·特里尔的《重演》中的时间概念
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/JSCA.9.2.197_1
Audun Engelstad
{"title":"The concept of time in Joachim Trier’s Reprise","authors":"Audun Engelstad","doi":"10.1386/JSCA.9.2.197_1","DOIUrl":"https://doi.org/10.1386/JSCA.9.2.197_1","url":null,"abstract":"In Joachim Trier’s debut film, Reprise (2006), the concept of time is a key feature. Time is embedded as self-reflexive by way of several narrative devices, including the reordering of chronology and projections of imaginable events. Time is also central to depictions of the characters’ experiences and states of mind. This article attempts to untangle the modes of temporality at play in the film and offers some interpretative pathways by which they can be understood.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43485208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Four Times Love’ and the making of the Nordic welfare state “四次爱”与北欧福利国家的建立
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/JSCA.9.2.157_1
K. Laine
{"title":"‘Four Times Love’ and the making of the Nordic welfare state","authors":"K. Laine","doi":"10.1386/JSCA.9.2.157_1","DOIUrl":"https://doi.org/10.1386/JSCA.9.2.157_1","url":null,"abstract":"This article focuses on ‘Four Times Love’ (Faustman and Jacobsen, 1951), the first feature film produced by companies from four Nordic countries. As a transauthoral omnibus film, credited to two directors and several independently working scriptwriters, ‘Four Times Love’ has a reputation as an incoherent film. Indeed, the project started with only a relatively vague idea of a Swedish frame story and one protagonist connecting three episodes that take place in Finland, Denmark and Norway. As the script evolved, however, unifying themes central to the Nordic welfare state – concerning, for example, social equality and political neutrality – seem to have gained ground. The aim of this article is to read this film as a manifestation of such complementary ideas and ideals surrounding the then (re-)emerging Nordic welfare state system.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47839084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In search of the antagonist: On inner struggles and soft parental power in Joachim Trier’s films 寻找对手——论约阿希姆·特里尔电影中的内心挣扎与父母的软权力
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/JSCA.9.2.203_1
Søren Birkvad
{"title":"In search of the antagonist: On inner struggles and soft parental power in Joachim Trier’s films","authors":"Søren Birkvad","doi":"10.1386/JSCA.9.2.203_1","DOIUrl":"https://doi.org/10.1386/JSCA.9.2.203_1","url":null,"abstract":"A common problem for many young characters in the films of Joachim Trier – the feeling that their only antagonist in life is themselves – is also, in a sense, a problem Trier confronts as an artist, since he tends to consider all sides of a matter rather than passing judgement. The article identifies the complexity of Trier’s work through his thematization of the inner antagonist in Reprise and Oslo, 31. august (Oslo: August 31st) and the problematizing of ‘soft parenthood’ in Louder Than Bombs and Thelma. The latter film also represents a new genre-related externalization of inner, highly antagonistic forces.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44644945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jörgen Lindström and the troubled status of the sexualized child on-screen Jörgen Lindström与银幕上性化儿童的困境
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/JSCA.9.2.175_1
I. Johnson
{"title":"Jörgen Lindström and the troubled status of the sexualized child on-screen","authors":"I. Johnson","doi":"10.1386/JSCA.9.2.175_1","DOIUrl":"https://doi.org/10.1386/JSCA.9.2.175_1","url":null,"abstract":"This article examines the problem of using child actors in sexual scenes in film, with special attention to Ingmar Bergman’s Tystnaden (The Silence) (1963) and Mai Zetterling’s Nattlek (Night Games) (1966), both featuring the Swedish child actor Jörgen Linström. I argue that seeing the sexualized child in film can evoke the viewer’s concern for the well-being of the child actor, thus disrupting absorption in the fictional world on-screen. I further contend that two modes for managing the problematic presence of the sexualized child on-screen – cuteness and queerness – ultimately fail to eliminate our ambivalence about this figure. The article draws attention to the underexamined figure of the child in 1960s Swedish cinema; additionally, it includes material from a 2017 interview with Jörgen Lindström.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46936805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Thelma: Empathic engagement and the Norwegian horror cinema 塞尔玛：移情接触与挪威恐怖电影
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/JSCA.9.2.227_1
C. Andresen
{"title":"Thelma: Empathic engagement and the Norwegian horror cinema","authors":"C. Andresen","doi":"10.1386/JSCA.9.2.227_1","DOIUrl":"https://doi.org/10.1386/JSCA.9.2.227_1","url":null,"abstract":"Genre filmmaking has become very important in Norwegian cinema in the years since 2000, even to the point of certain art cinema directors like Joachim Trier creating types of horror movies. I argue that Trier’s intimate, subtle approach to the main character in his psychological horror film Thelma deepens and expands the experience of Norwegian horror.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43178441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Focus: Joachim Trier 焦点：约阿希姆·特里尔
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/JSCA.9.2.191_1
A. Gjelsvik
{"title":"In Focus: Joachim Trier","authors":"A. Gjelsvik","doi":"10.1386/JSCA.9.2.191_1","DOIUrl":"https://doi.org/10.1386/JSCA.9.2.191_1","url":null,"abstract":"","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47904545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Joachim Trier’s close-ups and autonomous moments 约阿希姆·特里尔的特写和自主时刻
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/JSCA.9.2.219_1
Anne Jerslev
{"title":"Joachim Trier’s close-ups and autonomous moments","authors":"Anne Jerslev","doi":"10.1386/JSCA.9.2.219_1","DOIUrl":"https://doi.org/10.1386/JSCA.9.2.219_1","url":null,"abstract":"The article discusses Joachim Trier’s use of close-ups, highlighting two examples: a lengthy close-up of Isabelle Huppert’s face in Louder Than Bombs (2015) and close-ups of the two protagonists in Reprise (2005). Taking its point of departure in film theoretical discussions of the close-up, the article argues that Trier in different ways creates autonomous moments through close focus on his protagonists’ faces. In Louder Than Bombs, the prolonged, almost static close-up of the face of the older female actress blurs boundaries between character and actress. In Reprise, delicate images of the two fragile young people seem to be protectively enveloped by the film’s close-ups. In both instances these autonomous moments create their own temporal and spatial unity and distribute moments of intensity and affect across the image surface.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46691322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI: 10.1386/jsca.9.2.141_2
Anders Marklund
{"title":"Editorial","authors":"Anders Marklund","doi":"10.1386/jsca.9.2.141_2","DOIUrl":"https://doi.org/10.1386/jsca.9.2.141_2","url":null,"abstract":"","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42104525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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