Stereotyping Scandinavia in popular spy films: The image of the female

IF 0.1 0 FILM, RADIO, TELEVISION
Kristina Stankevičiūtė
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引用次数: 0

Abstract

Stereotyping, though considered ‘politically incorrect’, is viewed by some as a culturally economical choice that helps us save energy by simplifying the process of perceiving the world and its people. Spy films, in turn, are often constructed from certain clichés that some viewers expect, while more sophisticated spectators find them discrediting. Yet intentional use of clichés, including national and cultural stereotypes, may serve the purpose of conscious criticism or cultural irony, as is often the case in spy film parodies or spoofs. Referring to the widespread spy narrative character typology embodied in James Bond films, the article considers the popular stereotype of the Scandinavian woman observed in twenty-first-century espionage films for wide audiences, focusing on the Hamilton and Kingsman series to examine the effects that serious or ironic use of the stereotype has on the representation of female characters.
流行间谍片中对斯堪的纳维亚半岛的刻板印象:女性形象
刻板印象虽然被认为是“政治上不正确的”,但被一些人视为一种文化上经济的选择,通过简化感知世界及其人民的过程来帮助我们节省能源。反过来,间谍电影往往是根据一些观众所期望的某些陈词滥调构建的,而更老练的观众则觉得它们不可信。然而,有意使用陈词滥调,包括国家和文化的刻板印象,可能会达到有意识的批评或文化讽刺的目的,间谍电影中的戏仿或恶搞经常如此。参考詹姆斯·邦德电影中广泛存在的间谍叙事人物类型,本文考虑了21世纪间谍电影中普遍存在的斯堪的纳维亚女性刻板印象,以汉密尔顿和金斯曼系列为重点,考察了刻板印象的严肃或讽刺使用对女性角色表现的影响。
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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