{"title":"寻找对手——论约阿希姆·特里尔电影中的内心挣扎与父母的软权力","authors":"Søren Birkvad","doi":"10.1386/JSCA.9.2.203_1","DOIUrl":null,"url":null,"abstract":"A common problem for many young characters in the films of Joachim Trier – the feeling that their only antagonist in life is themselves – is also, in a sense, a problem Trier confronts as an artist, since he tends to consider all sides of a matter rather than passing judgement. The article identifies the complexity of Trier’s work through his thematization of the inner antagonist in Reprise and Oslo, 31. august (Oslo: August 31st) and the problematizing of ‘soft parenthood’ in Louder Than Bombs and Thelma. The latter film also represents a new genre-related externalization of inner, highly antagonistic forces.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In search of the antagonist: On inner struggles and soft parental power in Joachim Trier’s films\",\"authors\":\"Søren Birkvad\",\"doi\":\"10.1386/JSCA.9.2.203_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A common problem for many young characters in the films of Joachim Trier – the feeling that their only antagonist in life is themselves – is also, in a sense, a problem Trier confronts as an artist, since he tends to consider all sides of a matter rather than passing judgement. The article identifies the complexity of Trier’s work through his thematization of the inner antagonist in Reprise and Oslo, 31. august (Oslo: August 31st) and the problematizing of ‘soft parenthood’ in Louder Than Bombs and Thelma. The latter film also represents a new genre-related externalization of inner, highly antagonistic forces.\",\"PeriodicalId\":42248,\"journal\":{\"name\":\"Journal of Scandinavian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Scandinavian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/JSCA.9.2.203_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Scandinavian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/JSCA.9.2.203_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
In search of the antagonist: On inner struggles and soft parental power in Joachim Trier’s films
A common problem for many young characters in the films of Joachim Trier – the feeling that their only antagonist in life is themselves – is also, in a sense, a problem Trier confronts as an artist, since he tends to consider all sides of a matter rather than passing judgement. The article identifies the complexity of Trier’s work through his thematization of the inner antagonist in Reprise and Oslo, 31. august (Oslo: August 31st) and the problematizing of ‘soft parenthood’ in Louder Than Bombs and Thelma. The latter film also represents a new genre-related externalization of inner, highly antagonistic forces.
期刊介绍:
Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.