寻找对手——论约阿希姆·特里尔电影中的内心挣扎与父母的软权力

IF 0.1 0 FILM, RADIO, TELEVISION
Søren Birkvad
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引用次数: 0

摘要

约阿希姆·特里尔电影中许多年轻角色的一个共同问题是,他们觉得生活中唯一的对手是自己,从某种意义上说,这也是特里尔作为一名艺术家所面临的问题,因为他倾向于考虑事情的方方面面,而不是做出判断。这篇文章通过特里尔在《Reprise》和《Oslo》(31)中对内心反对者的主题化,确定了特里尔作品的复杂性。八月(奥斯陆:8月31日),以及《比炸弹更响》和《塞尔玛》中“软父母”的问题。后一部电影也代表了一种与类型相关的内在、高度对立的力量的外化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In search of the antagonist: On inner struggles and soft parental power in Joachim Trier’s films
A common problem for many young characters in the films of Joachim Trier – the feeling that their only antagonist in life is themselves – is also, in a sense, a problem Trier confronts as an artist, since he tends to consider all sides of a matter rather than passing judgement. The article identifies the complexity of Trier’s work through his thematization of the inner antagonist in Reprise and Oslo, 31. august (Oslo: August 31st) and the problematizing of ‘soft parenthood’ in Louder Than Bombs and Thelma. The latter film also represents a new genre-related externalization of inner, highly antagonistic forces.
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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