约阿希姆·特里尔的《重演》中的时间概念

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2019-06-01 DOI:10.1386/JSCA.9.2.197_1

Audun Engelstad

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引用次数: 0

摘要

在Joachim Trier的处女作《Reprise》(2006)中，时间概念是一个关键特征。通过多种叙事手段，包括时间顺序的重新排序和可想象事件的预测，时间被嵌入为自我反思。时间也是刻画人物经历和精神状态的核心。本文试图理清影片中的时间模式，并提供一些理解它们的解释途径。

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The concept of time in Joachim Trier’s Reprise

In Joachim Trier’s debut film, Reprise (2006), the concept of time is a key feature. Time is embedded as self-reflexive by way of several narrative devices, including the reordering of chronology and projections of imaginable events. Time is also central to depictions of the characters’ experiences and states of mind. This article attempts to untangle the modes of temporality at play in the film and offers some interpretative pathways by which they can be understood.

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来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.